A middle-aged couple struggles with the husband's descent into early onset Lewy Body dementia in this profound and deeply moving novel shot through with Kirshenbaum's lacerating humor.

It begins with hallucinations. From their living room window, Leo sees a man on stilts, an acting troupe, a pair of swans paddling on the Manhattan streets below. Then he's unable to perform simple tasks and experiences a host of other erratic disturbances, none of which his doctors can explain. Leo, 53, a research scientist, and Addie, a collage artist, have a loving and happy marriage. They'd planned on many more years of work and travel, dinner with friends, quiet evenings at home with the cat. But as Leo's periods of lucidity become rarer, those dreams fall away, and Addie finds herself less and less able to cope with an increasingly unbearable present.

Eventually, Leo is diagnosed with early onset dementia in the form of Lewy body disease. Life expectancy ranges from 3 to 20 years. A decidedly uncharacteristic act of violence makes it clear that he cannot live at home. He moves first to an assisted living facility and then to a small apartment with a caretaker, where, over time, he descends into full cognitive decline. Addie's agony, anger, and guilt result in self-imposed isolation, which mirrors Leo's diminished life. And so for years, all she can do is watch him die--too soon, and yet not soon enough.

Kirshenbaum captures the pair's final years, months, and days in short scenes that burn with despair, dark humor, and rage, tracking the brutal destruction of the disease as well as the moments of love and beauty that still exist for them.

Master of razor-edged literary humor Binnie Kirshenbaum returns with her first novel in a decade, a devastating, laugh-out-loud funny story of a writer's slide into depression and institutionalization.

It's New Year's Eve, the holiday of forced fellowship, mandatory fun, and paper hats. While dining out with her husband and their friends, Kirshenbaum's protagonist--an acerbic, mordantly witty, and clinically depressed writer--fully unravels. Her breakdown lands her in the psych ward of a prestigious New York hospital, where she refuses all modes of recommended treatment. Instead, she passes the time chronicling the lives of her fellow lunatics and writing a novel about what brought her there. Her story is a brilliant and brutally funny dive into the disordered mind of a woman who sees the world all too clearly.

Propelled by razor-sharp comic timing and rife with pinpoint insights, Kirshenbaum examines what it means to be unloved and loved, to succeed and fail, to be at once impervious and raw. Rabbits for Food shows how art can lead us out of--or into--the depths of disconsolate loneliness and piercing grief. A bravura literary performance from one of our most indispensable writers.

Meet Lila Moscowitz, a smart-mouthed, Jewish American beauty with a voracious appetite for sex, a remarkable talent for outrageous lies, and an unerring knack for screwing up her life. An accomplished poet, renowned for writing smut and filth in terza rima, she goes about her life in Pure Poetry with enough attitude and verve to win your heart forever. But since fleeing the all-consuming passion of her marriage to Max, the sexy German, she can no longer compose so much as a couplet; ghosts have taken over her Greenwich Village apartment, and the contrast between her feelings for her present lover and her former husband is breaking her heart. And neither her best friend, Carmen, nor her cross-dressing analyst, Leon, is able to soothe her angst over her impending thirty eighth birthday, an occasion fraught with a thirty-seven year tradition of emotional devastation. But time waits for no woman, and the dreaded birthday does bring insight: Love can be undone by the same desires that nurture it. Lila knows that she has got to take action, and in doing so she comes to realize some startling truths about herself, her capacity for love, and the nature of true freedom. Binnie Kirshenbaum's voice has been acclaimed by critics and readers alike. Already a bestselling author in Germany, Kirshenbaum demonstrates a brilliant maturity in Pure Poetry. Not since Erica Jong's Fear of Flying has a novel so captured a woman's heart and desires. Readers will cheer Pure Poetry for its heady mix of humor and sadness, and for its slyly unsettling visions of modern life.

In Brooklyn, in the Age of Disco, Valentine Kessler -- a sweet Jewish girl who bears a remarkable resemblance to the Virgin Mary of Lourdes -- has an unerring gift for shattering the dreams and hopes of those who love her. Miriam, her long-suffering mother, betrayed and anguished by the husband she adores, seeks solace in daily games of mah-jongg with The Girls, a cross between a Greek Chorus and Brooklyn's rendition of the Three Wise Men, who dispense advice, predictions, and care in the form of poppy-seed cake and apple strudels. When her greatest fear for Valentine is realized, Miriam takes comfort in the thought that it couldn't get any worse. And then it does.

Sagacious, sorrowful, and hilarious, An Almost Perfect Moment is a novel about mothers and daughters, star-crossed lovers, doctrines of the divine, and a colorful Jewish community that once defined Brooklyn.

This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Divorced, alone, and unexpectedly unemployed, Sylvia Landsman flees to Italy, where she meets Henry, a wistful, married, middle-aged expatriate. Taking off on a grand tour of Europe bankrolled with his wife's money, Henry and Sylvia follow a circuitous route around the continent--as Sylvia entertains Henry with stories of her peculiar family and her damaged friends, of dead ducks and Alma Mahler. Her narrative is a tapestry of remembrances and regrets...and her secret shame: a small, cowardly sin of omission. Yet when the opportunity arises for Sylvia and Henry to do something small but brave, the refrain if only returns to haunt her, leaving Sylvia with one more story of love lived and lost.

Born in New York in 1963, historian Hester Rosenfeld--very American and marginally Jewish--goes to Munich to research the life of Heinrich Falk and becomes his mistress. Born in Berlin in 1943, raised in the ruins of defeat by a generation of murderers and cowards, Professor Falk is neither infamous nor famous--he is simply the German Everyman. Hester believes his life story could make for an important contemporary historical document--kitchen table history. Heinrich is married (four times, twice to his current wife) and has four daughters. But madly in love with Hester, adultery is nothing new to him. As he assists her in her note-taking--about him and his family, about German history--she often suspects Heinrich is covering up something. Was his brother really a Werewolf, a Nazi militiaman who vowed to continue fighting after the war's end? What kind of gas company did his mother work for? And what exactly did his father do during those years?

Yet Hester has her secrets, too, and the longer she remains in Germany the harder it is to keep them concealed. As she uncovers more of the Falk family's possible connection to Nazism, she finds herself reexamining her feelings about her own parents and her complicated attraction to Heinrich. As the lovers' intimacy deepens beyond the erotic, each suspects the other of hiding something about the past.

Called a rare and remarkable writer by Pulitzer Prize-winning author Michael Cunningham, Kirshenbaum has written a searing novel about history's unforgettable legacy and its continuing impact.

Brazen and given to transgressions, the narrator of this mordantly witty novel is an aloof, tough talking, married Manhattan woman who carries on three affairs simultaneously, blithely breaking seven of the Ten Commandments in her search for a safe place to land. Rootless, bouncing from bed to bed, she knows she is pure of heart. If only she could find where her heart got lost. Irreverent and achingly honest, she points to the small but infinitely deep cracks in our masks, drawing the reader into her world of misadventure -- erotic, comic, and deeply unsettling. Juggling four men -- her husband, the hit man, the multimedia artist, and the love of her life -- she can't decide whether she is out to prove or disprove the Talmudic wisdom: If you don't know where you're going, any road will take you there.

From New York City to the former East Germany, from rural Virginia to affluent suburbia, the characters in these short stories grapple with love, loss, greed, perversion, and other awful truths as they try to transcend their limitations with occasional humor and dignity. In History on a Personal Note, Lorraine, a Southerner, wonders if her German paramour will find the inspiration to leave his wife amidst the destruction of the Berlin Wall. In Viewing Stacy from Above, a pregnant woman descends into a pit of despair as she contemplates the constraints of motherhood. In Money Honey, a young adulteress who ditches her husband is reprimanded by an extended family of elders whose morals are even more dubious than her own.

Contemplative, allegorical, and witty, History on a Personal Note takes us into a world laced with black humor and makes us laugh -- until it hurts.