Since Hamas's attack on Israel last October 7, the term settler colonialism has become central to public debate in the United States. A concept new to most Americans, but already established and influential in academic circles, settler colonialism is shaping the way many people think about the history of the United States, Israel and Palestine, and a host of political issues.

This short book is the first to examine settler colonialism critically for a general readership. By critiquing the most important writers, texts, and ideas in the field, Adam Kirsch shows how the concept emerged in the context of North American and Australian history and how it is being applied to Israel. He examines the sources of its appeal, which, he argues, are spiritual as much as political; how it works to delegitimize nations; and why it has the potential to turn indignation at past injustices into a source of new injustices today. A compact and accessible introduction, rich with historical detail, the book will speak to readers interested in the Middle East, American history, and today's most urgent cultural-political debates.

Should we welcome the end of humanity?

In this blistering book about the history of an idea, one of our leading critics draws on his dazzling range and calls our attention to a seemingly inconceivable topic that is being seriously discussed: that the end of humanity's reign on earth is imminent, and that we should welcome it. Kirsch journeys through literature, philosophy, science, and popular culture, to identify two strands of thinking: Anthropocene antihumanism says that our climate destruction has doomed humanity and we should welcome our extinction, while Transhumanism believes that genetic engineering and artificial intelligence will lead to new forms of life superior to humans.

Kirsch's introduction of thinkers and writers from Roger Hallam to Jane Bennett, David Benatar to Nick Bostrom, Patricia MacCormack to Ray Kurzweil, Ian McEwan to Richard Powers, will make you see the current moment in a new light. The revolt against humanity has already spread beyond the fringes of the intellectual world, and it can transform politics and society in profound ways--if it hasn't already.

Jews have long embraced their identity as the people of the book. But outside of the Bible, much of the Jewish literary tradition remains little known to nonspecialist readers. The People and the Books shows how central questions and themes of our history and culture are reflected in the Jewish literary canon: the nature of God, the right way to understand the Bible, the relationship of the Jews to their Promised Land, and the challenges of living as a minority in Diaspora. Adam Kirsch explores eighteen classic texts, including the biblical books of Deuteronomy and Esther, the philosophy of Maimonides, the autobiography of the medieval businesswoman Glückel of Hameln, and the Zionist manifestoes of Theodor Herzl. From the Jews of Roman Egypt to the mystical devotees of Hasidism in Eastern Europe, The People and the Books brings the treasures of Jewish literature to life and offers new ways to think about their enduring power and influence.

Jews have long embraced their identity as the people of the book. But outside of the Bible, much of the Jewish literary tradition remains little known to nonspecialist readers. The People and the Books shows how central questions and themes of our history and culture are reflected in the Jewish literary canon: the nature of God, the right way to understand the Bible, the relationship of the Jews to their Promised Land, and the challenges of living as a minority in Diaspora. Adam Kirsch explores eighteen classic texts, including the biblical books of Deuteronomy and Esther, the philosophy of Maimonides, the autobiography of the medieval businesswoman Glückel of Hameln, and the Zionist manifestoes of Theodor Herzl. From the Jews of Roman Egypt to the mystical devotees of Hasidism in Eastern Europe, The People and the Books brings the treasures of Jewish literature to life and offers new ways to think about their enduring power and influence.

In The Global Novel, acclaimed literary critic Adam Kirsch explores some of the 21st century's best-known writers--including Margaret Atwood, Haruki Murakami, and Elena Ferrante--and how they each have a way of imagining the world that sees different places and peoples as intimately connected.

From climate change and sex trafficking to religious fundamentalism and genetic engineering, today's novelists use contemporary subjects to address the perennial concerns of fiction, like morality, society, and love. The global novel is not the bland, commercial product that many critics of world literature have accused it of being, but instead a renewal of the writer's privilege of examining what it means to be human.

Adam Kirsch is one of today's finest literary critics. This collection brings together his essays on poetry, religion, and the intersections between them, with a particular focus on Jewish literature. He explores the definition of Jewish literature, the relationship between poetry and politics, and the future of literary reputation in the age of the internet. Several essays look at the way Jewish writers such as Stefan Zweig and Isaac Deutscher, who coined the phrase the non-Jewish Jew, have dealt with politics. Kirsch also examines questions of spirituality and morality in the writings of contemporary poets, including Christian Wiman, Kay Ryan, and Seamus Heaney. He closes by asking why so many American Jewish writers have resisted that category, inviting us to consider Is there such a thing as Jewish literature?

Following The People and the Books, which covers more than 2,500 years of highly variegated Jewish cultural expression (Robert Alter, New York Times Book Review), poet and literary critic Adam Kirsch now turns to the story of modern Jewish literature. From the vast emigration of Jews out of Eastern Europe to the Holocaust to the creation of Israel, the twentieth century transformed Jewish life. The same was true of Jewish writing: the novels, plays, poems, and memoirs of Jewish writers provided intimate access to new worlds of experience.

Kirsch surveys four themes that shaped the twentieth century in Jewish literature and culture: Europe, America, Israel, and the endeavor to reimagine Judaism as a modern faith. With discussions of major books by over thirty writers--ranging from Franz Kafka to Philip Roth, Elie Wiesel to Tony Kushner, Hannah Arendt to Judith Plaskow--he argues that literature offers a new way to think about what it means to be Jewish in the modern world. With a wide scope and diverse, original observations, Kirsch draws fascinating parallels between familiar writers and their less familiar counterparts. While everyone knows the diary of Anne Frank, for example, few outside of Israel have read the diary of Hannah Senesh. Kirsch sheds new light on the literature of the Holocaust through the work of Primo Levi, explores the emergence of America as a Jewish home through the stories of Bernard Malamud, and shows how Yehuda Amichai captured the paradoxes of Israeli identity.

An insightful and engaging work from one of America's finest literary critics (Wall Street Journal), The Blessing and the Curse brings the Jewish experience vividly to life.

Spurred by a curiosity about Daf Yomi--a study program launched in the 1920s in which Jews around the world read one page of the Talmud every day for 2,711 days, or about seven and a half years--Adam Kirsch approached Tablet magazine to write a weekly column about his own Daf Yomi experience. An avowedly secular Jew, Kirsch did not have a religious source for his interest in the Talmud; rather, as a student of Jewish literature and history, he came to realize that he couldn't fully explore these subjects without some knowledge of the Talmud. This book is perfect for readers who are in a similar position. Most people have little sense of what the Talmud actually is--how the text moves, its preoccupations and insights, and its moments of strangeness and profundity. As a critic and journalist Kirsch has experience in exploring difficult texts, discussing what he finds there, and why it matters. His exploration into the Talmud is best described as a kind of travel writing--a report on what he saw during his seven-and-a-half-year journey through the Talmud. For readers who want to travel that same path, there is no better guide.

In these moving and meditative poems, Adam Kirsch shows how the experiences and recognitions of early life continue to shape us into adulthood. Richly evoking a 1980s childhood in Los Angeles, Kirsch uses Gen X landmarks--from Devo to Atari to the Challenger disaster--to tell a story of emotional and artistic coming of age, exploring universal questions of meaning, mortality, and how we become who we are.

Jacob El Hanani (b. 1947) was born in Casablanca, Morocco, and was raised in Israel. He produces highly intricate works through the painstaking repetition of miniscule marks, often Hebrew letters repeated thousands of times using ink on paper or canvas. He draws these images without magnification. The end result is a work of extraordinary detail that appears to be a pattern from a distance and speaks of the passage of time and the link between the microscopic and the infinite.

Inspired by Albrecht D rer and minimalism, El Hanani practices the ancient art of micrography, in which tiny calligraphic letters are repeatedly drawn to create abstract designs. Jewish scribes used this technique to transcribe holy texts. El Hanani sees his work as part of this continuum and himself as a champion of the handmade.

The distinguished poet and critic argues for the abiding relevance of a great literary mind of the twentieth century

Lionel Trilling, regarded at the time of his death in 1975 as America's preeminent literary critic, is today often seen as

Robert Lowell, Elizabeth Bishop, Sylvia Plath, John Berryman, Randall Jarrell, and Delmore Schwartz formed one of the great constellations of talent in American literature. In the decades after World War II, they changed American poetry forever by putting themselves at risk in their poems in a new and provocative way. Their daring work helped to inspire the popular style of poetry now known as confessional. But partly as a result of their openness, they have become better known for their tumultuous lives--afflicted by mental illness, alcoholism, and suicide--than for their work. This book reclaims their achievement by offering critical biographies of the poetry--tracing the development of each poet's work, exploring their major themes and techniques, and examining how they transformed life into art. An ideal introduction for readers coming to these major American poets for the first time, it will also help veteran readers to appreciate their work in a new light.