A classic, for a reason. --Celeste Ng, bestselling author of Little Fires Everywhere and Our Missing Hearts, via Twitter

As a girl, Kingston lives in two confounding worlds: the California to which her parents have immigrated and the China of her mother's talk stories. The fierce and wily women warriors of her mother's tales clash jarringly with the harsh reality of female oppression out of which they come. Kingston's sense of self emerges in the mystifying gaps in these stories, which she learns to fill with stories of her own. A warrior of words, she forges fractured myths and memories into an incandescent whole, achieving a new understanding of her family's past and her own present.

In her singular voice--both humble and brave, touching and humorous--Maxine Hong Kingston gives us a poignant and beautiful memoir-in-verse that captures the wisdom that comes with age. As she reflects on her sixty-five years, she circles from present to past and back, from lunch with a writer friend to the funeral of a Vietnam veteran, from her long marriage to her arrest at a peace march in Washington. On her journeys as writer, peace activist, teacher, and mother, she revisits her most beloved characters--Wittman Ah-Sing, the Tripmaster Monkey, and Fa Mook Lan, the Woman Warrior--and presents us with a beautiful meditation on China then and now. The result is a marvelous account of an American life of great purpose and joy, and the tonic wisdom of a writer we have come to cherish.

Maxine Hong Kingston made a stunning entrance on the American literary scene with The Woman Warrior (1976), her memoirs of a childhood among ghosts. Not only an account of growing up poor and Chinese American in the San Joaquin Valley, it was also an audacious feat of imaginative transformation and pathbreaking work of feminist autobiography, drawing on ancient myths and the family stories her mother brought over from China to make sense of a transformed life in America.

A companion to The Woman Warrior, which she called her mother-book, Kingston's father-book China Men (1980) spreads out across a large geographical and historical canvas to envision the lives of her male relatives who immigrated to America. Taken together, The Woman Warrior and China Men offer a profound, kaleidoscopic, genre-defying narrative of the American experience.

Kingston's third book, Tripmaster Monkey: His Fake Book (1989), is the wildly inventive story of Wittman Ah Sing, a Berkeley graduate student whose experience of the San Francisco Beat scene transforms his understanding of his own Chinese heritage.

Rounding out the volume are a series of essays from 1978 reflecting on her life in Hawaii, later collected as Hawai'i One Summer, personal musings whose subjects range from the contentions of a conference of Asian American writers to home-buying, surfing, and the work of the Beat poet Lew Welch.

Also included are hard-to-find essays about the creative process and Kingston's exasperated, insightful account of how most of the reviewers of The Woman Warrior fell prey to lazy stereotypes about the exotic and inscrutable East.

Here--for the first time in one volume--are two classic, brilliantly original works on the experience of Chinese immigrants in America. In both books the acclaimed author mines her family's past and her culture's stories, weaving myth and memory to fashion works of enormous revelatory power.

The Woman Warrior: Memoirs of a Girlhood Among Ghosts, which won the National Book Critics Circle Award, is Kingston's disturbing and fiercely beautiful account of growing up Chinese-American in California. The young Kingston lives in two worlds: the America to which her parents have emigrated, a place inhabited by white ghosts, and the China of her mother's talk stories, a place haunted by the ghosts of the past. Her mother, who had been a doctor in China but in the United States is reduced to running a laundry, tells her daughter traditional tales of strong, wily women warriorstales-that clash puzzlingly with the real oppression of Chinese women. Kingston learns to fill in the mystifying spaces in her mother's stories with stories of her own, engaging her family's past and her own present with anger, imagination, and dazzling passion.

China Men, a National Book Award winner for fiction, is Kingston's unforgettable imaginative journey into the hearts and minds of generations of Chinese men in America, from those who worked on the transcontinental railroad in the 1840s to those who fought in Vietnam. Mixing vivid fables and legends, personal stories from her own family, and details of the historical hardships faced by Chinese immigrants in different times and places, Kingston illuminates their long, arduous search for the Gold Mountain.

I have almost finished my longbook, Maxine Hong Kingston declares. Let my life as Poet begin...I won't be a workhorse anymore; I'll be a skylark. To Be the Poet is Kingston's manifesto, the avowal and declaration of a writer who has devoted a good part of her sixty years to writing prose, and who, over the course of this spirited and inspiring book, works out what the rest of her life will be, in poetry. Taking readers along with her, this celebrated writer gathers advice from her gifted contemporaries and from sages, critics, and writers whom she takes as ancestors. She consults her past, her conscience, her time--and puts together a volume at once irreverent and deeply serious, playful and practical, partaking of poetry throughout as it pursues the meaning, the possibility, and the power of the life of the poet.

A manual on inviting poetry, on conjuring the elusive muse, To Be the Poet is also a harvest of poems, from charms recollected out of childhood to bursts of eloquence, wonder, and waggish wit along the way to discovering what it is to be a poet.

Driven by his dream to write and stage an epic stage production of interwoven Chinese novelsWittman Ah Sing, a Chinese-American hippie in the late '60s.

'A strange, enchanting book . . . unbeatable' - The Guardian

'Dizzying, elemental' - John Leonard, The New York Times

A classic memoir set during the Chinese revolution of the 1940s and inspired by folklore, providing a unique insight into the life of an immigrant in America.

Throughout her childhood, Maxine Hong Kingston listened to her mother's mesmerizing tales of a China where girls are worthless, tradition is exalted and only a strong, wily woman can scratch her way upwards. Growing up in a changing America, surrounded by Chinese myth and memory, this is her story of two cultures and one trenchant, lyrical journey into womanhood.

Complex and beautiful, angry and adoring, Maxine Hong Kingston's The Woman Warrior is a seminal piece of writing about emigration and identity. It won the National Book Critics Circle Award in 1976 and is widely hailed as a feminist classic.

Part of the Picador Collection.