The calendar. The Senate. The university. The piano, the heliocentric model, and the pizzeria. It's hard to imagine a world without Italian influence--and easy to assume that inventions like these could only come from a strong, stable peninsula, sure of its place in the world. In this breakneck history, bestselling author Ross King dismantles this assumption, uncovering the story of a land rife with inner uncertainty even as its influence spread.

As the Italian tale unfolds, prosperity and power fluctuate like the elevation in the Dolomites. If Rome's seven hills could talk, they might speak of the glorious time of Trajan--or bemoan the era of conquest and the Bubonic Plague that decimated Rome's population. Episodes of wealth like the First Triumvirate and the time of the Medicis are given fresh life alongside descriptions of the Middle Ages, the early days of Venice, the invasion of Napoleon, and the long struggle for unification.

Highlighting key events and personalities, King paints a vibrant portrait of a country whose political and cultural legacies enrich our lives today.

The New York Times bestselling, award winning story of the construction of the dome of Santa Maria del Fiore in Florence and the Renaissance genius who reinvented architecture to build it.

On August 19, 1418, a competition concerning Florence's magnificent new cathedral, Santa Maria del Fiore was announced: Whoever desires to make any model or design for the vaulting of the main Dome....shall do so before the end of the month of September. The proposed dome was regarded far and wide as all but impossible to build: not only would it be enormous, but its original and sacrosanct design shunned the flying buttresses that supported cathedrals all over Europe. The dome would literally need to be erected over thin air.

Of the many plans submitted, one stood out--a daring and unorthodox solution to vaulting what is still the largest dome in the world. It was offered not by a master mason or carpenter, but by a goldsmith and clockmaker named Filippo Brunelleschi, then forty-one, who would dedicate the next twenty-eight years to solving the puzzles of the dome's construction. In the process, he reinvented the field of architecture.

Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Award-winning, bestselling author Ross King weaves this drama amid a background of the plagues, wars, political feuds, and the intellectual ferments of Renaissance Florence to bring the dome's creation to life in a fifteenth-century chronicle with twenty-first-century resonance.

The bestselling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling captures the excitement and spirit of the Renaissance in this chronicle of the life and work of the king of the world's booksellers and the technological disruption that forever changed the ways knowledge spread.

The Renaissance in Florence conjures images of beautiful frescoes and elegant buildings--the dazzling handiwork of the city's skilled artists and architects. But equally important for the centuries to follow were geniuses of a different sort: Florence's manuscript hunters, scribes, scholars, and booksellers, who blew the dust off a thousand years of history and, through the discovery and diffusion of ancient knowledge, imagined a new and enlightened world.

At the heart of this activity, which bestselling author Ross King relates in his exhilarating new book, was a remarkable man: Vespasiano da Bisticci. Born in 1422, he became what a friend called the king of the world's booksellers. At a time when all books were made by hand, over four decades Vespasiano produced and sold many hundreds of volumes from his bookshop, which also became a gathering spot for debate and discussion. Besides repositories of ancient wisdom by the likes of Plato, Aristotle, and Quintilian, his books were works of art in their own right, copied by talented scribes and illuminated by the finest miniaturists. His clients included a roll-call of popes, kings, and princes across Europe who wished to burnish their reputations by founding magnificent libraries.

Vespasiano reached the summit of his powers as Europe's most prolific merchant of knowledge when a new invention appeared: the printed book. By 1480, the king of the world's booksellers was swept away by this epic technological disruption, whereby cheaply produced books reached readers who never could have afforded one of Vespasiano's elegant manuscripts.

A thrilling chronicle of intellectual ferment set against the dramatic political and religious turmoil of the era, Ross King's brilliant The Bookseller of Florence is also an ode to books and bookmaking that charts the world-changing shift from script to print through the life of an extraordinary man long lost to history--one of the true titans of the Renaissance.

The city of Florence is home to dozens of museums and palaces that contain many of the world's most renowned works of art. Florence: The Paintings & Frescoes is a rich and magnificent collection of thousands of paintings and frescoes that are visited by millions of travelers every year including the art of Giotto, Leonardo da Vinci, Michelangelo, Ghirlandaio, Correggio, Botticelli, Caravaggio, Titian, Rembrandt, van Dyck, El Greco, and hundreds more.

Explore the history of art in Florence through seven essays by Ross King, bestselling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling, which connect how the paintings, politics, and every-day lives of Florentines influenced one another. Art historian Anja Grebe, author of The Louvre and The Vatican, also highlights 250 of the most iconic and significant paintings and frescoes in the historic city with details on the attributes of the works, biographical details of the artists, and more.

This spectacular collection of nearly 2,000 paintings and frescoes also includes two removable posters of Florence -- one from the Renaissance and one from the present day.

Korean is now the 11th most popular language taught at American universities. This new edition of Elementary Korean, the most comprehensive and detailed introductory Korean textbook available, offers beginning learners of Korean everything they need to learn the language effectively. Perfect for a first-year university-level course use or the independent language learner. No prior knowledge of the language is necessary.

The new format, now with dozens of illustrations, presents Korean vocabulary and Korean grammar in an accessible and understandable manner while extensive conversations and exercises help to reinforce the Korean language and build reading and listening comprehension.

This edition includes:

• Downloadable companion audio with native speaker recordings and a dedicated website.
• Rich and highly nuanced examples with brand new illustrations.
• Grammar notes
• Ample writing exercises with an accompanying answer key.
• Detailed examples of authentic dialogue.
• Plenty of writing practice.

Included is downloadable revised audio that helps learners to speak like a native and a web-based practice component through the University of British Columbia that can help students to learn Korean even beyond the pages of this book. According to the Modern Language Association, enrollment in Korean in American universities is increasing rapidly.

Available separately is the companion Elementary Korean Workbook, which assists learners in practicing and polishing their Korean language skills. Each lesson supplements the corresponding lesson in the textbook. There are ten activities per lesson, offering a range of exercises and practice opportunities to enable you to achieve proficiency in everyday, conversational Korean.

All media content is accessible on the Tuttle Publishing website.

From the acclaimed author of Brunelleschi's Dome and Leonardo and the Last Supper, the riveting story of how Michelangelo, against all odds, created the masterpiece that has ever since adorned the ceiling of the Sistine Chapel.

In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. Despite having completed his masterful statue David four years earlier, he had little experience as a painter, even less working in the delicate medium of fresco, and none with challenging curved surfaces such as the Sistine ceiling's vaults. The temperamental Michelangelo was himself reluctant: He stormed away from Rome, incurring Julius's wrath, before he was eventually persuaded to begin.

Michelangelo and the Pope's Ceiling recounts the fascinating story of the four extraordinary years he spent laboring over the twelve thousand square feet of the vast ceiling, while war and the power politics and personal rivalries that abounded in Rome swirled around him. A panorama of illustrious figures intersected during this time-the brilliant young painter Raphael, with whom Michelangelo formed a rivalry; the fiery preacher Girolamo Savonarola and the great Dutch scholar Desiderius Erasmus; a youthful Martin Luther, who made his only trip to Rome at this time and was disgusted by the corruption all around him.

Ross King blends these figures into a magnificent tapestry of day-to-day life on the ingenious Sistine scaffolding and outside in the upheaval of early-sixteenth-century Italy, while also offering uncommon insight into the connection between art and history.

The bestselling author of Brunelleschi's Dome and Michelangelo and the Pope's Ceiling captures the excitement and spirit of the Renaissance in this chronicle of the life and work of the king of the world's booksellers and the technological disruption that forever changed the ways knowledge spread.

The Renaissance in Florence conjures images of beautiful frescoes and elegant buildings--the dazzling handiwork of the city's skilled artists and architects. But equally important for the centuries to follow were geniuses of a different sort: Florence's manuscript hunters, scribes, scholars, and booksellers, who blew the dust off a thousand years of history and, through the discovery and diffusion of ancient knowledge, imagined a new and enlightened world.

At the heart of this activity, which bestselling author Ross King relates in his exhilarating new book, was a remarkable man: Vespasiano da Bisticci. Born in 1422, he became what a friend called the king of the world's booksellers. At a time when all books were made by hand, over four decades Vespasiano produced and sold many hundreds of volumes from his bookshop, which also became a gathering spot for debate and discussion. Besides repositories of ancient wisdom by the likes of Plato, Aristotle, and Quintilian, his books were works of art in their own right, copied by talented scribes and illuminated by the finest miniaturists. His clients included a roll-call of popes, kings, and princes across Europe who wished to burnish their reputations by founding magnificent libraries.

Vespasiano reached the summit of his powers as Europe's most prolific merchant of knowledge when a new invention appeared: the printed book. By 1480, the king of the world's booksellers was swept away by this epic technological disruption, whereby cheaply produced books reached readers who never could have afforded one of Vespasiano's elegant manuscripts.

A thrilling chronicle of intellectual ferment set against the dramatic political and religious turmoil of the era, Ross King's brilliant The Bookseller of Florence is also an ode to books and bookmaking that charts the world-changing shift from script to print through the life of an extraordinary man long lost to history--one of the true titans of the Renaissance.

This spectacular collection of nearly 2,000 paintings and frescoes is a must-have for any art lover, student, or arm-chair traveler.

With a novelist's skill and the insight of an historian, bestselling author Ross King recalls a seminal period when Paris was the artistic center of the world, and the rivalry between Meissonier and Manet.

While the Civil War raged in America, another revolution took shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been quite so controversial. The drama of its birth, played out on canvas and against the backdrop of the Franco-Prussian War and the Commune, would at times resemble a battlefield; and as Ross King reveals, it would reorder both history and culture, and resonate around the world.

Los Angeles Times Book Prize Finalist

From bestselling author Ross King, a brilliant portrait of legendary artist Claude Monet and the story of his most memorable achievement, the water lilies.

Claude Monet is perhaps the world's most beloved artist, and among all his creations, the paintings of the water lilies in his garden at Giverny are most famous. Seeing them in museums around the world, viewers are transported by the power of Monet's brush into a peaceful world of harmonious nature. Monet himself intended them to provide an asylum of peaceful meditation. Yet, as Ross King reveals in his magisterial chronicle of both artist and masterpiece, these beautiful canvases (featured in black and white images throughout, as well as a 16-pg color insert) belie the intense frustration Monet experienced at the difficulties of capturing the fugitive effects of light, water, and color. They also reflect the terrible personal torments Monet suffered in the last dozen years of his life.

Mad Enchantment tells the full story behind the creation of the Water Lilies, as the horrors of World War I came ever closer to Paris and Giverny, and a new generation of younger artists, led by Henri Matisse and Pablo Picasso, were challenging the achievements of Impressionism. By early 1914, French newspapers were reporting that Monet, by then 73 and one of the world's wealthiest, most celebrated painters, had retired his brushes. He had lost his beloved wife, Alice, and his eldest son, Jean. His famously acute vision--what Paul Cezanne called the most prodigious eye in the history of painting--was threatened by cataracts. And yet, despite ill health, self-doubt, and advancing age, Monet began painting again on a more ambitious scale than ever before.

Linking great artistic achievement to the personal and historical dramas unfolding around it, Ross King presents the most intimate and revealing portrait of an iconic figure in world culture--from his lavish lifestyle and tempestuous personality to his close friendship with the fiery war leader Georges Clemenceau, who regarded the Water Lilies as one of the highest expressions of the human spirit.

A Book Sense 76 pick

In 1495, Leonardo da Vinci began what would become one of history's most influential works of art-The Last Supper. After a decade at the court of Lodovico Sforza, the duke of Milan, Leonardo was at a low point: at forty-three, he had failed, despite a number of prestigious commissions, to complete anything that truly fulfilled his astonishing promise. His latest failure was a giant bronze horse to honor Sforza's father, made with material expropriated by the military. The commission to paint The Last Supper was a small compensation, and his odds of completing it weren't promising: he hadn't worked on such a large painting and had no experience in the standard mural medium of fresco.

Amid war and the political and religious turmoil around him, and beset by his own insecurities and frustrations, Leonardo created the masterpiece that would forever define him. Ross King unveils dozens of stories that are embedded in the painting, and overturns many of the myths surrounding it. Bringing to life a fascinating period in European history, he presents an original portrait of one of history's greatest geniuses through the lens of his most famous work.

It is ideal for university students and adult learners with plentiful reading texts and written exercises, all in Korean Hangul. Concise Korean grammar notes in English, extensive glossaries, and an answer key make this book suitable for those studying alone, as well as for classroom use.

There are 20 comprehensive lessons, each with a reading text in which new language is introduced in context, followed by vocabulary, grammar points, and exercises. Lessons 5, 10, 15 and 20 are short reviews of the key structural patterns introduced. The focus is on written Korean, but the reading texts are not academic; they are breezy, chatty, and amusing, with illustrations.

The textbook comes with a free online workbook, which includes 20 lessons that build on the content of the lessons in the book to introduce 500 Chinese characters in their Sino-Korean readings. The emphasis is on giving students the tools they need to decipher unfamiliar Chinese characters on their own, and also on Sino-Korean vocabulary acquisition. Each lesson introduces approximately 25-30 new Chinese characters along with related vocabulary items and builds on previous characters and vocabulary introduced, demonstrating the cumulative effect on one's vocabulary of paying systematic attention to Sino-Korean.

This volume is aimed at the student with one year of Korean language study under their belt, and particularly the student who has mastered the patterns and vocabulary introduced in King and Yeon's Elementary Korean, the first book in this series.

Each of the fifteen chapters in Continuing Korean introduces the new language in context, through dialogues and reading passages featuring the Murphy family and the Kim family, followed by vocabulary, grammar points, and exercises--all designed to learn Korean as thoroughly as possible. Every five chapters there is a short review section to consolidate language learned so far. All dialogues, reading texts, vocabulary words, and example sentences are given in Korean Hangul and English. Accompanying free online audio provides native-speaker recordings of dialogues, reading passages, and key words and phrases. Concise grammar notes in English, extensive glossaries, and an answer key makes this book suitable for those studying alone, as well as for classroom use.

All media content is alternatively accessible on the Tuttle Publishing website.

Score One for the Dancing Girl presents more than a hundred stories from an early-nineteenth-century collection of yadam stories, the Kimun ch'onghwa (Compendium of Records of Hearsay). Prose tales that feature historical people and places but may also include fantastical elements, the yadam stories in this volume feature ghosts and magic, courtesans and sex, and court politics. They constitute both an entertaining literary collection and a rich treasure trove of information about life in seventeenth and eighteenth-century Korea.

The first volume in an ongoing series of translations of classic Korean literature by the Canadian missionary James Scarth Gale (1863-1937), Score One for the Dancing Girl includes the original literary Sinitic (hanmun) text and Gale's English translation. Both the hanmun and English are extensively annotated. Introductory essays by Ross King and Si Nae Park discuss the yadam genre, Gale's life and career, and the ways in which his background as a Christian missionary affected the translations.

This volume brings together fifteen new papers on Korean linguistics originally presented at the Ninth International Conference on Korean Linguistics, 1994. Contributions range from phonetics and phonology, to syntax and grammaticalization, and address important theoretical issues from a wide variety of formal frameworks. The volume contains new research by established scholars like Gregory Iverson, Young-key Kim-Renaud, Susumu Kuno, and Joan Maling, as well as papers by relative newcomers to the field: Sung-ock Sohn, Jae-Hoon Yeon, Mark Vincent, Chang-Bong Lee and Yoon-suk Chung. The papers in this volume will be of interest to students and researchers in both general linguistics and Korean language and linguistics.