[40 Days in Hicksville] is worth a read, and is a great example of the power of a well-written dual-perspective narrative. -- Canadian Review of Materials
Kate doesn't want to spend one minute in the Hicksville her mother moved them to, much less the entire year she's stuck here in the decaying house they inherited from her grandparents. She misses her boyfriend and sneaking out at night to make urban exploration videos for her growing YouTube channel.
Zach, the boy who lives next door, tries to befriend Kate even though she ignores him. But when Kate discovers her estranged grandfather lives nearby, she wants to meet him despite the small-town rumours of his violent past, and takes Zach with her.
That's when they find the crevasse on her grandfather's property and the skeletons hidden inside.
That's the day they find out Kate's uncle and his friend went missing as teenagers.
Instead of counting down the days until she can leave Hicksville, Kate and Zach start working together to solve the cold case that has silenced her mother for thirty-five years.
All Katrina really wants is a home, a forever home where she can live with her three sisters. She is even willing to give up her Disney-princess dream of living happily ever after for the chance. But giving up her birth parents for the possibility of a predictable life is not an easy choice, no matter what they have done. After five years of fending for herself and her little sisters, six foster homes and an eighteen-hour car ride to their new lives, Katrina lives in constant fear that one of her sisters will blow it and get them sent back to Blackwater Creek. It takes years before she believes her adopted parents will love her no matter what happens.