A heartfelt picture book that says: Thank you, teacher, for everything you do.The perfect gift for the wonderful educators in your life!

From weekday triumphs to school-trip catastrophes and even hard-to-place apostrophes, there is no problem too hard to solve when a teacher is in the classroom.

Award-winning author Supriya Kelkar crafts a delightful ode to the teachers everywhere who shape our lives. Featuring a wide variety of teachers--from homeroom to gym to music class--this is the perfect present book for any school-aged child and their educators, and includes a do-it-yourself thank-you note with a how-to guide!

An excellent companion to celebrate:
Back to School
The First 100 Days
National Teacher Day & Appreciation Week
Graduation
And so much more!

For fans of Hair Love and Eyes that Kiss in the Corners, here is an empowering picture book about recognizing the beauty around you and within you by award-winning author Supriya Kelkar and rising star illustrator Noor Sofi.

Brown is beautiful.

On a hike with her grandparents, a young Indian-American girl makes note of all the things in nature that are brown, too. From a nurturing mother bear, to the steadiness of deep twisting roots, to the beauty of a wild mustang, brown is everywhere! On her way, the girl collects the beautiful brown things she encounters as mementos for a scrapbook to share with a very special new addition to her family--a baby brother!

Brown is you.
Brown is me.

In this historical middle-grade novel, Gandhi asks for one member of each family to join the fight for independence from the British, and when Anjali's mother is jailed for doing so, Anjali must step out of her comfort zone to take over her mother's work.

In 1942, when Mahatma Gandhi asks Indians to give one family member to the freedom movement, ten-year-old Anjali is devastated to think of her father risking his life for the freedom struggle.

But it turns out he isn't the one joining. Anjali's mother is. And with this change comes many more adjustments designed to improve their country and use ahimsa--non-violent resistance--to stand up to the British government. First the family must trade in their fine foreign-made clothes for homespun cotton, so Anjali has to give up her prettiest belongings. Then her mother decides to reach out to the Dalit community, the untouchables of society. Anjali is forced to get over her past prejudices as her family becomes increasingly involved in the movement.

When Anjali's mother is jailed, Anjali must step out of her comfort zone to take over her mother's work, ensuring that her little part of the independence movement is completed.

Inspired by her great-grandmother's experience working with Gandhi, New Visions Award winner Supriya Kelkar shines a light on the Indian freedom movement in this poignant debut.

The Kohinoor diamond, one of the most famous diamonds in the world, was stolen from India and fought over throughout centuries of colonial conquest, eventually landing in the hands of British royals who tricked a ten-year-old South Asian monarch into relinquishing it. The diamond was ultimately cut to nearly half its size to suit British beauty standards for the crown jewels--and is displayed to this day in the Tower of London museum, a trophy of colonization. Probing, poetic, and shimmering with the colors and patterns of Indian textiles, And Yet You Shine is more than the true story of a precious gem passing hands. The urgent narrative and well-researched afterword invite readers to consider the origins of museum artifacts and all they represent, how history is recorded, and why acknowledging past injustices and power dynamics can shape the world we live in today--and ensure a just tomorrow. This vibrant and moving meditation on resiliency invites readers of all backgrounds to decolonize--and shine with all their might.

My Name is an inspiring picture book that encourages kids to celebrate themselves and all the things that make them unique, especially their name.

Your name means you're different
Your name means you're you

When an Indian American boy starts school in a new classroom, one child can't pronounce his name properly, which leads to giggles amongst his classmates. Later at home, his parents remind him of how special he is -- and how his unique name reflects that.

With lush illustrations by Sandhya Prabhat, award-winning author Supriya Kelkar writes a stunning tribute to the word that identifies each of us the very most -- our name, reminding readers of the beauty in celebrating difference, taking pride in uniqueness, and helping others to do the same.

In 1857 India, 13-year-old Meera escapes a life she has no say in--and certain death on her husband's funeral pyre--only to end up a servant to a British general in the East India Company. When a rebellion against British colonizers spreads, she must choose between relative safety in a British household or standing up for herself and her people.

India, 1857

Meera's future has been planned for her for as long as she can remember. As a child, her parents married her to a boy from a neighboring village whom she barely knows. Later, on the eve of her thirteenth birthday, she prepares to leave her family to live with her husband's--just as her strict religion dictates. But that night, Indian soldiers mutiny against their British commanders and destroy the British ammunition depot, burning down parts of Delhi. Riots follow, and Meera's husband is killed. Upon hearing the news, Meera's father insists that she follow the dictates of their fringe religious sect: She must end her life by throwing herself on her husband's funeral pyre.

Risking everything, Meera runs away, escaping into the chaos of the rebellion. But her newfound freedom is short-lived, as she is forced to become a servant in the house of a high-ranking British East India Company captain. Slowly through her work, she gains confidence, new friends, new skills--and sometimes her life even feels peaceful. But one day, Meera stumbles upon the captain's secret stock of ammunition, destined to be used by the British to continue colonizing India and control its citizens.

Will Meera do her part to take down the British colonists and alert the rebellion of the stockpile? Or will she stay safe and let others make decisions for her? It really comes down to this: how much fire must a girl face to finally write her own destiny?

Ten-year-old Geetanjali doesn't mind singing, but she knows she'll never be as good as her mother, Aai, or grandmother, Aaji, famous classical singers from India whose celebrity has followed the family all the way to their small town of Deadwood, Michigan, where Geetanjali lives with her aai and her father, Baba.

After freezing on stage during a concert performance, Geetanjali adds fear of singing to her list of fears, a list that seems to be multiplying daily. Aai tries to stress the importance of using one's voice and continuing to sing; Geetanjali hopes that when her aaji comes to visit this summer, she'll be able to help her.

But when they pick Aaji up at the airport, she's not alone. Lata, an auntie Geetanjali has never met before is with Aaji and their neighbor, Heena Auntie, who is acting strange and mean, and not like the warm auntie she normally is. Lata Auntie has heard all about Geetanjali's family, growing up in India. She knows Aai and Aaji are the only ones who can sing raag Naagshakti. Aai plays it off, but Geetanjali thinks back to the raag in the binder that started with an N that had been torn out. She has never heard of Raag Naagshakti, which sounds like it is about the power of cobras.

Geetanjali is determined not to let her imagination get the best of her and add aunties to her list of fears, but she can't help but wonder about the connection between the missing raag, Heena Auntie's cold behavior, and their interesting summer visitor.

An Indian American girl navigates prejudice in her small town and learns the power of her own voice in this brilliant gem of a middle grade novel full of humor and heart, perfect for fans of Front Desk and Amina's Voice.

As the only Indian American kid in her small town, Lekha Divekar feels like she has two versions of herself: Home Lekha, who loves watching Bollywood movies and eating Indian food, and School Lekha, who pins her hair over her bindi birthmark and avoids confrontation at all costs, especially when someone teases her for being Indian.

When a girl Lekha's age moves in across the street, Lekha is excited to hear that her name is Avantika and she's Desi, too Finally, there will be someone else around who gets it. But as soon as Avantika speaks, Lekha realizes she has an accent. She's new to this country, and not at all like Lekha.

To Lekha's surprise, Avantika does not feel the same way as Lekha about having two separate lives or about the bullying at school. Avantika doesn't take the bullying quietly. And she proudly displays her culture no matter where she is: at home or at school.

When a racist incident rocks Lekha's community, Lekha realizes she must make a choice: continue to remain silent or find her voice before it's too late.

Ten-year-old Geetanjali doesn't mind singing, but she knows she'll never be as good as her mother, Aai, or grandmother, Aaji, famous classical singers from India whose celebrity has followed the family all the way to their small town of Deadwood, Michigan, where Geetanjali lives with her aai and her father, Baba.

After freezing on stage during a concert performance, Geetanjali adds fear of singing to her list of fears, a list that seems to be multiplying daily. Aai tries to stress the importance of using one's voice and continuing to sing; Geetanjali hopes that when her aaji comes to visit this summer, she'll be able to help her.

But when they pick Aaji up at the airport, she's not alone. Lata, an auntie Geetanjali has never met before is with Aaji and their neighbor, Heena Auntie, who is acting strange and mean, and not like the warm auntie she normally is. Lata Auntie has heard all about Geetanjali's family, growing up in India. She knows Aai and Aaji are the only ones who can sing raag Naagshakti. Aai plays it off, but Geetanjali thinks back to the raag in the binder that started with an N that had been torn out. She has never heard of Raag Naagshakti, which sounds like it is about the power of cobras.

Geetanjali is determined not to let her imagination get the best of her and add aunties to her list of fears, but she can't help but wonder about the connection between the missing raag, Heena Auntie's cold behavior, and their interesting summer visitor.

You know how in Bollywood when people are in love, they sing and dance from the mountaintops? Eleven-year-old Sonali wonders if they do the same when they're breaking up. The truth is, Sonali's parents don't get along, and it looks like they might be separating.

Sonali's little brother, Ronak, is not taking the news well, constantly crying. Sonali would never do that. It's embarrassing to let out so many feelings, to show the world how not okay you are. But then something strange happens, something magical, maybe. When Sonali gets upset during a field trip, she can't bury her feelings like usual--instead, she suddenly bursts into a Bollywood song-and-dance routine about why she's upset!

The next morning, much to her dismay, Sonali's reality has shifted. Things seem brighter, almost too bright. Her parents have had Bollywood makeovers. Her friends are also breaking out into song and dance. And somehow, everyone is acting as if this is totally normal.

Sonali knows something has gone wrong, and she suspects it has something to do with her own mismanaged emotions. Can she figure it out before it's too late?

As the only Indian American kid in her small town, Lekha Divekar feels like she has two versions of herself: Home Lekha, who loves watching Bollywood movies and eating Indian food, and School Lekha, who pins her hair over her bindi birthmark and avoids confrontation at all costs, especially when someone teases her for being Indian.

When a girl Lekha's age moves in across the street, Lekha is excited to hear that her name is Avantika and she's Desi, too Finally, there will be someone else around who gets it. But as soon as Avantika speaks, Lekha realizes she has an accent. She's new to this country, and not at all like Lekha.

To Lekha's surprise, Avantika does not feel the same way as Lekha about having two separate lives or about the bullying at school. Avantika doesn't take the bullying quietly. And she proudly displays her culture no matter where she is: at home or at school.

When a racist incident rocks Lekha's community, Lekha realizes she must make a choice: continue to remain silent or find her voice before it's too late.

You know how in Bollywood when people are in love, they sing and dance from the mountaintops? Eleven-year-old Sonali wonders if they do the same when they're breaking up. The truth is, Sonali's parents don't get along, and it looks like they might be separating.

Sonali's little brother, Ronak, is not taking the news well, constantly crying. Sonali would never do that. It's embarrassing to let out so many feelings, to show the world how not okay you are. But then something strange happens, something magical, maybe. When Sonali gets upset during a field trip, she can't bury her feelings like usual--instead, she suddenly bursts into a Bollywood song-and-dance routine about why she's upset!

The next morning, much to her dismay, Sonali's reality has shifted. Things seem brighter, almost too bright. Her parents have had Bollywood makeovers. Her friends are also breaking out into song and dance. And somehow, everyone is acting as if this is totally normal.

Sonali knows something has gone wrong, and she suspects it has something to do with her own mismanaged emotions. Can she figure it out before it's too late?

Supriya Kelkar muestra con facilidad la amplia variedad de emociones que todos sentimos por medio del patka que Harpreet usa a diario. Ahora que Harpreet tiene que mudarse a una nueva ciudad y cambiar de escuela, solo quiere usar su patka gris porque extraña su hogar.

Con las bellas ilustraciones de Alea Marley, Los muchos colores de Harpreet Singh (Spanish Edition) es el libro perfecto para quienes estén aprendiendo a encontrar su lugar en el mundo y a expresar sus sentimientos.

He wore yellow when he felt sunny...
He wore blue when he felt nervous...
Harpreet took great care of his colorful patkas. He made sure they were clean and soft, smoothing each one out gently before putting it on.

Supriya Kelkar effortlessly shows the wide range of emotions we all experience through a patka that Harpreet wears every day. Now that Harpreet has to move to a new home and new school, Harpreet only wants to wear his gray patka because he misses his home.

With beautiful illustrations from Alea Marley, The Many Colors of Harpreet Singh (Spanish Edition) is perfect for readers who are learning to find their place in the world and express their feelings.