Eleven years when Britain had no king.

In 1649 Britain was engulfed by revolution.

On a raw January afternoon, the Stuart king, Charles I, was executed for treason. Within weeks the English monarchy had been abolished and the 'useless and dangerous' House of Lords discarded. The people, it was announced, were now the sovereign force in the land. What this meant, and where it would lead, no one knew.

The Restless Republic is the story of the extraordinary decade that followed. It takes as its guides the people who lived through those years. Among them is Anna Trapnel, the daughter of a Deptford shipwright whose visions transfixed the nation. John Bradshaw, the Cheshire lawyer who found himself trying the King. Marchamont Nedham, the irrepressible newspaper man and puppet master of propaganda. Gerrard Winstanley, who strove for a Utopia of common ownership where no one went hungry. William Petty, the precocious scientist whose mapping of Ireland prefaced the dispossession of tens of thousands. And the indomitable Countess of Derby who defended to the last the final Royalist stronghold on the Isle of Man.

The Restless Republic ranges from London to Leith, Cornwall to Connacht, from the corridors of power to the common fields and hillsides. Gathering her cast of trembling visionaries and banished royalists, dextrous mandarins and bewildered bystanders, Anna Keay brings to vivid life the most extraordinary and experimental decade in Britain's history. It is the story of how these tempestuous years set the British Isles on a new course, and of what happened when a conservative people tried revolution.

In the year that the English monarchy was abolished, the Prince of Wales's governor posed the poignant question: what was it that made kings different from their subjects? The answer to him was obvious, and the word that described it was 'ceremony'. From crown wearing in the Middle Ages to the jubilees of modern times the English Monarchy has always used the rituals of majesty to command the affection and loyalty of its subjects. This important and original book is the first to examine properly the ceremonial world of an English sovereign. In an age when the king still healed the sick and took his meals in front of a crowd of spectators, a sovereign's ability to carry off this public role could be as important to his success as his command of the army or management of parliament.

Charles II lived through the period of the greatest political change England has ever known, witnessing revolution, regicide and restoration. At just 16 he was cast into exile. A poor relation at the court of the young Louis XIV and then the creature of Philip IV of Spain, he knew what it was to wrestle for recognition. This was his apprenticeship. With The Restoration Charles brought the lessons of exile home. The country was soon rocked by plague and fire, and his brother's conversion to Catholicism would bring it once again to the brink of civil war. In the crisis that developed Charles used the rituals of royalty to help save the very institution of hereditary monarchy. Using a huge range of unpublished primary material, and painting a vivid and detailed picture of the daily life of one of England's most charismatic monarchs, Anna Keay's brilliant 'ritual biography' radically reappraises Charles II as The Magnificent Monarch.

The garden created by Robert Dudley, Earl of Leicester, at Kenilworth Castle in the early 1570s was one of the wonders of Elizabethan England. It is also the best documented of all the great gardens of its age, providing the starting point for English Heritage's ambitious re-creation in 2009.

This beautifully illustrated book presents the extensive research that informed the scheme and describes the process by which the new garden was designed. Seventeen chapters, written by specialists and experts in the field, range widely, covering: the place of Kenilworth in garden history; the Earl of Leicester as a cultural patron and his work at Kenilworth; the results of the excavation of the garden site; detailed consideration of key aspects of the Elizabethan garden, including the fountain and the aviary; and important new work on the early Elizabethan flower garden. The overall philosophy of re-creating the garden and the practical aspects of doing so, are also considered.

This book represents a major addition to the study of English garden history.