This immensely readable and absorbing book - the first of a three-volume series on understanding the human mind - concentrates on three major figures who have changed our image of human beings. Kaufmann drastically revises traditional conceptions of Goethe, Kant, and Hegel, showing how their ideas about the mind were shaped by their own distinctive mentalities.
Kaufmann's version of psychohistory stays clear of gossip and is carefully documented. He offers us a radically new understanding of two centuries of intellectual history, but his primary focus is on self-knowledge. He is in a unique position to perform this task by virtue of being, according to Stephen Spender, the best translator of Faust; and in Sidney Hook's view, unquestionably the most interesting and informative writer of Hegel in English.
The foremost interpreter of Kant, Lewis White Beck, has called this book on Goethe, Kant, and.Hegel fascinating - a work which will stir up a good many people by telling them things they have never heard, and providing an alternative to what is the accepted reading of that part of the history of philosophy. The story of how personality affects philosophy has never been better told. We are shown how Goethe advanced the discovery of the mind more than anyone before him, while Kant was in many ways a disaster. Hegel, like others between 1790 to 1990, tried to reconcile Kant and Goethe.
Kaufmann shows this is impossible He paints a large picture, but he is always highly specific and details the major contributions of Goethe and Hegel as well as the ways in which Kant's immense influence proved catastrophic.
Walter Kaufmann completed this, the third and final volume of his landmark trilogy, shortly before his death in 1980. The trilogy is the crowning achievement of a lifetime of study, writing, and teaching. This final volume contains Kaufmann's tribute to Sigmund Freud, the man he thought had done as much as anyone to discover and illuminate the human mind. Kaufmann's own analytical brilliance seems a fitting reflection of Freud's, and his acute commentary affords fitting company to Freud's own thought.
Kaufmann traces the intellectual tradition that culminated in Freud's blending of analytic scientific thinking with humanistic insight to create a poetic science of the mind. He argues that despite Freud's great achievement and celebrity, his work and person have often been misunderstood and unfairly maligned, the victim of poor translations and hostile critics. Kaufmann dispels some of the myths that have surrounded Freud and damaged his reputation. He takes pains to show how undogmatic, how open to discussion, and how modest Freud actually was.
Kaufmann endeavors to defend Freud against the attacks of his two most prominent apostate disciples, Alfred Adler and Carl Gustav Jung. Adler is revealed as having been jealous, hostile, and an ingrate, a muddled thinker and unskilled writer, and remarkably lacking in self-understanding. Jung emerges in Kaufmann's depiction as an unattractive, petty, and envious human being, an anti-Semite, an obscure and obscurantist thinker, and, like Adler, lacking insight into himself. Freud, on the contrary, is argued to have displayed great nobility and great insight into himself and his wayward disciples in the course of their famous fallings-out.
This book provides a description and preservation of Oriental notational systems, the study of which makes possible a deeper understanding of Eastern art music and demonstrates its character to the student more meaningfully than does the mere presentation of recordings and musical examples written in Western staff notation. The numerous problems arising from styles and techniques which are based upon improvisation and extramusical concepts are also considered.
The purposes of this study will have been fulfilled if it serves as a stimulus toward further research in this fascinating, but, alas, quickly vanishing field. The presentation of Eastern notations may also provide some aesthetic pleasure from the study of unusual and often complex systems and symbols. --from the Preface
The continuing discovery of important Hegel manuscripts and advances in the criticism of Hegel's works have set the stage for a major reevaluation of one of the greatest philosophers of all time. This volume constitutes the comprehensive reinterpretation of Hegel that has long been needed.
The first chapters are devoted to the influences of other German philosophers on Hegel, his early publication as they are relevant to his later writings, and his Phenomenology--in itself and as a key to understanding his terminology and dialectic. Examined next are the further elaboration of his thought in Logic; his famous system, as presented in various editions of the Encyclopedia; and his little-known views on history. A final chapter details in letters and contemporary reports Hegel's intellectual development.
The continuing discovery of important Hegel manuscripts and advances in the criticism of Hegel's works have set the stage for a major reevaluation of one of the greatest philosophers of all time. This volume constitutes the comprehensive reinterpretation of Hegel that has long been needed.
The first chapters are devoted to the influences of other German philosophers on Hegel, his early publication as they are relevant to his later writings, and his Phenomenology--in itself and as a key to understanding his terminology and dialectic. Examined next are the further elaboration of his thought in Logic; his famous system, as presented in various editions of the Encyclopedia; and his little-known views on history. A final chapter details in letters and contemporary reports Hegel's intellectual development.
Walter Kaufmann completed this, the third and final volume of his landmark trilogy, shortly before his death in 1980. The trilogy is the crowning achievement of a lifetime of study, writing, and teaching. This final volume contains Kaufmann's tribute to Sigmund Freud, the man he thought had done as much as anyone to discover and illuminate the human mind. Kaufmann's own analytical brilliance seems a fitting reflection of Freud's, and his acute commentary affords fitting company to Freud's own thought.
Kaufmann traces the intellectual tradition that culminated in Freud's blending of analytic scientific thinking with humanistic insight to create a poetic science of the mind. He argues that despite Freud's great achievement and celebrity, his work and person have often been misunderstood and unfairly maligned, the victim of poor translations and hostile critics. Kaufmann dispels some of the myths that have surrounded Freud and damaged his reputation. He takes pains to show how undogmatic, how open to discussion, and how modest Freud actually was.
Kaufmann endeavors to defend Freud against the attacks of his two most prominent apostate disciples, Alfred Adler and Carl Gustav Jung. Adler is revealed as having been jealous, hostile, and an ingrate, a muddled thinker and unskilled writer, and remarkably lacking in self-understanding. Jung emerges in Kaufmann's depiction as an unattractive, petty, and envious human being, an anti-Semite, an obscure and obscurantist thinker, and, like Adler, lacking insight into himself. Freud, on the contrary, is argued to have displayed great nobility and great insight into himself and his wayward disciples in the course of their famous fallings-out.
This immensely readable and absorbing book - the first of a three-volume series on understanding the human mind - concentrates on three major figures who have changed our image of human beings. Kaufmann drastically revises traditional conceptions of Goethe, Kant, and Hegel, showing how their ideas about the mind were shaped by their own distinctive mentalities.
Kaufmann's version of psychohistory stays clear of gossip and is carefully documented. He offers us a radically new understanding of two centuries of intellectual history, but his primary focus is on self-knowledge. He is in a unique position to perform this task by virtue of being, according to Stephen Spender, the best translator of Faust; and in Sidney Hook's view, unquestionably the most interesting and informative writer of Hegel in English.
The foremost interpreter of Kant, Lewis White Beck, has called this book on Goethe, Kant, and.Hegel fascinating - a work which will stir up a good many people by telling them things they have never heard, and providing an alternative to what is the accepted reading of that part of the history of philosophy. The story of how personality affects philosophy has never been better told. We are shown how Goethe advanced the discovery of the mind more than anyone before him, while Kant was in many ways a disaster. Hegel, like others between 1790 to 1990, tried to reconcile Kant and Goethe.
Kaufmann shows this is impossible He paints a large picture, but he is always highly specific and details the major contributions of Goethe and Hegel as well as the ways in which Kant's immense influence proved catastrophic.
Few philosophers have had as much influence as Hegel. When he died in 1831, he not only dominated German philosophy, but also left his mark on the study of religion and art, on historical studies, and on political thought. Much later, Lenin insisted that no one could completely comprehend Karl Marx unless he had first made a thorough study of Hegel. Later, it became fashionable to link Hegel with Nazism and communism. There is today broad agreement that knowledge of Hegel's thought adds a critical dimension to our understanding of recent cultural and political history.
This volume, first published in 1970, focuses on Hegel's political philosophy. It brings together ten essays by six authors who present sharply conflicting interpretations. Here are point-by-point discussions, from differing perspectives, on Hegel's philosophy of the state and his ideas about history and war, nationalism and liberty. Never before have these issues been joined in comparable fashion in a single volume.
Sidney Hook sees Hegel as the very model of a small - minded, timid Continental conservative and accuses him of the most specious reasoning that ever disgraced a philosopher, and E. F. Carritt argues for a totalitarian reading of Hegel, while T. M. Knox and Shlomo Avineri defend Hegel against these and other charges. The book also contains a short contribution by Z. A. Pelczynski and Walter Kaufmann's The Hegel Myth and Its Method. Walter Kaufmann, an outstanding historian of European ideas in philosophy, furnished an introduction as well as footnotes that help to clarify perplexing issues and in some cases seek to put an end to long-lived errors. His analysis is itself a major contribution to Hegel's political theories.