In Anima, Kapka Kassabova introduces us to the pastiri people--the shepherds struggling to hold on to an ancient way of life in which humans and animals exist in profound interdependence. Following her three previous books set in the Balkans, and with an increasinging interest in the degraded state of our planet and culture, Kassabova reaches further into the spirit of place than she ever has before. In this extraordinary portrayal of pastoral life, she investigates the heroic efforts to sustain the oldest surviving breeds of our domesticated animals, and she shows us the epic, orchestrated activity of transhumance--the seasonal movement, on foot, of a vast herd of sheep, working in tandem with dogs. She also becomes more and more attuned to the isolation and sacrifices inherent in the lives shaped by this work.

Weaving together lyrical writing about place with a sweeping sense of the traumatic histories that have shaped this mountainous region of Bulgaria, Kassabova shows how environmental change and industrial capitalism are endangering older, sustainable ways of living, and by extension she reveals the limited nature of so much of modern life. But shining through Kassabova's passionate, intimate response to the monoculture that is Anthropos is her indelible portrait of a circulating interdependence of people and animals that might point to a healthier way to live.

A search for a cure to what ails us in the Anthropocene by the award-winning author of Border

In Elixir, in a wild river valley and amid the three mountains that define it, Kapka Kassabova seeks out the deep connection between people, plants, and place. The Mesta is one of the oldest rivers in Europe and the surrounding forests and mountains of the southern Balkans are an extraordinarily rich nexus for plant gatherers.

Over several seasons, Kassabova spends time with the people of this magical region. She meets women and men who work in a long lineage of foragers, healers, and mystics. She learns about wild plants and the ancient practice of herbalism that makes use of them, and she experiences a symbiotic system where nature and culture have blended for thousands of years. Through her captivating encounters we come to feel the devastating weight of the ecological and cultural disinheritance that the people of this valley have suffered. And Kassabova reflects on what being disconnected from place can do to our souls and our bodies. Yet, in her search for elixir, she also finds reasons for hope. The people of the valley are keepers of a rare knowledge, not only of mountain plants and their properties, but also of how to transform collective suffering into healing.

Immersive and enthralling, Elixir is an urgent and unforgettable call to rethink how we live--in relation to one another, to Earth, and to the cosmos.

Remarkable: a book about borders that makes the reader feel sumptuously free. --Peter Pomerantsev

In this extraordinary work of narrative reportage, Kapka Kassabova returns to Bulgaria, from where she emigrated as a girl twenty-five years previously, to explore the border it shares with Turkey and Greece. When she was a child, the border zone was rumored to be an easier crossing point into the West than the Berlin Wall, and it swarmed with soldiers and spies. On holidays in the Red Riviera on the Black Sea, she remembers playing on the beach only miles from a bristling electrified fence whose barbs pointed inward toward the enemy: the citizens of the totalitarian regime.

Kassabova discovers a place that has been shaped by successive forces of history: the Soviet and Ottoman empires, and, older still, myth and legend. Her exquisite portraits of fire walkers, smugglers, treasure hunters, botanists, and border guards populate the book. There are also the ragged men and women who have walked across Turkey from Syria and Iraq. But there seem to be nonhuman forces at work here too: This densely forested landscape is rich with curative springs and Thracian tombs, and the tug of the ancient world, of circular time and animism, is never far off.

Border is a scintillating, immersive travel narrative that is also a shadow history of the Cold War, a sideways look at the migration crisis troubling Europe, and a deep, witchy descent into interior and exterior geographies.

The celebrated author of Border explores a mysterious, ancient, and little-understood corner of Europe

Lake Ohrid and Lake Prespa. Two ancient lakes joined by underground rivers. Two lakes that seem to hold both the turbulent memories of the region's past and the secret of its enduring allure. Two lakes that have played a central role in Kapka Kassabova's maternal family.

As she journeys to her grandmother's place of origin, Kassabova encounters a historic crossroads. The lakes are set within the mountainous borderlands of North Macedonia, Albania, and Greece, and crowned by the old Via Egnatia, which once connected Rome to Constantinople. A former trading and spiritual nexus of the southern Balkans, this lake region remains one of Eurasia's most diverse corners. Meanwhile, with their remote rock churches, changeable currents, and large population of migratory birds, the lakes live in their own time.

By exploring on water and land the stories of poets, fishermen, and caretakers, misfits, rulers, and inheritors of war and exile, Kassabova uncovers the human destinies shaped by the lakes. Setting out to resolve her own ancestral legacy, Kassabova locates a deeper inquiry into how geography and politics imprint themselves upon families and nations, one that confronts her with universal questions about human suffering and the capacity for change.

Kapka Kassabova first set foot in a tango studio ten years ago and, from that moment, she was hooked. With the beat of tango driving her on and the music filling her head, she's danced across the world, from Auckland to Edinburgh, from Berlin to Buenos Aires, putting in hours of practice for fleeting moments of dance-floor ecstasy, suffering blisters and heart-break along the way. Here, in sparkling, spring-heeled prose, Kapka takes us inside the esoteric world of tango to tell the story of the dance, from its Afro roots to its sequined stars and back. Twelve Minutes of Love is a timeless tale of exile and longing, death and desire, love and belonging.

Kapka Kassabova is a young Bulgarian émigré poet who writes in English but with a European imagination. In Someone else's life, her first poetry collection to be published in the UK, she explores the emotional and spiritual territory of the traveller and the dispossessed, the spaces between memory and being, exploration and doubt, desire and loss.

Kapka Kassabova is a young Bulgarian émigré poet who writes in English but with a European imagination. Her well-travelled poems speak from different parts of the world and different moments of history, but they always speak of the many ways to be lost and disoriented: in a place, in the past, in fear, in love, in the very quickness of life. The voices speaking here - from a Roman housewife to a Chinese bar-owner in Berlin or an Argentine DJ - are the voices of the heart-sick, the culturally jet-lagged, people from photographs, the tenants of lives, cities and destinies. This is what we all are, have been, or will be.