Packed with 1,522 mind-blowing facts spanning science, history, pop culture, and more, this rip-roaring, side-splitting tome is perfect for trivia buffs and inquisitive minds of all stripes, comprising everything from the astonishing to the absurd, the hilarious to the hair-raising, and everything in between. Brain-Boosting Facts for Curious Minds is your ultimate source of brain fuel, entertainment, and enlightenment.
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With Brain-Boosting Facts for Curious Minds, you'll never be caught without something interesting to share, impressing friends and family with your seemingly endless storehouse of fun facts. So, what are you waiting for? Dive into this boundless abyss of brain-boosting goodness, and let the adventure begin!
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This up-to-date bathroom reader is filled with 1,028 trivia gems on a vast range of topics, from history and science to pop culture and the bizarre. Whether you're looking to expand your knowledge or simply pass the time, this book is sure to have something for adults, teens and the whole family.
From mind-bending science facts to jaw-dropping historical mysteries, At Home On The Throne has got it all. But be warned: once you start reading, you might not be able to stop!
A rollercoaster ride through the weirdest, wildest corners of human knowledge, you'll discover:
This ain't your grandma's trivia book. Daniel Kane's writing style is like a shot of adrenaline to the brain, keeping you hooked and engaged as you explore the twisted, labyrinthine corridors of human knowledge. You'll laugh, you'll gasp, and you might even scream - but you won't be able to put this book down.
So if you're looking for a book that will make your throne time more enjoyable than ever before, At Home On The Throne is the perfect choice. Get your copy today and get ready for a wild ride!
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During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In Do You Have a Band?, Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem.
Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City.