This pictorial method is characterized by the fact that in the form of the liquid drop-after dripping on and drying--the result of preceding, living processes appears in the designed structures of an image. How do these 'living' structures come into being? -- Inge Just-Nastansky

This book was occasioned by the many patients who sought medical treatment for Covid or after receiving a Covid vaccine. The blood of these patients was studied using the method of drop-image microscopy. The results of this research--including examinations of the blood of vaccinated and unvaccinated as well as healthy and recovered patients--is documented here, along with normal cerebrospinal fluid (CSF) and the CSF of a patient after three vaccinations.

The drop-image method has been used for over twenty years. The phenomena in the drop-images documented here have never been encountered before. Covid illness and vaccination bring about an unprecedented change in the blood--in some cases, a complete destruction of the protein structures. This raises many questions. Blood, as the central organ of the human organism, not only maintains our life but is the foundation of human freedom in perception, thinking, feeling, and action.

This book by no means represents a finished scientific study but rather an ongoing documentation that demonstrates the importance of the integrity and wholeness of the human body. The task of the physician is to help protect and maintain this integrity; the task of science is to address the many unanswered questions that arise through such research.

This volume is a translation from German of Corona-Blut-Phänomene: Mikroskopische Untersuchungen von Blut, Serum und Liquor gesund - geimpft - genesen (SchneiderEditionen, 2022).

The research published here--conducted over the course of fifteen years by Inge Just-Nastansky--reveals, through extensive illustrations, a side of nature that otherwise remains hidden to us.

The water drop--that small, transparent vessel--leaves behind remarkable structures after drying, structures in which its experiences are imprinted. Salt, minerals, gemstones, and plant organs--such as roots, stems, fruits, and seeds--are submerged in water for weeks or months. At regular intervals, samples are taken and dripped onto a microscope slide. After drying, characteristic and reproducible images of astounding harmony and beauty appear through the microscope. The variety of forms seems inexhaustible. We encounter in the phenomena under the microscope a language of images which in its lawfulness expresses another level of nature's reality. The understanding of this creative world of life that lies behind the world of appearance develops through a living feeling and understanding of what is given as an active impulse in the images. The silent language of life is therefore inaccessible to a logical, abstract approach.

Body fluids (tears, saliva, cerebrospinal fluid, blood, and serum) are also a subject of research here. We perceive permanent structures with a saltlike character in the region of the nerve-sense system, whereas in the images of blood, we see ever-changing transformations under varying conditions. The necessary condition for everything that comes into existence is water as a mediator between idea and substance. All life processes originate in water.

The work of Inge Just-Nastansky joins the ranks of the so-called 'image-creating methods' that have emerged in anthroposophical natural science. One thinks of the pioneer Lili Kolisko, who studied the coming to rest of liquids in rising images. For example, at full moon and at new moon radically different rising patterns of the silver salt solution are formed. Inge Just-Nastansky also shows the polarity of the droplet image at full moon and new moon. Macroscopy brings balance to microscopy. -- Armin Husemann, MD

This book was originally published in German as Die stille Sprache des Lebens: Bildekräfteforschung im Wassertropfen (SchneiderEditionen, Stuttgart, 2018).