One of the great war memoirs, a worldwide bestseller published shortly after the end of World War I, Storm of Steel is a memoir of astonishing power, savagery, and ashen lyricism. It illuminates not only the horrors but also the fascination of total war, as seen through the eyes of an ordinary German soldier.

Young, tough, patriotic, but also disturbingly self-aware, Ernst Jünger exulted in the Great War, which he saw not just as a great national conflict but also-more importantly-as a unique personal struggle. Leading raiding parties, defending trenches against murderous British incursions, simply enduring as shells tore his comrades apart, Jünger keeps testing himself, braced for the death that will mark his failure. His account is ripe for rediscovery upon the centennial of the Battle of the Somme-a major set piece in Storm of Steel-and a bracing read for fans of Redeployment and American Sniper.

Now in a new translation, an imaginative, darkly radiant fable about a pair of brothers, formerly warriors, whose idyll is shattered by an encroaching fascistic force.

Set in a world of its own, Ernst Jünger's On the Marble Cliffs is both a mesmerizing work of fantasy and an allegory of the advent of fascism. The narrator of the book and his brother, Otho, live in an ancient house carved out of the great marble cliffs that overlook the Marina, a great and beautiful lake that is surrounded by a peaceable land of ancient cities and temples and flourishing vineyards. To the north of the cliffs are the grasslands of the Campagna, occupied by herders. North of that, the great forest begins. There the brutal Head Forester rules, abetted by the warrior bands of the Mauretanians.

The brothers have seen all too much of war. Their youth was consumed in fighting. Now they have resolved to live quietly, studying botany, adding to their herbarium, consulting the books in their library, involving themselves in the timeless pursuit of knowledge. However, rumors of dark deeds begin to reach them in their sanctuary. Agents of the Head Forester are infiltrating the peaceful provinces he views with contempt, while peace itself, it seems, may only be a mask for heedlessness.

Tess Lewis's new translation of Jünger's sinister fable of 1939 brings out all of this legendary book's dark luster.

Trench fighting is the bloodiest, wildest, most brutal of all... Of all the war's exciting moments none is so powerful as the meeting of two storm troop leaders between narrow trench walls. There's no mercy there, no going back, the blood speaks from a shrill cry of recognition that tears itself from one's breast like a nightmare. --Ernst Jünger, The Storm of Steel, 1929

Ernst Jünger, German author of one of the most famous books on World War I, The Storm of Steel--From the Diary of a German Storm-Troop Officer on the Western Front (1929), in which he describes the life of a soldier, the brutality of trench warfare and the act of killing on the battlefields in France and Belgium in a detailed and matter-of-fact manner.

This classic memoir is a must-read for military historians, policy makers, and anyone interested in learning about war and the experiences of the soldiers fighting a war.

Written during the worst years of the Second World War, The Peace is Ernst Jünger's noble attempt to see a way forward for Europe and Western Civilization after decades of civil war and destruction. More than a document of historical interest, it is a statement of principle and hope by one of the great men of 20th century history.

In the shadow of the Marble Cliffs, the Narrator and Brother Otho lead a near idyllic life as dedicated botanists, spicing frugality with spasmodic carnival. Then the Foresters of the Campagne take to roaming with incendiary torches in murderous midnight bands. Soon, time-honoured rituals are being turned to baser ends... even in the towns of the Great Marina, once famous for their now discredited poets and philosophers. In time, a miasma of evil blankets the country and at last even the botanists are drawn towards the final appalling holocaust.

Trench fighting is the bloodiest, wildest, most brutal of all... Of all the war's exciting moments none is so powerful as the meeting of two storm troop leaders between narrow trench walls. There's no mercy there, no going back, the blood speaks from a shrill cry of recognition that tears itself from one's breast like a nightmare. --Ernst J nger, The Storm of Steel, 1929

Ernst J nger, German author of one of the most famous books on World War I, The Storm of Steel--From the Diary of a German Storm-Troop Officer on the Western Front (1929), in which he describes the life of a soldier, the brutality of trench warfare and the act of killing on the battlefields in France and Belgium in a detailed and matter-of-fact manner.

This classic memoir is a must-read for military historians, policy makers, and anyone interested in learning about war and the experiences of the soldiers fighting a war.

Written in 1932, just before the fall of the Weimar Republic and on the eve of the Nazi accession to power, Ernst J nger's The Worker: Dominion and Form articulates a trenchant critique of bourgeois liberalism and seeks to identify the form characteristic of the modern age. J nger's analyses, written in critical dialogue with Marx, are inspired by a profound intuition of the movement of history and an insightful interpretation of Nietzsche's philosophy.

Martin Heidegger considered J nger the only genuine follower of Nietzsche, singularly providing an interpretation which took shape in the domain of that metaphysics which already determines our epoch, even against our knowledge; this metaphysics is Nietzsche's doctrine of the 'will to power.' In The Worker, J nger examines some of the defining questions of that epoch: the nature of individuality, society, and the state; morality, justice, and law; and the relationships between freedom and power and between technology and nature.

This work, appearing in its entirety in English translation for the first time, is an important contribution to debates on work, technology, and politics by one of the most controversial German intellectuals of the twentieth century. Not merely of historical interest, The Worker carries a vital message for contemporary debates about world economy, political stability, and equality in our own age, one marked by unsettling parallels to the 1930s.

Visit to Godenholm (German: Besuch auf Godenholm) is a 1952 novella by the German writer Ernst Jünger. It tells the story of a group of people who are invited to the island Godenholm in Scandinavia, where they take part in a mind-altering séance with strong surreal imagery. The light began to crackle, a blue thread rose from the edge of the candelabra. Moltner looked at it first with amazement, then with delight, as if his eyes had gained a new power. Honey-scented smoke rose from thin wicks and then branched out into delicate wreaths. It was as if his imagination had created it - a tapestry of pale sea lilies in a depth that barely rippled with the surge of the waves. Time activated in the structure - encircled it, twisted and curved it, as if imaginary coins were being quickly stacked on top of one another. The multiplicity of space was revealed in the fibrous net, in the nerves stretching the thread in infinite numbers and unfurling vertically.

Written in 1932, just before the fall of the Weimar Republic and on the eve of the Nazi accession to power, Ernst J nger's The Worker: Dominion and Form articulates a trenchant critique of bourgeois liberalism and seeks to identify the form characteristic of the modern age. J nger's analyses, written in critical dialogue with Marx, are inspired by a profound intuition of the movement of history and an insightful interpretation of Nietzsche's philosophy.

Martin Heidegger considered J nger the only genuine follower of Nietzsche, singularly providing an interpretation which took shape in the domain of that metaphysics which already determines our epoch, even against our knowledge; this metaphysics is Nietzsche's doctrine of the 'will to power.' In The Worker, J nger examines some of the defining questions of that epoch: the nature of individuality, society, and the state; morality, justice, and law; and the relationships between freedom and power and between technology and nature.

This work, appearing in its entirety in English translation for the first time, is an important contribution to debates on work, technology, and politics by one of the most controversial German intellectuals of the twentieth century. Not merely of historical interest, The Worker carries a vital message for contemporary debates about world economy, political stability, and equality in our own age, one marked by unsettling parallels to the 1930s.

La Paz, ensayo del escritor alemán Ernst Jünger, es una reflexión visionaria escrita en plena Segunda Guerra Mundial. Concebido como un llamado a la juventud de Europa y del mundo, el texto plantea un marco para la paz basado en la creación de una federación europea, inspirada en modelos como Suiza y Estados Unidos. Para Jünger, la clave para una paz duradera no radica únicamente en estructuras políticas, sino en un compromiso profundo con la espiritualidad y la cultura, siguiendo el legado de pensadores como Novalis.

Este ensayo es una invitación a repensar el futuro de Europa desde una perspectiva que une la unidad política con la renovación espiritual, ofreciendo un mensaje de esperanza y reconciliación en tiempos de crisis.