A classic California noir with a feminist twist, this prescient 1947 novel exposed misogyny in post-World War II American society, making it far ahead of its time.

Los Angeles in the late 1940s is a city of promise and prosperity, but not for former fighter pilot Dix Steele. To his mind nothing has come close to matching that feeling of power and exhilaration and freedom that came with loneness in the sky. He prowls the foggy city night--­bus stops and stretches of darkened beaches and movie houses just emptying out--seeking solitary young women. His funds are running out and his frustrations are growing. Where is the good life he was promised? Why does he always get a raw deal? Then he hooks up with his old Air Corps buddy Brub, now working for the LAPD, who just happens to be on the trail of the strangler who's been terrorizing the women of the city for months...

Written with controlled elegance, Dorothy B. Hughes's tense novel is at once an early indictment of a truly toxic masculinity and a twisty page-turner with a surprisingly feminist resolution. A classic of golden age noir, In a Lonely Place also inspired Nicholas Ray's 1950 film of the same name, starring Humphrey Bogart.

For more than a year, Kit McKittrick languished in a Fascist prison in Spain where he was tortured by a limping jailor known only as Wobblefoot. He escaped with the help of a childhood friend from America who came overseas with him to fight for the Republican cause. When the two return to the United States, Kit goes West to heal, both physically and psychologically, while Louie remains in New York for the high society life of cocktails and cafes that he had enjoyed before his dangerous adventure.

But Kit's convalescence is cut short when he learns that Louie has taken a long dive out of a high window. He's certain that his friend wouldn't have made the fatal fall without being pushed and, on a quest for vengeance, sets out for New York to get even with the killer. When he arrives, Kit discovers a host of suspicious characters that Louie left behind but he'll have to conquer his own past demons before he can achieve his gruesome goal.

A revenge thriller elevated by psychological depth and haunting suspense, The Fallen Sparrow shows noir master Dorothy B. Hughes developing the style for which she is known today. Like her later masterpieces, In a Lonely Place and Ride the Pink Horse, this too was adapted for a now-classic film noir by the same title.

It was surprising what old experiences remembered could do to a presumably educated, civilized man. And Hugh Denismore, a young doctor driving his mother's Cadillac from Los Angeles to Phoenix, is eminently educated and civilized. He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later?

Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

For more than a year, Kit McKittrick languished in a Fascist prison in Spain where he was tortured by a limping jailor known only as Wobblefoot. He escaped with the help of a childhood friend from America who came overseas with him to fight for the Republican cause. When the two return to the United States, Kit goes West to heal, both physically and psychologically, while Louie remains in New York for the high society life of cocktails and cafes that he had enjoyed before his dangerous adventure.

But Kit's convalescence is cut short when he learns that Louie has taken a long dive out of a high window. He's certain that his friend wouldn't have made the fatal fall without being pushed and, on a quest for vengeance, sets out for New York to get even with the killer. When he arrives, Kit discovers a host of suspicious characters that Louie left behind but he'll have to conquer his own past demons before he can achieve his gruesome goal.

A revenge thriller elevated by psychological depth and haunting suspense, The Fallen Sparrow shows noir master Dorothy B. Hughes developing the style for which she is known today. Like her later masterpieces, In a Lonely Place and Ride the Pink Horse, this too was adapted for a now-classic film noir by the same title.

First published in the US in 1943 by Duell, Sloan and Pearce, New York.

A classic World War II-era noir with a page-turning plot, a cast of colorfully sinister characters and a protagonist who is thrust into the heart of political intrigue, this captivating 1943 novel parallels the spy novels of Grahame Greene, Eric Ambler, and the films of Hitchcock and Lang. But in -signature Hughes fashion, The Blackbirder has a genre-bending twist: its hardboiled protagonist is a woman.

Born of American expatriate parents, Julie Guilles was a pretty, sheltered rich girl growing up in Paris, a favorite of the Ritz Bar set. But everything changed when the Nazis rolled into the City of Lights. After three years of life underground, Julie is hiding out in New York; but she knows trouble is coming when the corpse of an acquaintance appears on her doorstep. With a host of possible dangers on her tail-the Gestapo, the FBI and the New York cops-she embarks on a desperate journey to Santa Fe in search of her last, best hope. The Blackbirderis a legend among refugees, a trafficker in human souls who flies under the radar to bring people to safety across the Mexican border-for a price.

With no resources at her disposal but a smuggled diamond necklace and her own razor-sharp wits, Julie must navigate a tangle of dangers-and take a stand in the worldwide struggle that has shattered the lives of millions. In contrast to the typical representations of wartime women as Mrs. Minivers guarding home and hearth, Dorothy B. Hughes gives her intrepid heroine a place at the heart of the action.

Hollywood big-shot Vivien Spender has waited ages to produce the work that will be his masterpiece: a film adaptation of Thomas Mann's The Magic Mountain. He's spent years grooming young starlets for the lead role, only to discard each one when a newer, fresher face enters his view. Afterwards, these rejected women all immediately fall from grace; excised from the world of pictures, they end up in rehab, or jail, or worse. But Kitten Agnew, the most recent to encounter this impending doom, won't be gotten rid of so easily--her contract simply doesn't allow for it. Accompanied by Mr. Spender on a train journey from Los Angeles to Chicago, she begins to fear that the producer might be considering a deadly alternative. Either way, it's clear that something is going to happen before they reach their destination, and as the train barrels through America's heartland, the tension accelerates towards an inescapable finale.

Reprinted for the first time in over twenty years, Dread Journey is a taut thriller that exemplifies Dorothy B. Hughes's greatest strengths as a writer--namely, her sharpened prose and mastery of psychological suspense. While its fine-tuned plot is just as exciting as it was in 1945, when the novel was first published, and its portrayal of Hollywood's less savory elements remains all-too-relevant today, the book's characters and setting provide pure Golden Age fare, sure to please any devotee of classic mystery novels.

Sailor used to be Senator Willis Douglass' protege. When he met the lawmaker, he was just a poor kid, living on the Chicago streets. Douglass took him in, put him through school, and groomed him to work as a confidential secretary. And as the senator's dealings became increasingly corrupt, he knew he could count on Sailor to clean up his messes.

Willis Douglass isn't a senator anymore; he left Chicago, Sailor, and a murder rap behind and set out for the sunny streets of Santa Fe. Now, unwilling to take the fall for another man's crime, Sailor has set out for New Mexico as well, with blackmail and revenge on his mind. But there's another man on his trail as well--a cop who wants the ex-senator for more than a payoff. In the midst of a city gone mad, bursting with wild crowds for a yearly carnival, the three men will violently converge...

The suspenseful tale that inspired one of the most beloved films noir of all time, Ride the Pink Horse is a tour-de-force that confirms Dorothy B. Hughes' status as a master of the mid-century crime novel.

The society pages announce it before she even arrives: Griselda Satterlee, daughter of the princess of Rome, has left her career as an actress behind and is traveling to Manhattan to reinvent herself as a fashion designer. They also announce the return of the dashing Montefierrow twins to New York after a twelve-year sojourn in Europe. But there is more to this story than what's reported, which becomes clear when the three meet one evening during a walk, and their polite conversation quickly takes a menacing turn. The twins are seeking a rare and powerful gem and they believe it's stashed in the unused apartment where Griselda is staying. Baffled by the request, she pushes them away, but they won't take no for an answer. When they return, accompanied by Griselda's long-estranged younger sister, the murders begin...

Drenched in the glamour and luxury of the New York elite, The So Blue Marble is a perfectly Art Deco suspense novel in which nothing is quite as it seems. While different in style from her later books, Dorothy B. Hughes's debut highlights her greatest strengths as an author, rendered with both the poetic language and the psychology of fear for which she is known today.

THE DEAD MAN AT THE AIRPORT had a message for Steve Wintress. The fact that he died when and where he did meant that Steve was getting too close to THE DAVIDIAN REPORT -- Russia's master plan for world conquest, smuggled out of East Berlin. The FBI was after the report. So were the Reds. Both knew Steve was the key -- and both thought they knew who he was working for. They were both wrong ... and Steve's life depended on seeing that they never found out

When Con Satterlee picked up the half-intoxicated blonde in the Bamboo Bar, Griselda was annoyed. When he walked out with the blonde, leaving Griselda flat, she was furious. She was frightened, too, returning alone to the isolated, ramshackle beach cottage. And this was to have been their second honeymoon

Con came back rattling a handful of shells which he said he had taken from the blonde's revolver. But the blonde didn't come back. The police found her corpse the next morning. And then Con was arrested. That left Griselda alone, behind a door with a lock that a bent hairpin could open. Quite defenseless, she had to face the sinister Major Pembrooke, who wanted something from Con; beautiful, lying Kathie; Dare, so very possessive as far as Con was concerned; and the debonair Kew, who was intent on helping Griselda, for selfish reasons.

When Con Satterlee picked up the half-intoxicated blonde in the Bamboo Bar, Griselda was annoyed. When he walked out with the blonde, leaving Griselda flat, she was furious. She was frightened, too, returning alone to the isolated, ramshackle beach cottage. And this was to have been their second honeymoon!

Con came back rattling a handful of shells which he said he had taken from the blonde's revolver. But the blonde didn't come back. The police found her corpse the next morning. And then Con was arrested. That left Griselda alone, behind a door with a lock that a bent hairpin could open. Quite defenseless, she had to face the sinister Major Pembrooke, who wanted something from Con; beautiful, lying Kathie; Dare, so very possessive as far as Con was concerned; and the debonair Kew, who was intent on helping Griselda, for selfish reasons.

The society pages announce it before she even arrives: Griselda Satterlee, daughter of the princess of Rome, has left her career as an actress behind and is traveling to Manhattan to reinvent herself as a fashion designer. They also announce the return of the dashing Montefierrow twins to New York after a twelve-year sojourn in Europe. But there is more to this story than what's reported, which becomes clear when the three meet one evening during a walk, and their polite conversation quickly takes a menacing turn. The twins are seeking a rare and powerful gem and they believe it's stashed in the unused apartment where Griselda is staying. Baffled by the request, she pushes them away, but they won't take no for an answer. When they return, accompanied by Griselda's long-estranged younger sister, the murders begin...

Drenched in the glamour and luxury of the New York elite, The So Blue Marble is a perfectly Art Deco suspense novel in which nothing is quite as it seems. While different in style from her later books, Dorothy B. Hughes's debut highlights her greatest strengths as an author, rendered with both the poetic language and the psychology of fear for which she is known today.

Hollywood big-shot Vivien Spender has waited ages to produce the work that will be his masterpiece: a film adaptation of Thomas Mann's The Magic Mountain. He's spent years grooming young starlets for the lead role, only to discard each one when a newer, fresher face enters his view. Afterwards, these rejected women all immediately fall from grace; excised from the world of pictures, they end up in rehab, or jail, or worse. But Kitten Agnew, the most recent to encounter this impending doom, won't be gotten rid of so easily--her contract simply doesn't allow for it. Accompanied by Mr. Spender on a train journey from Los Angeles to Chicago, she begins to fear that the producer might be considering a deadly alternative. Either way, it's clear that something is going to happen before they reach their destination, and as the train barrels through America's heartland, the tension accelerates towards an inescapable finale. Reprinted for the first time in over twenty years, Dread Journey is a taut thriller that exemplifies Dorothy B. Hughes's greatest strengths as a writer--namely, her sharpened prose and mastery of psychological suspense. While its fine-tuned plot is just as exciting as it was in 1945, when the novel was first published, and its portrayal of Hollywood's less savory elements remains all-too-relevant today, the book's characters and setting provide pure Golden Age fare, sure to please any devotee of classic mystery novels.

Sailor used to be Senator Willis Douglass' protege. When he met the lawmaker, he was just a poor kid, living on the Chicago streets. Douglass took him in, put him through school, and groomed him to work as a confidential secretary. And as the senator's dealings became increasingly corrupt, he knew he could count on Sailor to clean up his messes.

Willis Douglass isn't a senator anymore; he left Chicago, Sailor, and a murder rap behind and set out for the sunny streets of Santa Fe. Now, unwilling to take the fall for another man's crime, Sailor has set out for New Mexico as well, with blackmail and revenge on his mind. But there's another man on his trail as well--a cop who wants the ex-senator for more than a payoff. In the midst of a city gone mad, bursting with wild crowds for a yearly carnival, the three men will violently converge...

The suspenseful tale that inspired one of the most beloved films noir of all time, Ride the Pink Horse is a tour-de-force that confirms Dorothy B. Hughes' status as a master of the mid-century crime novel.

In The Expendable Man, Dorothy B. Hughes masterfully crafts a suspenseful narrative that delves into themes of identity, prejudice, and the harrowing consequences of societal assumptions. Set against the vividly depicted backdrop of 1960s Arizona, the novel follows Dr. Hugh Denismore, a young African American physician whose act of kindness offering a ride to a stranded hitchhiker entangles him in a web of suspicion and danger. As the story unfolds, Hughes challenges readers to confront their own biases, making this work as thought-provoking today as it was upon its original publication.

Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.