Drawing on numerous first-hand interviews with the remaining key players in the scene--and on the period when he lived there himself in the 1990s--Hoskyns has produced an East Coast companion to his bestselling L.A. canyon classic Hotel California. This is a richly absorbing study of a vital music scene in a revolutionary time and place.

From enduring musical achievements to drug-fueled chaos and bed-hopping antics, the L.A. pop music scene in the sixties and seventies was like no other, and journalist Barney Hoskyns re-creates all the excitement and mayhem. Hotel California brings to life the genesis of Crosby, Stills, and Nash at Joni Mitchell's house; the Eagles' backstage fistfights after the success of Hotel California; the drama of David Geffen and the other money men who transformed the L.A. music scene; and more.

A unique tribute from David Bowie's official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie's blessing.

In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie's Stardust alter ego: a glitter-clad, mascara-eyed, sexually ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of '70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world's biggest stars.

A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer's inner circle, and, between 1972 and 1973, worked as the singer's photographer and videographer.

This collection brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. It celebrates Bowie's fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.

Lowside of the Road is the first serious biography to cut through the myths and make sense of the life and career of this beloved icon. Barney Hoskyns has gained unprecedented access to Waits's inner circle and also draws on interviews he has done with Waits over the years. Spanning his extraordinary forty-year career from Closing Time to Orphans, from his perilous jazzbo years in 1970s LA to such shape-shifting albums as Swordfishtrombones and Rain Dogs to the Grammy Award winners of recent years, this definitive biography charts Waits's life and art step by step, album by album.

Barney Hoskyns has written a rock biography--much like the subject himself--unlike any other. It is a unique take on one of rock's great enigmas.

From the Beatles to Beck, Sinatra to Sam Smith, a parade of era-defining artists have passed through the doors of the Capitol Records Tower, one of Hollywood's most distinctive landmarks and home to one of the world's most defining labels for the past 75+ years.

To commemorate this extraordinary history of recorded music, TASCHEN presents this official account of Capitol Records, from its founding year of 1942 to today. With a foreword by Beck, essays by cultural historians and music and architecture critics, as well as hundreds of images from Capitol's extensive archives, we follow the label's evolution and the making of some of the greatest music of the 20th and 21st centuries. Through pop, rock, country, classical, soul, and jazz, the photographic and musical history includes the label's most successful, cool, hip, and creative stars, as well as the one-hit wonders who had their all-too-brief moments in the spotlight.

Along the way, we encounter the likes of Miles Davis, Nat King Cole, the Kingston Trio, and Frank Sinatra in Capitol's first 20 years; the Beach Boys, the Band, and the Beatles in the 1960s; global rock magnets Pink Floyd, Wings, Steve Miller Band, Bob Seger, and Linda Ronstadt in the 1970s; Beastie Boys, Duran Duran, Radiohead, and Bonnie Raitt in the 1980s and 1990s; and such contemporary stars as Coldplay, Katy Perry, and Sam Smith. An unmissable milestone for music lovers, Capitol Records is a live and kicking celebration of the mighty giant of the industry that created the soundtrack to generations past, present, and future.

From enduring musical achievements to drug-fueled chaos and bed-hopping antics, the L.A. pop music scene in the sixties and seventies was like no other, and journalist Barney Hoskyns re-creates all the excitement and mayhem. Hotel California brings to life the genesis of Crosby, Stills, and Nash at Joni Mitchell's house; the Eagles' backstage fistfights after the success of Hotel California; the drama of David Geffen and the other money men who transformed the L.A. music scene; and more.

From the Beatles to Beck, Sinatra to Sam Smith, a parade of era-defining artists have passed through the doors of the Capitol Records Tower, one of Hollywood's most distinctive landmarks and home to one of the world's most defining labels for the past 75+ years.

To commemorate this extraordinary history of recorded music, TASCHEN presents this official account of Capitol Records, from its founding year of 1942 to today. With a foreword by Beck, essays by cultural historians and music and architecture critics, as well as hundreds of images from Capitol's extensive archives, we follow the label's evolution and the making of some of the greatest music of the 20th and 21st centuries. Through pop, rock, country, classical, soul, and jazz, the photographic and musical history includes the label's most successful, cool, hip, and creative stars, as well as the one-hit wonders who had their all-too-brief moments in the spotlight.

Along the way, we encounter the likes of Miles Davis, Nat King Cole, the Kingston Trio, and Frank Sinatra in Capitol's first 20 years; the Beach Boys, the Band, and the Beatles in the 1960s; global rock magnets Pink Floyd, Wings, Steve Miller Band, Bob Seger, and Linda Ronstadt in the 1970s; Beastie Boys, Duran Duran, Radiohead, and Bonnie Raitt in the 1980s and 1990s; and such contemporary stars as Coldplay, Katy Perry, and Sam Smith. An unmissable milestone for music lovers, Capitol Records is a live and kicking celebration of the mighty giant of the industry that created the soundtrack to generations past, present, and future.

With Robert Plant on lead vocal and Jimmy Page on guitar, Led Zeppelin is one of the most iconic, legendary, and influential rock bands in musical history. Tales of their indulgence in sex, drugs, and excess have swirled for decades. In this definitive oral history of the band, Barney Hoskyns finally reveals the truth about Led Zeppelin, paring away the myths and describing what life was really like for four young men on top of the world, enjoying fame on a scale that not even the Beatles experienced as a touring live act. Through fresh new interviews with the surviving band members, close friends, their tour manager, and scores of other fascinating characters, Hoskyns provides deep insights into the personalities of the band members and chronicles the group's dramatic rise, fall, and legacy.

• Based on more than 200 interviews with everyone from Robert Plant, Jimmy Page, and John Paul Jones to road manager Richard Cole, their late manager Peter Grant, and many others central to the Zeppelin story
• Features striking photos of the band both on and offstage, many published here for the first time
• Takes a fresh look at Led Zeppelin's music, cultural significance, and legend, as well as the highs and lows of the sex, drugs, and rock and roll lifestyle on the road
• Analyzes the way the band wrote, arranged, and recorded, from how they created the stupendous sound and dynamics on Dazed and Confused and Whole Lotta Love to the group's folk-suffused acoustic side embodied in songs like Friends and That's the Way
• Written by Barney Hoskyns, contributing editor at British Vogue who is the author of the bestselling book Hotel California and the co-founder of online music-journalism library Rock's Backpages

Say It One Time for the Brokenhearted was the first of many titles by renowned UK music journalist Barney Hoskyns. Thirty years after its publication he revisited the modern-day classic for this revised and expanded anniversary edition that marks the book's first publication in the US.

Fascinated by the collision of country and soul music in the Southern states, Hoskyns and photographer Muir MacKean set out on a journey through the American South to explore the phenomenon of primarily black singers and primarily white musicians joining forces in the 1960s to create musical magic in an era of racial tension.

From Memphis to Muscle Shoals to Nashville, they sat down with dozens of the architects of what's come to be known as Country Soul to capture a story that is as inspiring as it is historically important.

Nearly 50 years' worth of critical efforts to solve Mitchell's mysteries have now been rounded up in Barney Hoskyns's Joni: The Anthology....what comes through most consistently is a possessive impulse, a desire to really know an artist whose fierce privacy has often seemed at odds with the impression of intimacy conveyed by her music. --The Atlantic

Nine Grammys. More than ten million albums sold. Named one of the greatest singers and songwriters of all time by Rolling Stone. Joni: The Anthology is an essential collection of writings on Joni Mitchell that charts every major moment of the famed troubadour's extraordinary career, as it happened.

From album reviews, incisive commentary, and candid conversations, Joni: The Anthology includes, among other things, a review of Mitchell's first-ever show at LA's Troubadour in June of 1968, a 1978 interview by musician Ben Sidran on jazz great Charles Mingus, a personal reminiscence by Ellen Sander, a confidant of the Los Angeles singer-songwriter community, and a long director's cut version of editor Barney Hoskyns' 1994 MOJO interview. A time capsule of an icon, the anthology spans the entirety of Joni's career between 1967-2007, as well as thoughtful commentary on her early years.

In collecting materials long unavailable, rare, or otherwise difficult to find, Joni: The Anthology illuminates the evolution of modern rock journalism while providing an invaluable and accessible guide to appreciating the highs--and the lows--of a twentieth century legend.

Once I crossed the border, I began to write and my voice changed. I no longer was imitative of the folk style. My voice was then my real voice and with a slight folk influence, but from the first album it was no longer folk music. It was just a girl with a guitar that made it look that way.--Joni Mitchell, 1994

'Present Tense is an anthology to savour . . . giving you as sharp a portrait of this unknowable band as you could hope for . . . Radiohead fans will love it' Classic Rock

A Rock's Backpages anthology of Radiohead, the most radical and fascinating rock band in modern music history, edited and introduced by Barney Hoskyns.

For over 25 years, Radiohead have been the most radical and fascinating rock band in the world. Fearless in their desire to change and shape-shift, the Oxfordshire quintet has - through the nine studio albums from 1993's Pablo Honey to 2016's A Moon-Shaped Pool - consistently stretched the boundaries of what 'rock' means and does. Anchored in Thom Yorke's soaring voice and elliptical lyrics, and in the compositional genius of guitarist/keyboardist Jonny Greenwood, Radiohead continue to astonish as they approach their fourth decade.

Present Tense collects the best writing on this most literate of pop groups, from the earliest local reports about On A Friday - Radiohead's first moniker - through the inspired commentary of Mark Greif and Simon Reynolds to the trenchant profiles of Will Self, John Harris and others. It's an anthology that goes a long way towards explaining what Rock's Backpages editor Barney Hoskyns describes as the band's 'seriousness, emotional grandeur and willingness to stare humanity's dystopian hi-tech future in the face'.

'This book could save your life' John Crace

'An unblinking account of living with - and more importantly, beyond - addiction. Brave, clear-eyed and inspiring' John Niven

'A rich, uplifting memoir: Hoskyns portrays how painful inadequacy, masked by drugs, can be replaced by the messiness of ordinary life' Oliver James

A few months after graduating with a 1st class honours degree from Oxford University, Barney Hoskyns sat in a damp Clapham basement and asked his best friend to inject him with heroin. From that moment on, for the next three years, Hoskyns is hopelessly hooked. This is the searingly honest story of what brought him to this place - and how he got himself out of it.

Barney Hoskyns is one of the leading music writers of our time: his books have ranged the musical landscape from Led Zeppelin to Tom Waits, from Laurel Canyon to Woodstock. His articles have appeared in NME, Melody Maker, Rolling Stone and Vogue, and in 2000 he founded Rock's Backpages.

Hoskyns beautifully describes the relationship between music and addiction, between love and infatuation. Never Enough is Hoskyns's raw, uncompromising and utterly compelling account of the highs and lows of life under the needle. Interspersed with photos and diary entries, Hosykns examines why he so willingly gave himself up to the death-grip of heroin, and what it took to finally free himself from it.

'This book could save your life' John Crace

'An unblinking account of living with - and more importantly, beyond - addiction. Brave, clear-eyed and inspiring' John Niven

'A rich, uplifting memoir: Hoskyns portrays how painful inadequacy, masked by drugs, can be replaced by the messiness of ordinary life' Oliver James

A few months after graduating with a 1st class honours degree from Oxford University, Barney Hoskyns sat in a damp Clapham basement and asked his best friend to inject him with heroin. From that moment on, for the next three years, Hoskyns is hopelessly hooked. This is the searingly honest story of what brought him to this place - and how he got himself out of it.

Barney Hoskyns is one of the leading music writers of our time: his books have ranged the musical landscape from Led Zeppelin to Tom Waits, from Laurel Canyon to Woodstock. His articles have appeared in NME, Melody Maker, Rolling Stone and Vogue, and in 2000 he founded Rock's Backpages.

Hoskyns beautifully describes the relationship between music and addiction, between love and infatuation. Never Enough is Hoskyns's raw, uncompromising and utterly compelling account of the highs and lows of life under the needle. Interspersed with photos and diary entries, Hosykns examines why he so willingly gave himself up to the death-grip of heroin, and what it took to finally free himself from it.