Veycosi, in training as a griot (an historian and musician), hopes to sail off to examine the rare Alamat Book of Light and thus secure a spot for himself on Chynchin's Colloquium of scholars. However, unexpected events prevent that from happening. Fifteen Ymisen galleons arrive in the harbor to force a trade agreement on Chynchin. Veycosi tries to help, hoping to prove himself with a bold move, but quickly finds himself in way over his head.

Bad turns to worse when malign forces start stirring. Pickens (children) are disappearing and an ancient invading army, long frozen into piche (tar) statues by island witches is stirring to life--led by the fearsome demon known as the Blackheart Man. Veycosi has problems in his polyamorous personal life, too. How much trouble can a poor student take? Or cause all by himself as the line between myth and history blends in this delightfully sly tale by one of greatest novelists.

The rich and privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways -- farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, and the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.

Caribbean patois adorns this novel with graceful rhythms...Beneath it lie complex, clearly evoked characters, haunting descriptions of exotic planets, and a stirring story...[This book] ought to elevate Hopkinson to star status. --Seattle Times

It's Carnival time and the Caribbean-colonized planet of Toussaint is celebrating with music, dance, and pageantry. Masked Midnight Robbers waylay revelers with brandished weapons and spellbinding words. To young Tan-Tan, the Robber Queen is simply a favorite costume to wear at the festival--until her power-corrupted father commits an unforgiveable crime.

Suddenly, both father and daughter are thrust into the brutal world of New Half-Way Tree. Here monstrous creatures from folklore are real, and the humans are violent outcasts in the wilds. Tan-Tan must reach into the heart of myth and become the Robber Queen herself. For only the Robber Queen's legendary powers can save her life . . . and set her free.

In Skin Folk, with works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, Nalo Hopkinson is at her award-winning best, spinning tales like Precious, in which the narrator spews valuable coins and gems from her mouth whenever she attempts to talk or sing. In A Habit of Waste, a self-conscious woman undergoes elective surgery to alter her appearance; days later she's shocked to see her former body climbing onto a public bus. In The Glass Bottle Trick, the young protagonist ignores her intuition regarding her new husband's superstitions--to horrifying consequences.

Hopkinson's unique pacing and vibrant dialogue sets a steady beat for stories that illustrate why she received the John W. Campbell Award for Best New Writer. Entertaining, challenging, and alluring, Skin Folk is not to be missed.

Praise for Nalo Hopkinson and the World Fantasy Award-winning Skin Folk

Hopkinson's prose is vivid and immediate. --The Washington Post Book World

An important new writer. --The Dallas Morning News

Her descriptions of ordinary people finding themselves in extraordinary circumstances ring true, the result of her strong evocation of place and her ear for dialect. --Publishers Weekly

A marvelous display of Nalo Hopkinson's talents, skills and insights into the human conditions of life, especially of the fantastic realities of the Caribbean . . . Everything is possible in her imagination. --Science Fiction Chronicle

We'd had to be cut free of our mother's womb. She'd never have been able to push the two-headed sport that was me and Abby out the usual way. Abby and I were fused, you see. Conjoined twins. Abby's head, torso, and left arm protruded from my chest. But here's the real kicker; Abby had the magic, I didn't. Far as the Family was concerned, Abby was one of them, though cursed, as I was, with the tragic flaw of mortality.

Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls gave Abby a permanent limp, but left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father, the god of growing things--a highly unusual childhood that made them extremely close. Ever since Abby's magical talent began to develop, though, in the form of an unearthly singing voice, the sisters have become increasingly distant.

Today, Makeda has decided it's high time to move out and make her own life among the other nonmagical, claypicken humans--after all, she's one of them. In Cheerful Rest, a run-down warehouse space, Makeda finds exactly what she's been looking for: an opportunity to live apart from Abby and begin building her own independent life. There's even a resident band, led by the charismatic (and attractive) building superintendent.

But when her father goes missing, Makeda will have to discover her own talent--and reconcile with Abby--if she's to have a hope of saving him . . .

Nalo Hopkinson (Brown Girl in the Ring, The Salt Roads, Sister Mine) is an internationally-beloved storyteller. Hailed by the Los Angeles Times as having an imagination that most of us would kill for, her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are filled with striking imagery, unlikely beauty, and delightful strangeness.

In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall with unfulfilled ghosts, or herding chickens that occasionally breathe fire, Hopkinson continues to create bold fiction that transcends boundaries and borders.

So Long Been Dreaming: Postcolonial Science Fiction & Fantasy is an anthology of original new stories by leading African, Asian, South Asian and Aboriginal authors, as well as North American and British writers of color.

Stories of imagined futures abound in Western writing. Writer and editor Nalo Hopkinson notes that the science fiction/fantasy genre speaks so much about the experience of being alienated but contains so little writing by alienated people themselves. It's an oversight that Hopkinson and Mehan aim to correct with this anthology.

The book depicts imagined futures from the perspectives of writers associated with what might loosely be termed the third world. It includes stories that are bold, imaginative, edgy; stories that are centered in the worlds of the developing nations; stories that dare to dream what we might develop into.

The wealth of postcolonial literature has included many who have written insightfully about their pasts and presents. With So Long Been Dreaming they creatively address their futures.

Contributors include: Opal Palmer Adisa, Tobias Buckell, Wayde Compton, Hiromi Goto, Andrea Hairston, Tamai Kobayashi, Karin Lowachee, devorah major, Carole McDonnell, Nnedi Okorafor-Mbachu, Eden Robinson, Nisi Shawl, Vandana Singh, Sheree Renee Thomas and Greg Van Eekhout.

Nalo Hopkinson is the internationally-acclaimed author of Brown Girl in the Ring, Skin Folk, and Salt Roads. Her books have been nominated for the Hugo, Nebula, Tiptree, and Philip K. Dick Awards; Skin Folk won a World Fantasy Award and the Sunburst Award. Born in Jamaica, Nalo moved to Canada when she was sixteen. She lives in Toronto.

Uppinder Mehan is a scholar of science fiction and postcolonial literature. A South Asian Canadian, he currently lives in Boston and teaches at Emerson College.

Nalo Hopkinson has been busily (and wonderfully) subverting the genre since her first novel, Brown Girl in the Ring, won a Locus Award for SF and Fantasy in 1999. Since then she has acquired a prestigious World Fantasy Award, a legion of adventurous and aware fans, a reputation for intellect seasoned with humor, and a place of honor in the short list of SF writers who are tearing down the walls of category and transporting readers to previously unimagined planets and realms.

Never one to hold her tongue, Hopkinson takes on sexism and racism in publishing in Report from Planet Midnight, a historic and controversial presentation to her colleagues and fans.

Plus...
Message in a Bottle, a radical new twist on the time travel tale that demolishes the sentimental myth of childhood innocence; and Shift, a tempestuous erotic adventure in which Caliban gets the girl. Or does he?

And Featuring: Our Outspoken Interview, an intimate one-on-one that delivers a wealth of insight, outrage, irreverence, and top-secret Caribbean spells.

Sixteen-year-old Scotch struggles to fit in--at home she's the perfect daughter, at school she's provocatively sassy, and thanks to her mixed heritage, she doesn't feel she belongs with the Caribbeans, whites, or blacks. And even more troubling, lately her skin is becoming covered in a sticky black substance that can't be removed.

While trying to cope with this creepiness, she goes out with her brother--and he disappears. A mysterious bubble of light just swallows him up, and Scotch has no idea how to find him. Soon, the Chaos that has claimed her brother affects the city at large, until it seems like everyone is turning into crazy creatures. Scotch needs to get to the bottom of this supernatural situation ASAP before the Chaos consumes everything she's ever known--and she knows that the black shadowy entity that's begun trailing her every move is probably not going to help.

A blend of fantasy and Caribbean folklore, at its heart this tale is about identity and self-acceptance--because only by acknowledging her imperfections can Scotch hope to save her brother.

Sixteen-year-old Scotch struggles to fit in--at home she's the perfect daughter, at school she's provocatively sassy, and thanks to her mixed heritage, she doesn't feel she belongs with the Caribbeans, whites, or blacks. And even more troubling, lately her skin is becoming covered in a sticky black substance that can't be removed.

While trying to cope with this creepiness, she goes out with her brother--and he disappears. A mysterious bubble of light just swallows him up, and Scotch has no idea how to find him. Soon, the Chaos that has claimed her brother affects the city at large, until it seems like everyone is turning into crazy creatures. Scotch needs to get to the bottom of this supernatural situation ASAP before the Chaos consumes everything she's ever known--and she knows that the black shadowy entity that's begun trailing her every move is probably not going to help.

A blend of fantasy and Caribbean folklore, at its heart this tale is about identity and self-acceptance--because only by acknowledging her imperfections can Scotch hope to save her brother.