With The Abyssal Plain, Holloway and Talley have managed to transform the Cthulhu Mythos into something with a more modern flavor, drawing not just from the well of cosmic horror, but from technothrillers, survival horror, and splatterpunk, with just a dash of the lost sensibilities of the shudder pulps. A cup full of tentacles mixed with existential nihilism and sprinkled with liberal quantities of gore, this is Lovecraftian horror with a bloody bent that few others have dared to explore. --Peter Rawlik, author of Reanimators
They called it the Event.
The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse.
The Rising has begun.
A lone man who abandoned the world for his addictions searches a waterlogged Austin for something, anything to cling to. Little does he know that something else searches for him.
In the Sonoran Desert, the downtrodden of the world search for a better life north of the border, only to see the desert become an ocean: an ocean that takes life and gives death.
In the woods of Alabama, survivors escape to Fort Resistance, but soon discover that it isn't just the horrors of the deep places of the world that they need to fear; but rather a new and more deadly pestilence that has grown in their own ranks.
In England, it's too late to fight, and all that's left is to survive. One man reaches for his own humanity, but what to do when humanity is an endangered species?
And in the Pacific, He is rising.
In The Abyssal Plain: The R'lyeh Cycle, authors William Holloway, Michelle Garza and Melissa Lason, Brett J. Talley, and Rich Hawkins have created a timely and uniquely modern reimagining of the Cthulhu Mythos.
The Abyssal Plain documents the apocalypse as inspired by H. P. Lovecraft, worsening swiftly from its creepy, suggestive origins to an all-out nightmarish hellscape. Told in the varied voices of its multiple writers--which lends to the feeling of a widespread event--this mosaic novel is a gripping, cinematic roller-coaster ride of action and suspense. Enough with zombies, already...I'd pay to watch a TV show based on this book. The Walking Squid, anyone? --Jeffrey Thomas, author of Punktown
They called it the Event.
The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse.
The Rising has begun.
Providence is flooded. An agoraphobic artist watches from his window as the sea takes the streets. But the ocean has brought more than storms, as the presence of something alien prods and grasps his mind. Can he find the courage to flee, or will his mind and body be taken by the storm and the creatures within?
Even as the skies open and the streets fill, an international art thief takes one last job to steal from the legendary Miskatonic Library. His mission is the Incendium Malificarum, powerful enough to end the world, or to save it. But is he simply a pawn of powers greater than he knows?
A young mother, separated by floodwaters from her family, grieves and dreams as the world and the people around her begin to change, to become something else. But what dreams may come when the world has already ended?
But how did this begin? A disgraced college professor makes a Faustian bargain and discovers a conspiracy older than man, and a Key to unlock the fate of the entire human race. Can he save himself, can he save anyone, or is this predestined since the Great Flood?
And in the Pacific, He is rising.
In Black Seas of Infinity: The R'lyeh Cycle Book Two, authors Curtis M. Lawson, Brett J. Talley, Gemma Files, and William Holloway have created a timely and uniquely modern reimagining of the Cthulhu Mythos.
They called it the Event.
The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse.
The Rising has begun.
Providence is flooded. An agoraphobic artist watches from his window as the sea takes the streets. But the ocean has brought more than storms, as the presence of something alien prods and grasps his mind. Can he find the courage to flee, or will his mind and body be taken by the storm and the creatures within?
Even as the skies open and the streets fill, an international art thief takes one last job to steal from the legendary Miskatonic Library. His mission is the Incendium Malificarum, powerful enough to end the world, or to save it. But is he simply a pawn of powers greater than he knows?
A young mother, separated by floodwaters from her family, grieves and dreams as the world and the people around her begin to change, to become something else. But what dreams may come when the world has already ended?
But how did this begin? A disgraced college professor makes a Faustian bargain and discovers a conspiracy older than man, and a Key to unlock the fate of the entire human race. Can he save himself, can he save anyone, or is this predestined since the Great Flood?
And in the Pacific, He is rising.
In Black Seas of Infinity: The R'lyeh Cycle Book Two, authors Curtis M. Lawson, Brett J. Talley, Gemma Files, and William Holloway have created a timely and uniquely modern reimagining of the Cthulhu Mythos.
With The Abyssal Plain, Holloway and Talley have managed to transform the Cthulhu Mythos into something with a more modern flavor, drawing not just from the well of cosmic horror, but from technothrillers, survival horror, and splatterpunk, with just a dash of the lost sensibilities of the shudder pulps. A cup full of tentacles mixed with existential nihilism and sprinkled with liberal quantities of gore, this is Lovecraftian horror with a bloody bent that few others have dared to explore. --Peter Rawlik, author of Reanimators
They called it the Event.
The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse.
The Rising has begun.
A lone man who abandoned the world for his addictions searches a waterlogged Austin for something, anything to cling to. Little does he know that something else searches for him.
In the Sonoran Desert, the downtrodden of the world search for a better life north of the border, only to see the desert become an ocean: an ocean that takes life and gives death.
In the woods of Alabama, survivors escape to Fort Resistance, but soon discover that it isn't just the horrors of the deep places of the world that they need to fear; but rather a new and more deadly pestilence that has grown in their own ranks.
In England, it's too late to fight, and all that's left is to survive. One man reaches for his own humanity, but what to do when humanity is an endangered species?
And in the Pacific, He is rising.
In The Abyssal Plain: The R'lyeh Cycle, authors William Holloway, Michelle Garza and Melissa Lason, Brett J. Talley, and Rich Hawkins have created a timely and uniquely modern reimagining of the Cthulhu Mythos.
The Abyssal Plain documents the apocalypse as inspired by H. P. Lovecraft, worsening swiftly from its creepy, suggestive origins to an all-out nightmarish hellscape. Told in the varied voices of its multiple writers--which lends to the feeling of a widespread event--this mosaic novel is a gripping, cinematic roller-coaster ride of action and suspense. Enough with zombies, already...I'd pay to watch a TV show based on this book. The Walking Squid, anyone? --Jeffrey Thomas, author of Punktown
SOMETHING HAS TAKEN THE CHILDREN OF BLACKWOOD ESTATES. Philip Nada was broken by his own success. Once happy but poor, he's wealthier than he knew possible, but forced to raise his disabled son alone in the big empty house in Blackwood Estates. As he goes through the motions, expecting nothing, a terrifying supernatural phenomenon steals his boy from him. But it isn't just his son, it's every single child at home in Blackwood Estates when their subdivision is encircled by a mysterious cloud of fog.
These children are no longer children. They are possessed of something impossible, something from a different time, and a space unimaginable. Something hungry for blood, and insatiable for murder. By day they hunt, but by night they hide, terrified of something even worse, something without form, something that hunts the Outer Dark, and now the interior of their diminishing world.
Phil must find strength to save his son from this otherworldly possession, and lead the survivors away from the damned world of Blackwood Estates. Away from help or hope, they find themselves in a fight to the death with an intrusion from another space and another time.
Phil will have to join forces with an unlikely set of allies, but can a broken man find the strength to defend what little he has left?
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.