Hinton's award-winning experience translating a wide range of ancient Chinese poets makes these books sing in English as never before. But these new versions are not only inviting and immensely readable--they also apply much-needed consistency to key philosophical terms in these texts, lending structural links and philosophical rigor heretofore unavailable in English. Breathing new life into these classics, Hinton's new translations will stand as the definitive texts for our era.

Perhaps the most broadly influential spiritual text in human history, Lao Tzu's Tao Te Ching is the source of Taoist philosophy, which eventually developed into Ch'an (Zen) Buddhism. Equally influential in the social sphere, Confucius' Analects is the source of social wisdom in China. The Chuang Tzu is the wild and wacky prose complement to the Tao Te Ching. And with its philosophical storytelling, the Mencius adds depth and complexity to Confucius' vision.

In a radically new translation and interpretation of the I Ching, David Hinton strips this ancient Chinese masterwork of the usual apparatus and discovers a deeply poetic and philosophical text. Teasing out an elegant vision of the cosmos as ever-changing yet harmonious, Hinton reveals the seed from which Chinese philosophy, poetry, and painting grew. Although it was and is widely used for divination, the I Ching is also a book of poetic philosophy, deeply valued by artists and intellectuals, and Hinton's translation restores it to its original lyrical form. Previous translations have rendered the I Ching as a divination text full of arcane language and extensive commentary. Though informative, these versions rarely hint at the work's philosophical heart, let alone its literary beauty. Here, Hinton translates only the original stratum of the text, revealing a fully formed work of literature in its own right. The result is full of wild imagery, fables, aphorisms, and stories. Acclaimed for the eloquence of his many translations of ancient Chinese poetry and philosophy, Hinton has reinvented the I Ching as an exciting contemporary text at once primal and postmodern.

The Blue-Cliff Record, a collection of Ch'an (Zen) koans stemming from the eleventh century, is a remarkable masterwork of classical Chinese literature, a philosophical text of profound power, and an active practice guide in use by Ch'an and Zen Buddhists all over the world. Rendered with his trademark lyricism and philosophical rigor, this new edition from renowned translator David Hinton presents a whole new Blue-Cliff Record. Full of poetry, storytelling, and characters both zany and profound, Hinton's translation unveils the earthy insights of Ch'an's original wisdom.

Though it carries a reputation for impenetrable paradox, The Blue-Cliff Record was not meant to be a teaching tool understood only through long instruction from Zen masters. Rather, it is a finely crafted text intended to create a direct and immediate experience of awakening, a text that insists on the need to trust oneself rather than teachers for insight. Embracing this, Hinton's translation presents only the original koans and poems, free of the commentaries that usually shroud it. In doing so, he rekindles the provocative and illuminating fire of these one hundred classic koans.

With this groundbreaking collection Classical Chinese Poetry, translated and edited by the renowned poet and translator David Hinton, a new generation will be introduced to the work that riveted Ezra Pound and transformed modern poetry.

The Chinese poetic tradition is the largest and longest continuous tradition in world literature, and this rich and far-reaching anthology of nearly five hundred poems provides a comprehensive account of its first three millennia (1500 BCE to 1200 CE), the period during which virtually all its landmark developments took place. Unlike earlier anthologies of Chinese poetry, Hinton's book focuses on a relatively small number of poets, providing selections that are large enough to re-create each as a fully realized and unique voice. New introductions to each poet's work provide a readable history, told for the first time as a series of poetic innovations forged by a series of master poets.

From the classic texts of Chinese philosophy to intensely personal lyrics, from love poems to startling and strange perspectives on nature, Hinton has collected an entire world of beauty and insight. And in his eye-opening translations, these ancient poems feel remarkably fresh and contemporary, presenting a literature both radically new and entirely resonant, in Classical Chinese Poetry.

Buddhism migrated from India to China in the first century C.E., and Ch'an (Japanese: Zen) is generally seen as China's most distinctive and enduring form of Buddhism. In China Root, however, David Hinton shows how Ch'an was in fact a Buddhist-influenced extension of Taoism, China's native system of spiritual philosophy. Unlike Indian Buddhism's abstract sensibility, Ch'an was grounded in an earthy and empirically-based vision. Exploring this vision, Hinton describes Ch'an as a kind of anti-Buddhism. A radical and wild practice aspiring to a deeply ecological liberation: the integration of individual consciousness with landscape and with a Cosmos seen as harmonious and alive.

In China Root, Hinton describes this original form of Zen with his trademark clarity and elegance, each chapter exploring in enlightening ways a core Ch'an concept--such as meditation, mind, Buddha, awakening--as it was originally understood and practiced in ancient China. Finally, by examining a range of standard translations in the Appendix, Hinton reveals how this original understanding and practice of Ch'an/Zen is almost entirely missing in contemporary American Zen, because it was lost in Ch'an's migration from China through Japan and on to the West.

Whether you practice Zen or not, taking this journey on the wings of Hinton's remarkable insight and powerful writing will transform how you understand yourself and the world.

Earth is embroiled in its sixth major extinction event--this time caused not by asteroids or volcanos, but by us. At bottom, preventing this sixth extinction is a spiritual/philosophical problem, for it is the assumptions defining us and our relation to earth that are driving the devastation. Those assumptions insist on a fundamental separation of human and earth that devalues earth and enables our exploitative relation to it.

In Wild Mind, Wild Earth, David Hinton explores modes of seeing and being that could save the planet by reestablishing a deep kinship between human and earth: the insights of primal cultures and the Ch'an (Zen) Buddhism of ancient China. He also shows how these insights have become well-established in the West over the last two hundred years, through the work of poets and philosophers and scientists. This offers marvelous hope and beauty--but like so many of us, Hinton recognizes the sixth extinction is now an inexorable and perhaps unstoppable tragedy. And he reveals how those primal/Zen insights enable us to inhabit even the unfurling catastrophe as a profound kind of liberation. Wild Mind, Wild Earth is a remarkable and revitalizing journey.

In this landmark anthology of some two dozen translations, celebrated translator David Hinton shows how Ch'an (Japanese: Zen)--too long considered a perplexing school of Chinese Buddhism--was in truth a Buddhist-inflected form of Taoism, China's native system of spiritual philosophy. The texts in The Way of Ch'an build from seminal Taoism through the Dark-Enigma Learning literature and on to the most important pieces from all stages of the classical Ch'an tradition. Guided by Hinton's accessible introductions, readers will encounter texts and authors including:

• I Ching (c. 12th century BCE)
• Lao Tzu (c. 6th century BCE
• Bodhidharma (active c. 500-550 CE)
• Sixth Patriarch Prajna-Able (Hui Neng, 638-713)
• Cold Mountain (Han Shan: c. 8th-9th centuries)
• Yellow-Bitterroot Mountain (Huang Po, d. 850)
• Blue-Cliff Record (c. 1040)

Walks in the desert and journeys through Ch'an (Zen) enlightenment. Meditations on the nature of perception and on the nature of ruins. Topographies of mind and of space-time. Poetry and prose. This talismanic book is all of these and more.

In this poetic odyssey of nature writing that blurs the line between observer and landscape, Hinton's project is nothing less than to map our place in the cosmos and awaken to our interconnectedness with the wild spontaneity of the natural world. It is the culmination of Hinton's philosophical adventure, deeply informed by his nearly forty years of translating and contemplating China's ancient poets, Taoist sages, and Ch'an masters. Like Henry David Thoreau and other great literary walkers, Hinton joins philosophical meditations with a keen eye for the slightest of nature's details. In following these walks, we journey into wondrous and even ecstatic clarities about the nature of mind and existence itself.

What is consciousness but the Cosmos awakened to itself? This question is fundamental to the Taoist and Ch'an (Zen) Buddhist worldview that shapes classical Chinese poetry. A uniquely conceived biography, Awakened Cosmos illuminates that worldview through the life and work of Tu Fu (712-770 C.E.), China's greatest classical poet. Tu Fu's writing traces his life from periods of relative normalcy to years spent as an impoverished refugee amid the devastation of civil war. Exploring key poems to guide the reader through Tu Fu's dramatic life, Awakened Cosmos reveals Taoist/Ch'an insight deeply lived across the full range of human experience.

Each chapter presents a poem in three stages: first, the original Chinese; then, an English translation in Hinton's masterful style; and finally, a lyrical essay that discusses the untranslatable philosophical dimensions of the poem. The result is nothing short of remarkable: a biography of the Cosmos awakened to itself in the form of a magisterial poet alive in T'ang Dynasty China.

Thirty years ago, David Hinton published America's first full-length translation of Tu Fu's work. Awakened Cosmos is published simultaneously with a newly translated and substantially expanded version of that landmark translation: The Selected Poems of Tu Fu: Expanded and Newly Translated (New Directions).

Like all of his translations, Hinton's translation of the Tao Te Ching is mind-opening, presenting startling new dimensions in this widely-influential text. He shows how Lao Tzu's spirituality is structured around the generative life-force and that this system of thought weaves the human into natural process at the deepest levels of being--revealing the Tao Te Ching as an originary text in deep feminist and ecological thought.

Lao Tzu's Tao Te Ching is not only the single most important text ever composed in China, it is probably the most influential spiritual text in human history. In the past, virtually all translations of this text have been produced either by sinologists having little poetic facility in English, or writers having no ability to read the original Chinese. Hinton's fluency in ancient Chinese and his acclaimed poetic ability provide him the essential qualifications. Together, they allow a breathtaking new translation that reveals how remarkably current and even innovative this text is after 2500 years.

Witty, engaging and spiced with the lyricism of poetry, Chuang Tzu's Taoist insights in the Inner Chapters are timely and eternal. The only sustained section of text widely believed to be the work of Chuang Tzu himself, these chapters date to the 4th century B.C.E and are profoundly concerned with spiritual ecology.

With bold and startling prose, David Hinton's vital translation is surprisingly modern, making this ancient text from the golden age of Chinese philosophy come alive for contemporary readers. The Inner Chapters' fantastical passages offer up a wild menagerie of characters, freewheeling play with language, and surreal humor. Interwoven with Chuang Tzu's sharp instruction on the Tao are short stories that are often rough and ribald, rich with satire and paradox.

In a culture that makes no distinction between those realms we call the heart and the mind, Mencius was the great thinker of the heart, and it was he who added the profound inner dimensions to the Confucian vision. Given his emphasis on the heart, it isn't surprising that his philosophical method is very literary in nature: story and anecdote full of human drama and poetic turns of thought. Indeed, the text is considered a paragon of literary eloquence and style.

Mencius' strikingly contemporary empiricism represented a complete secularization of the spiritualist concepts of governance that had dominated China for over a millenia. He invested the humanist Confucian vision with its inner dimensions by recognizing that the individual is an integral part of a self-generating and harmonious cosmos. He saw all the spiritual depths of that cosmology inside us, and this led to a mystical faith in the inherent nobility of human beings. In his chaotic and war-ravaged times, he was therefore passionate in his defense of the people. Indeed, he advocated a virtual democracy in which a government's legitimacy depended upon the assent of the people. Such is the enduring magic of the Mencian heart-- full of compassionate and practical concern for the human condition, and yet so empty that it contains the ten thousand transformations of the entire cosmos.

Formulated in the ruins of a society that had been founded on untenable spiritualistic concepts of governance, Confucius' philosophy postulated a humanistic social order that has survived as China's social ideal ever since. Beginning with the realization that society is a structure of human relationships, Confucius saw that in a healthy society this structure must be a selfless weave of caring relationships. Those caring relationships are a system of ritual that people enact in their daily lives, thus infusing the secular with scared dimensions.

Highly regarded for the poetic fluency he brings to his award-winning work, David Hinton is the first twentieth-century translator to render the four central masterworks of ancient Chinese thought: Chuang Tzu, Mencius, The Analects, and Tao te Ching (forthcoming). HIs new versions are not only inviting and immensely readable, but they also apply a much-needed consistency to key terms in these texts, lending structural links and philosophical rigor heretofore unavailable in English. Breathing new life into these originary classics, Hinton's translations will stand as the definitive series for our era.

Traveling today I
found a river
somewhere inside
me, wondered

how far it
wanders there

and how much
sky it
mirrors. All day
long, wind and desert

light, I
followed that river's
distances . . .

Weaving mind and landscape together in meditations on sky and wind, ridgeline and horizon, existence and self, Desert marks David Hinton's first collection of original poetry in over a decade. Hinton's poetic art has long shined brilliantly through his widely acclaimed Chinese translations--and here speaks for itself in his contemporary voice as he turns his attention to the transcendent landscape of the American West. Updating the philosophical insights of ancient China that Hinton has explored so deeply, these poems bring the wonder and ancient mystery of the desert landscape to light. Hinton demonstrated in The Wilds of Poetry how those ancient Chinese insights shaped the innovative American poetry of our time, and here he extends that tradition in poems that are spare and spacious, as vast and open as the desert itself.

Henry David Thoreau, in The Maine Woods, describes a moment on Mount Ktaadin when all explanations and assumptions fell away for him and he was confronted with the wonderful, inexplicable thusness of things. David Hinton takes that moment as the starting point for his account of a rewilding of consciousness in the West: a dawning awareness of our essential oneness with the world around us. Because there was no Western vocabulary for this perception, it fell to poets to make the first efforts at articulation, and those efforts were largely driven by Taoist and Ch'an (Zen) Buddhist ideas imported from ancient China. Hinton chronicles this rewilding through the lineage of avant-garde poetry in twentieth-century America--from Walt Whitman, Ezra Pound and Robinson Jeffers to Gary Snyder, W. S. Merwin, and beyond--including generous selections of poems that together form a compelling anthology of ecopoetry. In his much-admired translations, Hinton has re-created ancient Chinese rivers-and-mountains poetry as modern American poetry; here, he reenvisions modern American poetry as an extension of that ancient Chinese tradition: an ecopoetry that weaves consciousness into the Cosmos in radical and fundamental ways.

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A monk asked: A dog too has Buddha-nature, no? And with the master's enigmatic one-word response begins the great No-Gate Gateway (Wu-Men Kuan), ancient China's classic foray into the inexpressible nature of mind and reality. For nearly eight hundred years, this text (also known by its Japanese name, Mumonkan) has been the most widely used koan collection in Zen Buddhism--and with its comic storytelling and wild poetry, it is also a remarkably compelling literary masterwork. In his radical new translation, David Hinton places this classic for the first time in the philosophical framework of its native China, in doing so revealing a new way of understanding Zen--in which generic Zen perplexity is transformed into a more approachable and earthy mystery. With the poetic abilities he has honed in his many translations, Hinton brilliantly conveys the book's literary power, making it an irresistible reading experience capable of surprising readers into a sudden awakening that is beyond logic and explanation.