In 2014 John Harvey fulfilled his one-year commitment to sit in the forest once each week for one hour to observe nature. It turned out to be a richly rewarding experience. He learned to more fully see, hear, smell, and feel; he learned much about the natural world-the environment, flora and fauna, the progression of the seasons, and weather; and at the end of the year, he felt physically, emotionally, mentally, and even spiritually rejuvenated. He shared his experiences and discoveries in his book The Stillness of the Living Forest. But as time went on, Harvey realized he had many questions about the connection between time spent in nature and one's health and well-being. As a psychologist, Harvey was eager to learn if others who spent time in nature had experienced outcomes similar to his. He began to read relevant books and research articles and found that the physical, emotional, and cognitive benefits of spending time in nature are well established. There were also findings pointing to nature's positive impact on feelings of connection, self-knowledge, and personal transformation and spiritual growth. Harvey realized that it was time for a sequel to his book, time to take an all-embracing journey through both contemporary scientific and traditional literary sources to understand how and why time in nature is so beneficial. Nature's Pathways to Mindfulness explores scientific information on the benefits of time spent in nature and the processes and theories that explain these benefits, recounts many of Harvey's personal experiences in nature, and provides step-by-step guidance on how to conduct a nature sitting experience.

It started with a personal commitment to sit an hour each week for a full year in the same spot in the woods. John Harvey's intention was to reconnect with nature and observe the flow of natural life through the four seasons. As Harvey settled into his weekly routine of visiting his sit spot and fully engaging his senses, rich and illuminating experiences began to unfold. His encounters with nature included seeing and listening to a plethora of birds, from tiny wrens to large hawks, from sweet-singing warblers to rattling woodpeckers; enjoying the sight of seasonal plants such as wild violets, trout lily, and skunk cabbage; sitting out in the open during weather events that ranged from glorious warm summer sunshine to an Alberta clipper in the winter; and spotting the occasional deer and even a black bear. In all cases, Harvey sought to observe, listen, appreciate, and learn. Learn he did--about the birds, animals, plants, and trees that surrounded and intrigued him. But his remarkable encounters with nature also facilitated self-discovery, fostered insight, and nurtured empathy and intuition.

An exegetical and practical commentary for pastors and teachers

This volume in the Kregel Exegetical Library combines up-to-date scholarship and concrete application to serve as an ideal guide for preaching and teaching the foundational New Testament book of Romans. After an in-depth introduction that surveys the book's key elements, reception history, literary devices, and current scholarly debates, John D. Harvey provides a thorough explanation of every verse of Romans followed by theological insights and hands-on takeaways.

Readers will benefit from Harvey's approach, which asks and answers three questions about each verse: (1) What did Paul say? (2) Why did he say it? (3) What should I do with it? Outlines and summaries provide useful homiletical and pedagogical tools, while footnotes point to resources for further study.

The Handbooks for New Testament Exegesis (HNTE) provides readers with an enhanced understanding of different New Testament genres and strategies for interpretation.

Retirement has not come easy for Detective Inspector Frank Elder. He's fled to a solitary existence on the Cornish coast, but he can't escape the past. Susan Blacklock would be thirty now. But fourteen years ago she disappeared, and the case has gone unsolved. Not that Elder hadn't had his suspects. And now, with one of them out on parole, Elder is compelled to return to the seaside scene of the crime. Shortly thereafter, pretty Emma Harrison goes missing.

Just as Elder's knowledge becomes crucial to the official investigation of this disquieting case, he unwittingly becomes vital to its perpetration. For with cryptic messages on seaside postcards and a few purposefully planted clues, the killer is drawing Elder inexorably into the very heart of the criminal matter. Elder's teenage daughter is already there.

In the first in the Frank Elder series, before Ash & Bone and Darkness & Light, John Harvey sets in motion the events from which Elder's family will never recover.

Former cop Frank Elder is drawn out of retirement when his ex-wife asks him to look into the disappearance of her friend Jennie's sister Claire in Nottingham. Elder reluctantly returns to the city where his family disintegrated.

Elder uncovers sexual secrets of Claire's that take Jennie by surprise. But when Claire is found dead at home--unmarked and carefully dressed--it is Elder who is surprised by the similarities to an old case. To solve this riddle, Elder will have to repartner with Detective Inspector Maureen Prior and delve into several suspects' traumatic histories.

In a case in which neither memories, confessions, nor instincts can be trusted, Elder struggles with the weight of the past and Harvey delivers another psychologically trenchant page-turner.

In the depths of his Cornish hideaway, retired Detective Inspector Frank Elder's solitary life is disturbed by a call from his ex-wife, telling him his seventeen-year-old daughter, Katherine, is running wild, unbalanced by the abduction and rape he feels he should have prevented. Meanwhile, in the heart of London, the takedown of a violent criminal goes badly, and Detective Sergeant Maddy Birch is uneasy about the reasons why, an uneasiness that is compounded when she starts to believe she is being stalked.

Maddy and Frank had a brief and clumsy encounter years before. In Ash & Bone their lives connect again when a second phone call persuades Elder out of retirement, only to find that a cold case has a devastating present-day impact.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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British Library

T122139

Anonymous. By John Harvey.

Edinburgh?]: Printed in the year, 1719. 16p.; 4

Can film capture what our eyes can't see? There are many examples--both historical and contemporary--of photographs of spirits or ghosts. These images alternately have been derided as hoaxes or, at the other extreme, held up as irrefutable proof of the otherworld. Photography and Spirit examines these mesmerizing images of phantoms, psychical emanations, and religious apparitions.

Drawing upon eighty images taken between 1860 and today, John Harvey explores spirit photography from the various perspectives of religion, science, and art. Some of the photographs he considers were taken by scientists, others by amateur and commercial photographers, and still others by robotic surveillance devices. The diverse origins of the spirit photographs have inspired a multiplicity of interpretations and engendered, in some cases, high levels of skepticism. Harvey's analysis probes the connections between the images, human imagination, and larger cultural traditions. Photography and Spirit transforms what are often fringe objects of kitsch into revelatory artifacts of cultural history, drawing from them thought-provoking insights into the historical connections between the material and spiritual worlds, representations of grief, and human cultures' enduring fascination with the supernatural.

Photo images of ethereal spirits render the border between what is real and what is fantastic indistinguishable. Photography and Spirit challenges our pre-conceived notions and offers an intriguing new perspective on the nature of photography.

This is an interdisciplinary study of the Bible and visuality. It is the first to be written by a historian of visual culture (that is, aspects of culture mediated by visual images) rather than a biblical scholar, and unlike some previous studies, it makes equal partners of image and text. The Bible as Visual Culture also bridges a longstanding gulf between the interpretative traditions, languages, and reading conventions of the two disciplines. The book's central question is: What happens when text becomes an image? In response, the study explores how biblical ideas are articulated in and through visual mediums, and examines ways in which visual culture actively shapes biblical and religious concepts. Using original research material, Harvey's approach develops a variety of new and adaptable hermeneutics to exegete artifacts. The book applies theoretical and methodological approaches-native to fine art, art history, and visual cultural studies but new to biblical studies-to examine the significance of images for biblical exegesis and how images exposit the biblical text. John Harvey draws upon a breadth of fine art, craft, and ephemeral objects made, modified or adopted for worship, teaching, commemoration and propaganda, including painting, print, photography, sculpture, installations, kitsch and websites. These artifacts are studied chiefly in the context of the late-modern period in the West, from a Protestant Christian perspective for the most part. The Bible as Visual Culture is directed to academics and students of biblical studies, theology, religious studies, ecclesiastical history, art history, visual culture and art practice. It provides an accessible introduction to the field, informing newcomers of existing scholarship and introducing new concepts and theories to those already in the field.

Stress has been described as a modern epidemic and the number one threat to the physical health, emotional well-being, and productivity of modern men and women. This book goes beyond simplistic and mechanical explanations of the stress response to a comprehensive view of how the mind, body, and emotions interact to create stress. We are given a wealth of practical techniques to relax both body and mind and to restore health and harmony to our lives. Exercise, diet, meditation, relaxation procedures, breathing techniques, and guidelines for a healthy lifestyle are presented in a manner that is easy to understand and lends impetus to immediate application.

Most importantly, this book thoroughly examines the role of the mind in the stress problem. The mind is seen as both the cause of stress and the ultimate arena for managing stress. Drawing on the perspectives of contemporary psychology as well as on traditional wisdom, a range of strategies are presented for changing self-talks, increasing self-awareness, and ultimately, for quieting the restless mind. It is this Quiet Mind that is calm, peaceful, and confident amid change and turmoil. And it is the Quiet Mind that takes us beyond stress management to positive personal growth.

Mr. Pink:
Why can't we pick out our own color?

Joe:
I tried that once, it don't work. You get four guys fighting over who's gonna be Mr. Black.

--Quentin Tarantino, Reservoir Dogs

Men's clothes went black in the nineteenth century. Dickens, Ruskin and Baudelaire all asked why it was, in an age of supreme wealth and power, that men wanted to dress as if going to a funeral. The answer is in this history of the color black. Over the last 1000 years there have been successive expansions in the wearing of black--from the Church to the Court, from the Court to the merchant class. Though black as fashion was often smart and elegant, its growth as a cultural marker was fed by several currents in Europe's history--in politics, asceticism, religious warfare. Only in the nineteenth century, however, did black fully come into its own as fashion, the most telling witnesses constantly saw connections between the taste for black and the forms of constraint with which European society regimented itself.

Concentrating on the general shift away from color that began around 1800, Harvey traces the transition to black from the court of Burgundy in the 15th century, through 16th-century Venice, 17th-century Spain and the Netherlands. He uses paintings from Van Eyck and Degas to Francis Bacon, religious art, period lithographs, wood engravings, costume books, newsphotos, movie stills and related sources in his compelling study of the meaning of color and clothes.

Although in the twentieth century tastes have moved toward new colors, black has retained its authority as well as its associations with strength and cruelty. At the same time black is still smart, and fashion keeps returning to black. It is, perhaps, the color that has come to acquire the greatest, most significant range of meaning in history.

The inaugural volume in the Handbooks for New Testament Exegesis series, Interpreting the Pauline Letters begins by exploring the components of narrative--setting, characterization, and plot--and then develops the foremost theological themes in each of the books traditionally ascribed to Paul. The method sets the task of exegesis within the literary context of first-century letters as well as the theological context of major themes present in Paul's letters. The book goes beyond exegesis to discuss strategies for communicating the central truthesof Paul's first-century messages to a twenty-first-century audience. Each chapter includes a list of helpful resources to the step of interpretation discussed. A glossary defining technical words and samples of moving from exegesis to proclamation make this guide practical and user-friendly. Designed as a handbook for seminary and graduate students, the book provides a go-to guide that will also serve seminary-trained pastors, upper-level college students, and well-motivated lay people. As readers work through this handbook, they will begin to see and interpret the narrative writings as Paul intended them to be understood.

Best known as a writer of crime fiction - notably the 12 volume Charlie Resnick series - and as the mainstay, for two decades, of Slow Dancer Press, John Harvey's own poetry has perhaps stayed too long below the radar.

This, his first collection in sixteen years, brings together the best of his two earlier books, Ghosts of a Chance and Bluer Than This, along with a number of new poems which show a greater depth and maturity and variety of form, further fusing together the intimate and personal with a passionate understanding of music and painting and the ways in which they can affect and illuminate our lives.

Two novels introduce the violent mysteries of Scott Mitchell, the toughest detective in London, who taught the British Isles what it means to be hardboiled.

Amphetamines and Pearls marked the debut of Scott Mitchell, a down-on-his-luck London PI who ventures to Nottingham for the sake of an old friend, iconic singer Candi Carter. Mitchell finds Carter dead in her living room, a trickle of blood coming from her mouth and a bullet hole in her chest. Her body is still warm. But before he can get out of there, he's blackjacked, and when he comes to, he's picked up by a pair of cops who beat him senseless and drag him to the nearest cell. Mitchell is having a hell of a day--and things will only get worse from here.

In The Geranium Kiss, Mitchell takes a job from Crosby Blake, one of the most powerful men in London--and one of the most dangerous. Blake's niece, Cathy, has been kidnapped, and he wants Mitchell to handle the ransom payment. The kidnappers want 20,000, and about 20,000 things will go wrong before this case is finished. To bring Cathy home alive, Mitchell will have to untangle a web of deadly lies that threaten to bind him tighter with every question he asks.

Written in the hardboiled spirit of Raymond Chandler and John D. MacDonald, the Scott Mitchell novels are a unique hybrid of American and British mysteries. Created by John Harvey, who would later create the legendary sleuth Charlie Resnick, these novels are as tough as they come.

A pair of violent mystery novels starring London detective Scott Mitchell, the groundbreaking PI who introduced Britain to hardboiled crime fiction.

Junkyard Angel starts with Scott Mitchell deciding to sneak into a flat he's supposed to be watching from across the road to avoid freezing to death. It's the worst decision he'll ever make. He's just stepped inside when a blackjack cracks him across the skull, and he crashes to the floor, unconscious. When he comes to, he finds a photo of a beautiful woman--and a dead girl lying on the bed. Mitchell has fallen face-first into a murder scene, and it won't be long before he's wishing he'd frozen instead.

In Neon Madman, Mitchell is trying to stay out of trouble by doing some safe, sleazy divorce work--so why is somebody trying to kill him? When a West Indian man bursts into his office threatening to tear him apart, Mitchell talks him down before the man is able to breaks any of his limbs--or, God forbid, his camera--but he still hasn't got a clue who the intruder is, or how he's tied up in the adultery case. And when this supposedly simple case goes from quick and easy to slow and deadly, Mitchell will have to move fast if he wants to stay alive.

Written in the tradition of Raymond Chandler and John D. MacDonald, Junkyard Angel and Neon Madman are hardboiled classics. From the pen of the creator of legendary sleuth Charlie Resnick, these two novels hit as hard as a double bourbon--or two bullets to the skull.

From a master of modern crime writing comes the landmark last novel in the exemplary Frank Elder mystery series.

When his estranged daughter Katherine suddenly appears on his doorstep, Elder knows that something is badly wrong.

The breakdown of her relationship with a controversial artist has sent her into a self-destructive tailspin which culminates in murder. And as Elder struggles to protect Katherine and prove her innocence, the terrors of the past threaten them both once more.

How do you feel about networking? I can help you love it as much as I do.

Most people see networking as a necessary evil - something to be endured or even avoided. But there is a minority who really embrace and enjoy networking. Like me, they understand the vast benefits it brings, the extraordinary value it adds to their professional and personal lives and, crucially, they know how to do it well and with ease.

In this handy book, I'll show you how you can overcome your reservations and fears about networking, and I'll coach you in all the skills and insider secrets that I've developed over the years. These secrets and skills have helped make networking a vital ingredient in my success, and they can do the same for you, too.

So, whether it's entering a room full of strangers that fills you with dread, or the idea of striking up a conversation with someone you've never met that makes you anxious, let me help you. I'll explain how to build a robust networking strategy that can revolutionise finding exciting opportunities, lucrative new clients, and sought-after decision makers. And, by placing networking at the heart of what you do, you'll discover exactly how to make it more rewarding, productive, effective and, yes, even fun!

In Acts, John D. Harvey and David Gentino tease out the multifaceted yet compatible purposes apparent in Acts: showing God the Holy Spirit in action as Jesus's disciples undertook the commission that he gave them; presenting Jesus as Messiah and the source of salvation for all people groups; addressing objections to and accusations against the Christian movement; validating the Gentile mission; and providing models for public proclamation and apologetical defense. Their preaching commentary explores contrasts and corollaries between the church in Acts and the church today, encouraging believers who have the same commission, same empowering Spirit, and same challenges of opposition to the faith and cultural boundaries as did the early church.

What actions must a boy take to become a man? One might use a razor to clear his first growth of beard, while another could employ it as a weapon -- both actions might be a fitting rite of passage.

In these dazzling works of fiction, seventeen masters of crime and suspense explore what it means to be a son, what it means to be a father, what it means to be a man. Spanning continents and decades, the stories are set in interconnected worlds both instantly recognizable and astonishingly believable, from long stretches on a dry Texas highway to a bleak London alley, from the claustrophobic confines of an after-hours backroom poker game to a rundown jazz joint in Manhattan.

Amid card sharks, revolvers, and shallow graves, the characters who inhabit these stories strive to discover what is right, what will give them dignity, what will earn them respect. Whether at the age of ten or thirty-five, all will come face-to-face with a situation that will brutally separate the men from the boys.