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What is contemplation? How is it distinct from meditation? Is contemplation essentially religious or mystical? What should one contemplate, and how? Are there different styles of contemplation, and why should one practice them? Ought we try to lead more contemplative lives?
This book offers a philosophical introduction to the theory and practice of contemplation. Kevin Hart examines a variety of religious, aesthetic, and philosophical notions, shedding light on the singular qualities of contemplation. This book spans topics including the spiritual exercises of the ancient Greeks, overlooked aspects of Christian spirituality, and aesthetic contemplation of nature and art. Contemplation ranges from ancient thinkers such as Aristotle, Plato, and Plotinus to Aquinas and other medieval theologians as well as modern philosophers like Kant, Husserl, and Wittgenstein. Though focused on Christianity, it also considers contemplation in other religious traditions, among them Buddhism, Hinduism, Judaism, Islam, and Paganism. Concise and comprehensive, this book provides both religious and nonreligious readers with a foundational understanding of the history and nature of contemplation as well as the benefits of practicing it.
Kevin Hart is not only one of Australia's most important poets but a major figure in world poetry. He is a visionary writer who has taken his bearings as much from English Romanticism and European Modernism as from the Bible, Plato, and Meister Eckhart.
In Morning Knowledge, Kevin Hart grieves the passing of his father, while continuing his unique interlacing of the spiritual and the sensuous. A book of elegies and love poems, prayers and lullabies, a book in which poems sing about a museum of shadows and about rats and afternoons, all wrapped in quatrains, Morning Knowledge is a major book by a poet read and loved throughout the world.
What is contemplation? How is it distinct from meditation? Is contemplation essentially religious or mystical? What should one contemplate, and how? Are there different styles of contemplation, and why should one practice them? Ought we try to lead more contemplative lives?
This book offers a philosophical introduction to the theory and practice of contemplation. Kevin Hart examines a variety of religious, aesthetic, and philosophical notions, shedding light on the singular qualities of contemplation. This book spans topics including the spiritual exercises of the ancient Greeks, overlooked aspects of Christian spirituality, and aesthetic contemplation of nature and art. Contemplation ranges from ancient thinkers such as Aristotle, Plato, and Plotinus to Aquinas and other medieval theologians as well as modern philosophers like Kant, Husserl, and Wittgenstein. Though focused on Christianity, it also considers contemplation in other religious traditions, among them Buddhism, Hinduism, Judaism, Islam, and Paganism. Concise and comprehensive, this book provides both religious and nonreligious readers with a foundational understanding of the history and nature of contemplation as well as the benefits of practicing it.
In a 1985 interview with fellow poet John Kinsella, Kevin Hart reflected on the nature of poetry: People sometimes think that the spiritual world is distinct from, even distant from, this world. . . . But the spiritual world is within this one: not as a secret, but as a radiance. . . . We find it through God's grace and our attention. Poetry is one form of attention, and poetry does not lead us to another world: it shows us this world, this relationship, this chair, this ivy on the outside wall. In Young Rain, Hart continues his exploration of the mysterious radiance within this world.
The poems of Kevin Hart have nurtured international poetry audiences for nearly four decades. Translations of Hart's work have appeared in Chinese, French, German, Hebrew, Italian, and Vietnamese, among other languages, and bear witness to the growing interest in Hart's poetry both in the United States and abroad. This volume performs a valuable service by bringing together the best of Hart's work from seven published collections, some of them now out of print, and from his forthcoming book, Barefoot. Wild Track reveals a poet capable of articulating genuine feeling and considerable philosophical depth. This volume confirms Hart's standing as one of the most sophisticated poets writing today.
Blanchot and his writings on three major poets, Mallarmé, Hölderlin, and Char, provide a decisive new point of departure for English language criticism of his philosophical writings on narrative in this study by leading Blanchot scholar, Kevin Hart.
Connecting his work to later leading figures of 20th-century French philosophy, including Emmanuel Levinas, Simone Weil, and Jacques Derrida, Hart highlights the importance of Jewish philosophy and political thought to his overall conception of literature. Chapters on community and negation reveal Blanchot's emphasis on the relationship between narrative and politics over the more commonly connected narrative and aesthetics. By fully discussing Blanchot's elusive concept of the Outside for the first time, this book progresses scholarly understandings of his entire oeuvre further. This central concept engages Franz Rosenzweig's work on Abrahamic faiths, enabling a reckoning on the role of suffering and literature in the wake of the Shoah, with significant implications for Jewish studies more generally.
Maurice Blanchot is perhaps best known as a major French intellectual of the twentieth century: the man who countered Sartre's views on literature, who affirmed the work of Sade and Lautréamont, who gave eloquent voice to the generation of '68, and whose philosophical and literary work influenced the writing of, among others, Jacques Derrida, Gilles Deleuze, and Michel Foucault. He is also regarded as one of the most acute narrative writers in France since Marcel Proust.
In Clandestine Encounters, Kevin Hart has gathered together major literary critics in Britain, France, and the United States to engage with Blanchot's immense, fascinating, and difficult body of creative work. Hart's substantial introduction usefully places Blanchot as a significant contributor to the tradition of the French philosophical novel, beginning with Voltaire's Candide in 1759, and best known through the works of Sartre. Clandestine Encounters considers a selection of Blanchot's narrative writings over the course of almost sixty years, from stories written in the mid-1930s to L'instant de ma mort (1994). Collectively, the contributors' close readings of Blanchot's novels, recits, and stories illuminate the close relationship between philosophy and narrative in his work while underscoring the variety and complexity of these narratives.
Contributors: Christophe Bident, Arthur Cools, Thomas S. Davis, Christopher Fynsk, Rodolphe Gasché, Kevin Hart, Leslie Hill, Michael Holland, Stephen E. Lewis, Vivian Liska, Caroline Sheaffer-Jones, Christopher A. Strathman, Alain Toumayan
Unarguably, Jean-Luc Marion is the leading figure in French phenomenology as well as one of the proponents of the so-called theological turn in European philosophy. In this volume, Kevin Hart has assembled a stellar group of philosophers and theologians from the United States, Britain, France, and Australia to examine Marion's work--especially his later work--from a variety of perspectives. The resulting volume is an indispensable resource for scholars working at the intersection of philosophy and theology.
Hart characterizes Marion's work as a profound response to two major philosophical events: the end of metaphysics and the beginning of phenomenology. From the vantage point reached by Marion over the years, Hart argues, that end and that beginning are one and the same. Yet their unity is elusive: in order to discern it, the student of Marion must follow his vigorous and subtle rethinking of the history of modern philosophy and the nature of phenomenology. Only then can the reader begin to perceive many things that metaphysics has occluded, especially the nature of selfhood and our relations with God. The newfound unity of these two events is productive; it allows Marion to revise and extend the philosophy of disclosure that Edmund Husserl and Martin Heidegger were the first to practice.
With Marion as guide, we can also refigure the human subject--the gifted one (l'adonné)--and thus also secure a phenomenological understanding of revelation. Marion challenges theologians to pursue the implications of this move. This is the Marion for whom a revived phenomenology is philosophy today, the Marion deeply concerned to understand, maintain, and, if need be, rework the central insights of Husserl and Heidegger. The volume includes essays that consider The Erotic Phenomenon (2003), a rethinking of human subjectivity in terms of the possibility of loving and being loved.
Throughout, the contributors engage key concepts defined by Marion--givenness, the saturated phenomenon, erotic reduction, and counter-experience--and Marion himself concludes with a retrospective essay written in response to criticisms of his work.
The poems of Kevin Hart have nurtured international poetry audiences for nearly four decades. Translations of Hart's work have appeared in Chinese, French, German, Hebrew, Italian, and Vietnamese, among other languages, and bear witness to the growing interest in Hart's poetry both in the United States and abroad. This volume performs a valuable service by bringing together the best of Hart's work from seven published collections, some of them now out of print, and from his forthcoming book, Barefoot. Wild Track reveals a poet capable of articulating genuine feeling and considerable philosophical depth. This volume confirms Hart's standing as one of the most sophisticated poets writing today.
Barefoot is Kevin Hart's eighth collection of poems; it is rich in elegies, meditations on lost love, and celebrations of new love. The title speaks of mourning, pilgrimage, and the direct sensuous contact of flesh with earth. Harold Bloom has long extolled Hart as a visionary of desire, and in this collection we find that vision deepened and that desire extended. Never before has Hart stretched his range of inspiration quite so far; while continuing to draw from Christianity, he also responds to the rich heritage of American Blues, and reveals a wit as sharp as a razor's edge. The poetry is at once religious poetry and love poetry; indeed, the religious poetry is itself love poetry. Always, Hart speaks to us in words that seem inevitable in their simplicity. As he himself has written, The best conductor of mystery is clarity. The true bearer of complexity is simplicity. Barefoot will delight poetry lovers everywhere.
We are exorbitant, and rightly so, when we cut any link we may have to cosmological powers. Levinas invites us to be exorbitant by distancing ourselves from visions of metaphysics, epistemology, and theology. We begin to listen well to Levinas when we hear him inviting us to break completely with the pagan world in which the gods are simply the highest beings in the cosmos and learn to practice an adult religion in which God is outside cosmology and ontology.
God comes to mind neither in our attempts to think him as the creator of the cosmos nor in moments of ecstasy but in acts of genuine holiness, such as sharing a piece of bread with someone in a time of desperate need. Levinas, in short, enjoins us to be exorbitant in our dealings with one another. This book asks how the between of Levinas's thinking facilitates a dialogue between Jews and Christians. In one sense, Levinas stands exactly between Jews and Christians: ethics, as he conceives it, is a space in which religious traditions can meet. At the same time, his position seems profoundly ambivalent. No one can read a page of his writings without hearing a Jewish voice as well a a philosophical one. Yet his talk of substitution seems to resonate with Christological themes. On occasion, Levinas himself sharply distinguishes Judaism from Christianity--but to what extent can his thinking become the basis for a dialogue between Christians and Jews? This book, with a stellar cast of contributors, explores these questions, thereby providing a snapshot of the current state of Jewish-Christian dialogue.
What did Jesus mean by the expression, the Kingdom of God? As an answer, Kevin Hart sketches a phenomenology of the Christ that explores the unique way Jesus performs phenomenology. According to Hart, philosophers and theologians continually reinterpret Jesus's teaching of the Kingdom so that there are effectively many Kingdoms of God. Working in, while also displacing, a tradition inaugurated by Husserl and continued by philosophers such as Heidegger, Marion, and Lacoste, Hart puts forward a new phenomenology of religion that claims that ethics and religion are not always unified or continuous.