ARROYO CIRCLE starts with wildfires, filling Boulder, Colorado with smoke, as Shelley, a white, middle-aged handmaiden to a hoarder is violently confronted by police who believe she put a baby in the trunk of her car. Shelley winds up in the legal system, and in her absence the hoarder's house and occupants burn to the ground. Unemployable, Shelley rents out her home and is forced to sleep in an unheated garage. Les, an alcoholic, shape-shifting scientist, lives in the creek bed behind her house and helps her navigate this new world, even as Covid sweeps through town. With a strange mix of quantum physics, Buddhism, and Tito's, Les teaches her about the healing powers of nature and the deeper meanings of home. Into their midst comes a dazed walker who is more closely connected to Shelley than she can imagine. When the warm Chinook winds blow through the mountains and melt the heavy snows, everyone, including the police, has one last shot at redemption.

In July 1976, a twenty-four-year-old white woman, Margo Olson, was found in a shallow grave in Stamford, Connecticut, with an arrow piercing through her heart. A few weeks later, Howie Carter, her black boyfriend, was killed by the police. Howie and Margo's interracial relationship held a distorted mirror to the author's own, with Howie's best friend, Joe. Joe's theory was that the police didn't have any evidence to arrest Howie; operating on the assumption that the black man is always guilty, they killed him instead. Margo's murder was never solved.

Looking back at what might have happened in 1976, the author discovers a Bicentennial year steeped in recession, racism, and unrelenting violence. It was also a time of flourishing second-wave feminism, when young women were encouraged to do anything, if only they knew how. Stamford was in the midst of urban renewal, destroying historically black neighborhoods to create space for corporations escaping a bankrupt and dangerous New York City, just forty miles away. Organized crime followed the money, infiltrating Stamford at all levels. The author reveals how racism, misogyny, the economy, and corruption affected the young people's daily lives, and helped lead Margo and Howie to their deaths.

When everything around you is sinking, sometimes it takes desperate measures to stay afloat

When Duncan Leland looks down at the garbage-strewn beach beneath his office window, he sees the words God Help Us scrawled in the sand. While it seems a fitting message-not only is Duncan's business underwater, but his marriage is drowning as well-he goes down to the beach to erase it. Once there, he helps a seagull being strangled by a plastic six-pack holder-the only creature in worse shape than he is at the moment. Duncan rescues the seagull, not realizing that he's being filmed by a group of conceptual artists and that the footage will soon go viral, turning both him and the gull into minor celebrities. And when an unsavory yet very convincing local, Osbert Marpol, talks him into a not-quite-legitimate loan arrangement, Duncan can't help but agree in a last-ditch attempt to save the jobs of his employees.

For a while, it seems as if things are finally looking up for Duncan-yet between his phone-sex-entrepreneur ex-girlfriend's very public flirtations and the ever-mysterious terms of his new loan, Duncan realizes that there's no such thing as strings-free salvation-and that it's only a matter of time before the tide rises ominously around him again. A wry tale of financial desperation, conceptual art, insanity, infertility, seagulls, marital crisis, jellyfish, organized crime, and the plight of a plastic-filled ocean, JoeAnn Hart's novel takes a smart, satirical look at family, the environment, and life in a hardscrabble seaside town in Maine.

Eden Rock Country Club is a grand New England institution, a lush haven of leisure and cocktails, where gossip and intrigue lurk discreetly behind a veil of old-world propriety. But one Fourth of July, a flock of geese descends on the club's manicured lawns; never fond of outsiders, the Eden Rock denizens find these new guests distinctly unwelcome.

When Charles Lambert, a bond trader with a strong portfolio but a weak golf game, accidentally kills a goose with a wayward drive, he sets in motion a series of events that will leave the club and its members changed forever. His wife, Madeline, must face the mutterings of other members about the state of her marriage -- and his sanity. Meanwhile, their daughter, an animal rights activist, mounts a quixotic campaign to make the club go vegan, much to the annoyance of Vita, a talented, obsessive chef who has her own plans for the geese.

A deftly observed social comedy, Addled is a rich and riotous story of old money, new ideas, and the power of passion to disrupt even the most orderly of worlds.

2022 Hudson Prize Winner

A young couple raises crickets for food, a woman in a caged complex is witness to the deterioration of her neighbor, a homeless man contemplates an infant's grave from the Westward Expansion, and an uncompromising ego takes on a Biblical rain. These are among the stories from HIGHWIRE ACT & OTHER TALES OF SURVIVAL, where the climate crisis arrives not just as strange and violent weather, but as upheavals in our political and emotional climates as well. As characters struggle for survival with Covid, ecological destruction, grief, or mental illness, they attempt to find solace and restoration from a nature that is increasingly no longer in a position to give back. And with science unable to keep up, fake suicides, fairy tales, and delusion are the thorny tools humans are left with to carry on, yet carry on they do.

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JoeAnn Hart's extraordinary stories take you on a trip: to a dystopian future; to the tidewaters of Gloucester; to the chambers of a haunted mill. But in the end, the real place she takes us is the center of the human heart. These unforgettable tales are generous, brilliant, and fierce. - Jennifer Finney Boylan, author of She's Not There, and co-author (with Jodi Picoult) of Mad Honey

In her short story collection, HIGHWIRE ACT & OTHER TALES OF SURVIVAL, JoeAnn Hart's characters go to the sea, deadhead flowers, eat artisanal pizzas, with humor and with humanity. These luminous stories shine long after you've read them. - Ann Hood, author of Fly Girl

When everything around you is sinking, sometimes it takes desperate measures to stay afloat

When Duncan Leland looks down at the garbage-strewn beach beneath his office window, he sees the words God Help Us scrawled in the sand. While it seems a fitting message-not only is Duncan's business underwater, but his marriage is drowning as well-he goes down to the beach to erase it. Once there, he helps a seagull being strangled by a plastic six-pack holder-the only creature in worse shape than he is at the moment. Duncan rescues the seagull, not realizing that he's being filmed by a group of conceptual artists and that the footage will soon go viral, turning both him and the gull into minor celebrities. And when an unsavory yet very convincing local, Osbert Marpol, talks him into a not-quite-legitimate loan arrangement, Duncan can't help but agree in a last-ditch attempt to save the jobs of his employees.

For a while, it seems as if things are finally looking up for Duncan-yet between his phone-sex-entrepreneur ex-girlfriend's very public flirtations and the ever-mysterious terms of his new loan, Duncan realizes that there's no such thing as strings-free salvation-and that it's only a matter of time before the tide rises ominously around him again. A wry tale of financial desperation, conceptual art, insanity, infertility, seagulls, marital crisis, jellyfish, organized crime, and the plight of a plastic-filled ocean, JoeAnn Hart's novel takes a smart, satirical look at family, the environment, and life in a hardscrabble seaside town in Maine.