This book is about the heart of religious experience, namely Enlightenment (which is finding the truth concerning oneself), and about science (which is finding the truth concerning other things), and about the relationship between them.
It claims that Enlightenment is more truly scientific than science itself; and that, without Enlightenment, science is only half the story and therefore full of contradictions, of insoluble problems both theoretical and practical. It shows how, when at last one turns one's attention round and ceases to overlook the Looker--the 1st Person at the near end of one's microscope or telescope or spectacles--these contradictions are resolved. Some 37 examples are given, taken from such diverse fields as physics, mathematics, semantics, epistemology, and psychotherapy, to show how nothing less than Enlightenment makes sense and works out.
The Reader will find that Enlightenment is not, after all, an unattainable mystery, but perfectly natural and instantly accessible to anyone who carries out the simple test--the basic experiment of the Science of the 1st Person-- which this book describes.
Of Harding's numerous works, the most comprehensive is The Hierarchy of Heaven and Earth: A New Diagram of Man in the Universe, the best-known is On Having No Head: The Rediscovery of the Obvious, and the most thorough and rigorous is The Science of the 1st Person: Its Principles, Practice and Potential.
The Hidden Gospel presents an exciting new interpretation of the teachings of Jesus. In this workshop manual Douglas Harding invites you to do his breakthrough experiments and experience, directly, the Reality that Jesus was talking about.
In the Hidden Gospel Harding shows how the teachings of Jesus make sense in scientific terms - including some teachings that sound plainly untrue, or at best metaphorical. When Jesus spoke about having a 'single eye' and of his body being 'full of light', what did he mean? Anyone looking at him would have seen he had two eyes and his body was not made of light. But carry out Harding's 'single eye' experiment and within a few moments all is clarified, not through debate but by seeing - seeing that your eye is single, that your body is made of light. Now the words of Jesus make sense.
The Hidden Gospel, completed in 1974 but published now for the first time in paperback, is for anyone, from whatever tradition, who wishes to find out what Jesus really meant, not by debating his teachings but by experiencing for themselves the boundless core of their own being, and then seeing how clearly and beautifully Jesus described this experience, this Reality. This book does not appeal to Jesus as a religious authority who tells you what to believe but as a fellow traveller who found 'the pearl of great price' and, with great courage, did his best to share it with others.
From the Foreword by Douglas Harding: This book has three essential components. (1) A lot of words, plus the points they make. (2) Pictures and diagrams of mine to help make sense of those points. (3) Half a dozen experiments or tests or exercises designed to reveal what you can see you are, in sharp distinction from what you think you are and are told you are. These experiments are the backbone of the whole. I can't stress too strongly that they are for doing, and just reading about them is worse than useless. Yes, much worse
Since at Root every chapter is about the same Thing--or rather No-thing--it matters little if you find some chapters obscure of incomprehensible. Just read on, and you will come to other parts of the book that are quite clear and easy going.
I conclude on a warning note--to believe anything you read in this book without testing it to the limit is to condemn yourself to bondage and slavery.
This book is about the heart of religious experience, namely Enlightenment (which is finding the truth concerning oneself), and about science (which is finding the truth concerning other things), and about the relationship between them.
It claims that Enlightenment is more truly scientific than science itself; and that, without Enlightenment, science is only half the story and therefore full of contradictions, of insoluble problems both theoretical and practical. It shows how, when at last one turns one's attention round and ceases to overlook the Looker--the 1st Person at the near end of one's microscope or telescope or spectacles--these contradictions are resolved. Some 37 examples are given, taken from such diverse fields as physics, mathematics, semantics, epistemology, and psychotherapy, to show how nothing less than Enlightenment makes sense and works out.
The Reader will find that Enlightenment is not, after all, an unattainable mystery, but perfectly natural and instantly accessible to anyone who carries out the simple test--the basic experiment of the Science of the 1st Person-- which this book describes.
Of Harding's numerous works, the most comprehensive is The Hierarchy of Heaven and Earth: A New Diagram of Man in the Universe, the best-known is On Having No Head: The Rediscovery of the Obvious, and the most thorough and rigorous is The Science of the 1st Person: Its Principles, Practice and Potential.
This remarkable work by the author of On Having No Head is didactic fiction in the English tradition of More, Bunyan, Butler, Orwell and Huxley. Taking the form of a court case in the year 2003 AD in which a man is tried for blasphemy, the book dramatises Harding's highly original techniques for Seeing Who We Are, and gauges our myriad ideas about our relationship with the Divine. It is also an indictment of the cruel sport of heresy hunting and a passionate plea for tolerance and forgiveness in our time.
This is arguably D.E. Harding's finest work and likely to astonish and delight his growing readership. It shows that old age can be transformed from a liability into an asset. Moving and exciting, The Trial of the Man Who Said He was God grips you as only a trial by jury has the power to grip.
Douglas Harding wrote The Face Game in the late 1960s, then put it away in a cupboard. After Harding died in 2007 his friends found the typescript. Now, fifty years after he wrote it, we have the honour of publishing this book in paperback for the first time.
The Face Game is 'classic Harding' - taking a fresh look at our identity, it is original, profound and beautifully crafted. And whilst Harding quotes extensively from tradition - he had a deep understanding of all the great religions - he appeals to our experience over and above all authority.
Harding saw who he really was in 1943. In The Hierarchy of Heaven & Earth (1952) Harding explored how the discovery of our central Reality changes our understanding of our place in the universe. In The Face Game Harding extended that exploration further in terms of how consciously being the Self transforms our personal lives.
Harding was a pioneer, a trailblazer guided by the Light he found at his Centre. Walk with him as he discovers the power of awakening to who we are - ceasing to play 'the face game', the game of being a separate person, we are healed at the deepest level.
Seeing Who I am is a strangely physical experience. It is like an energy; it is like an empowering, a physical tone, an uplift, a rootedness, courage, a faring forth into the world. It is enlivening.Douglas Harding
Douglas Harding (1909-2007), author of On Having No Head, saw Who he really was in 1943. He then spent the rest of his long life sharing the experience and the meaning of Who we really are.
Harding's unique method of awakening to the Source, of seeing your True Self, appeals first and foremost to your own unmediated experience of yourself. It is original, effective, direct, and practical.
The quotations in Open to the Sourceare selected by Richard Lang, a close friend of Harding's for more than forty-five years. The artfully designed arrangement of beautiful photographs and inspiring words invite the reader to see the Source and to live from the Source.
Open this book whenever the spirit moves you and be inspired
Sometimes people criticised Douglas Harding, author of On Having No Head, by saying he was like a record whose needle had got stuck. His reply was that at least his needle was stuck in the Centre The Centre being the eternal, all-embracing Heart of oneself, one's True Self, the Stillness which is the hub of the turning world, the infinitely small Point that is all the while exploding into Everything. No bad place to be stuck
The articles in this book, arranged in chronological order, span the period of Harding's life (1909-2007) from the early 1940s to the late 1990s. And though they are the sound of a needle stuck on one subject--the changeless subject of our true identity--the only Subject --they reveal something of the wide repertoire Harding composed, inspired by that single, silent, mysterious, nearer-than-near, nothing-that-is-everything. These writings also demonstrate how Harding's understanding developed over many years as he explored in different contexts the meaning of what he saw himself to be, in contrast to what others made of him.
These writings are selected by Richard Lang, a long-time friend of Harding's.
I'm a traveller from a very long way off. It's not that I'm lost. But it's a long story...
And then, suddenly, from the side pocket of his long overcoat, he produced that fabulous thing. It came out small, a mere bud which immediately opened out in his hand like a flower. He set it up on the table between us. It was a flower with curious and gorgeous petals, an onion with bright painted skins and a crystal core, a ship-a-sailing with all eight spinnakers bellying in the wind. He called it his Deep Map, in contrast to the at maps people use, and said that without it we wouldn't follow his adventures at all. He explained that it showed clearly where he came from and was going to, and the scenes of his adventures with the terrible Wormwolf. It revealed a living Space-dweller the regular astronomers hadn't discovered yet, and gave glimpses into the lands of the Gnomes and the Goblins and the Elves. And in fact it was a record of his great Space Probe, his journey to the very Centre of the world. He called this strange chart of his Youniverse, spelt Y o u n i v e r s e; and he said it was his Magic Tool Chest, or Wizard's Bag of Tricks. Armed with this device, why anyone could ...
And so begins a story that takes you all the way to the centre of the Youniverse. It is a story that transforms you in the process and reveals the greatest of all treasures, hidden in plain sight.
This is a dramatic story, a wild dream, at times a nightmare, at times a hilarious and subversive satire. It involves a quest, a monster and a shape-shifting hero, strange characters and dangerous goings-on, and an end that is a beginning--the tightest corner of Hell opening out into the widest smile of Heaven, the darkest of nights turning into the early morning freshness of the world. Are you prepared to wrestle with the angel till dawn? Only those that go the whole way will find the Whole.
I'm a traveller from a very long way off. It's not that I'm lost. But it's a long story...
And then, suddenly, from the side pocket of his long overcoat, he produced that fabulous thing. It came out small, a mere bud which immediately opened out in his hand like a flower. He set it up on the table between us. It was a flower with curious and gorgeous petals, an onion with bright painted skins and a crystal core, a ship-a-sailing with all eight spinnakers bellying in the wind. He called it his Deep Map, in contrast to the at maps people use, and said that without it we wouldn't follow his adventures at all. He explained that it showed clearly where he came from and was going to, and the scenes of his adventures with the terrible Wormwolf. It revealed a living Space-dweller the regular astronomers hadn't discovered yet, and gave glimpses into the lands of the Gnomes and the Goblins and the Elves. And in fact it was a record of his great Space Probe, his journey to the very Centre of the world. He called this strange chart of his Youniverse, spelt Y o u n i v e r s e; and he said it was his Magic Tool Chest, or Wizard's Bag of Tricks. Armed with this device, why anyone could ...
And so begins a story that takes you all the way to the centre of the Youniverse. It is a story that transforms you in the process and reveals the greatest of all treasures, hidden in plain sight.
This is a dramatic story, a wild dream, at times a nightmare, at times a hilarious and subversive satire. It involves a quest, a monster and a shape-shifting hero, strange characters and dangerous goings-on, and an end that is a beginning--the tightest corner of Hell opening out into the widest smile of Heaven, the darkest of nights turning into the early morning freshness of the world. Are you prepared to wrestle with the angel till dawn? Only those that go the whole way will find the Whole.
The Face Game was written in the late 1960s. Harding places the experience of headlessness in the context of Transactional Analysis, and shows how under all the games people play, is a master game, the Face Game. When we see through this game -- seeing we are faceless -- then we find our way through to freedom from psychological game-playing. We find our way through to Liberation.