In this anthology, Vietnamese writers describe their experience of what they call the American War and its lasting legacy through the lens of their own vital artistic visions. A North Vietnamese soldier forms a bond with an abandoned puppy. Cousins find their lives upended by the revelation that their fathers fought on opposite sides of the war. Two lonely veterans in Hanoi meet years after the war has ended through a newspaper dating service. A psychic assists the search for the body of a long-vanished soldier. The father of a girl suffering from dioxin poisoning struggles with corrupt local officials.

The twenty short stories collected in Other Moons range from the intensely personal to narratives that deal with larger questions of remembrance, trauma, and healing. By a diverse set of authors, including many veterans, they span styles from social realism to tales of the fantastic. Yet whether describing the effects of Agent Orange exposure or telling ghost stories, all speak to the unresolved legacy of a conflict that still haunts Vietnam. Among the most widely anthologized and popular pieces of short fiction about the war in Vietnam, these works appear here for the first time in English. Other Moons offers Anglophone audiences an unparalleled opportunity to experience how the Vietnamese think and write about the conflict that consumed their country from 1954 to 1975--a perspective still largely missing from American narratives.

Fifty years after the end of the Vietnam War, literary voices of the Vietnamese-American diaspora as well as Vietnam-based authors speak to the experience of those who left and those who stayed in THE COLORS OF APRIL, a collection of new short fiction curated by award-winning translators and editors Quan Manh Ha and Cab Tran.

For much of the twentieth century, Vietnam played an outsized role on the global stage, charting the destinies of superpowers and reshaping the world's politics. Now fifty years after the end of the Vietnam War comes an anthology of fiction that finally speaks to the global Vietnamese experience: voices of both those who left and those who stayed, what was gained and lost in the half century since, and--for the generations that followed--what it means to be Vietnamese.

More than two dozen distinct literary voices are featured in this collection, including Viet Thanh Nguyen (Pulitzer Prize winner, The Sympathizer), Andrew Lam (PEN/Beyond Margins Award winner, Perfume Dreams), Barbara Tran (Lannan Foundation Award winner, In the Mynah Bird's Own Words), Vu Tran (Whiting Award winner, Dragonfish) and many more.

The stories are as diverse in style, tone, and subject matter as the ancestral lands of the Vietnamese people. From the rubble of the Ancient Citadel in Quảng Trị to the makeshift orphanages outside Sài Gòn, from Palo Alto to a tony Lincoln Park apartment in Chicago, the narratives straddle continents and generations, the political as well as the personal. But what they share is much greater than their differences. They speak to a common language, to a culture steeped in history and myth and storytelling that vividly captures the enduring spirit of the Vietnamese people.

Editor Quan Manh Ha is Professor of English at the University of Montana and the co-translator of Other Moons: Vietnamese Short Stories of the American War and Its Aftermath, among other titles. Co-editor Cab Tran holds an MFA from University of Michigan's Helen Zell Writers' Program. His fiction and nonfiction have appeared in Vagabond: Bulgaria's English Monthly, Black Warrior Review, The Iconoclast, and elsewhere. He teaches fiction for Gotham Writers Workshop. In 2023, Ha and Tran co-translated and co-edited Bảo Ninh's Hà Nội at Midnight.

Complete list of contributors in alphabetical order: BẢO Thương, Thuy DINH, ĐỖ Thị Diệu Ngọc, Anvi HOÀNG, HOÀNG Phượng Mai, LẠI Văn Long, Andrew LAM, LÊ Phương Anh, LÊ Vũ Trường Giang, LƯU Vĩ Lân, Vi Khi NAO, NGÔ Thế Vinh, Annhien NGUYEN, NGUYỄN Minh Chuyên, NGUYỄN Huy Cường, NGUYỄN Thị Kim Hòa, NGUYỄN Mỹ Nữ, Phùng NGUYỄN, NGUYỄN Thu Trân, NGUYỄN Đức Tùng, Viet Thanh NGUYEN, Kevin D. PHAM, Tuan PHAN, Gin TO, Barbara TRAN, Elizabeth TRAN, TRẦN Thị Tú Ngọc, Vu TRAN, VĂN Xương, Christina VO, VŨ Cao Phan, and VƯƠNG Tâm

While mainstream Vietnamese history chronicles a few woman warriors of the past and some contemporary female activists, Vietnamese women always have performed their roles in the quiet shadows of men. To illuminate those shadows, Quan Manh Ha and Quynh H. Vo have brought into English the first anthology of its kind, featuring twenty-two contemporary stories written by Vietnamese women whose narratives make visible the multitudinous lives of Vietnamese women over the last two decades.

All the stories in Longings appear in English for the first time, inviting new readers to appreciate the Longings or aspirations of Vietnamese women as they have had to face suffering and struggle, hope and despair, sorrow and joy, while navigating an uncharted course through the social and economic waves that have lifted or lowered their lives since the US-Vietnam normalization in the mid-1990s.

The wife in Da Ngan's The Innermost Feelings of White Pillows suppresses sexual frustration at her husband's impotence by stuffing her pillows with new fibers. The rural women in Tran Thuy Mai's Green Plums have no choice but to become prostitutes to earn a living. The mother in Pham Thi Phong Diep's Mother and Son demonstrates an unconditional sacrifice and ineffable love for her adopted son despite his insolence and ingratitude. A woman in Nguyen Thi Chau Giang's Late Moon violates all prescribed gender norms in order to live freely.

Longings brings together stories by both well-established and emerging Vietnamese writers, those who come from various regions in Vietnam and represent the diversity and richness in Vietnamese short fiction. This anthology expands the audience for deserving authors and broadens perspective on the heterogeneous voices, narrative styles, and thematic interests of women who contribute to the growing corpus of contemporary Vietnamese short fiction.

Light Out and Modern Vietnamese Stories, 1930-1954, translated by Quan Manh Ha and Paul Christiansen, with an essay by Ngô Văn Giá, is the first anthology in English of colonial Vietnamese literature written by canonical authors. Light Out depicts colonial exploitation, impoverished peasants at the mercy of precarious crop cycles, and institutionalized corruption that pits peasants against village officials. Set over the course of a few days, the novella presents an intimate look into the rural society in northern Vietnam during the height of French colonialism, exposing the brutal realities of the period and the impact such deprivations have on the human spirit.

The eighteen short stories included in this book thematically delineate colonial abuses, class discrimination, patriarchal expectations, and livelihoods tethered to an unstable environment. Aesthetically, they illuminate the impact of French literary traditions and Western thought on Vietnamese traditions of storytelling.

Light Out and Modern Vietnamese Stories, 1930-1954, translated by Quan Manh Ha and Paul Christiansen, with an essay by Ngô Văn Giá, is the first anthology in English of colonial Vietnamese literature written by canonical authors. Light Out depicts colonial exploitation, impoverished peasants at the mercy of precarious crop cycles, and institutionalized corruption that pits peasants against village officials. Set over the course of a few days, the novella presents an intimate look into the rural society in northern Vietnam during the height of French colonialism, exposing the brutal realities of the period and the impact such deprivations have on the human spirit.

The eighteen short stories included in this book thematically delineate colonial abuses, class discrimination, patriarchal expectations, and livelihoods tethered to an unstable environment. Aesthetically, they illuminate the impact of French literary traditions and Western thought on Vietnamese traditions of storytelling.

In this anthology, Vietnamese writers describe their experience of what they call the American War and its lasting legacy through the lens of their own vital artistic visions. A North Vietnamese soldier forms a bond with an abandoned puppy. Cousins find their lives upended by the revelation that their fathers fought on opposite sides of the war. Two lonely veterans in Hanoi meet years after the war has ended through a newspaper dating service. A psychic assists the search for the body of a long-vanished soldier. The father of a girl suffering from dioxin poisoning struggles with corrupt local officials.

The twenty short stories collected in Other Moons range from the intensely personal to narratives that deal with larger questions of remembrance, trauma, and healing. By a diverse set of authors, including many veterans, they span styles from social realism to tales of the fantastic. Yet whether describing the effects of Agent Orange exposure or telling ghost stories, all speak to the unresolved legacy of a conflict that still haunts Vietnam. Among the most widely anthologized and popular pieces of short fiction about the war in Vietnam, these works appear here for the first time in English. Other Moons offers Anglophone audiences an unparalleled opportunity to experience how the Vietnamese think and write about the conflict that consumed their country from 1954 to 1975--a perspective still largely missing from American narratives.