The very best writing from one of America's most groundbreaking literary magazines.

When Creative Nonfiction debuted in 1994, the literary genre it championed was largely the target of skepticism or downright ridicule. But at a time when few editors were interested in the personal essay, the magazine doggedly explored new ideas and fresh modes of expression, and over the next three decades, its contributors pioneered what would come to be known as the fourth genre.

The thirty-two essays collected here bring together some of the finest work Creative Nonfiction published over its seventy-eight issues. Read Pulitzer Prize-winner Charles Simic's boyhood remembrances of the bombing of Belgrade, Carolyn Forche's haunting, lyric catalog of her daily life as she faced down a cancer diagnosis, and John Edgar Wideman's meditation on the photo of a murdered boy his same age--Emmett Till--and how the image haunted him forever. Here, you'll find work by such luminaries as Adrienne Rich and John McPhee, but also essays from more contemporary voices like Brian Broome, Elizabeth Fortescue, and Anne McGrath.

With an introduction by Lee Gutkind, Creative Nonfiction's founder and editor, this collection captures the evolution of a genre and the amazing work of the little magazine that helped make it all happen.

A complete guide to the art and craft of creative nonfiction--from one of its pioneer practitioners
The challenge of creative nonfiction is to write the truth in a style that is as accurate and informative as reportage, yet as personal, provocative, and dramatic as fiction. In this one-of-a-kind guide, award-winning author, essayist, teacher, and editor Lee Gutkind gives you concise, pointed advice on every aspect of writing and selling your work, including:

• Guidelines for choosing provocative--and salable--topics
  
• Smart research techniques--including advice on conducting penetrating interviews and using electronic research tools
  
• Tips for focusing and structuring a piece for maximum effectiveness
  
• Advice on working successfully with editors and literary agents

Writers of memoir and narrative nonfiction are experiencing difficult days with the discovery that some well-known works in the genre contain exaggerations--or are partially fabricated. But what are the parameters of creative nonfiction? Keep It Real begins by defining creative nonfiction. Then it explores the flexibility of the form--the liberties and the boundaries that allow writers to be as truthful, factual, and artful as possible. A succinct but rich compendium of ideas, terms, and techniques, Keep It Real clarifies the ins and outs of writing creative nonfiction. Starting with acknowledgment of sources, running through fact-checking, metaphor, and navel gazing, and responsibilities to their subjects, this book provides all the information you need to write with verve while remaining true to your story.

Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished in this new turf, all originally published in the groundbreaking journal he founded, Creative Nonfiction, now in its tenth anniversary year.

Many of the writers here are crossing genres--from poetry to fiction to nonfiction. Annie Dillard provides the introduction, while Gutkind discusses the creative and ethical parameters of this new genre. The selections themselves are broad and fascinating. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic contemplates raucous gatherings at his Uncle Boris's apartment, while John McPhee creates a rare, personal, album quilt of his own life. Terry Tempest Williams speaks on the decline of the prairie dog, and Madison Smartt Bell invades Haiti.

An account of the emergence of creative nonfiction, written by the godfather of the genre

When [Gutkind] stops to look back on his own evolving perspective . . . [and] reflects upon his writing career, the choices he made . . . he puts himself, and us, right back in the moment--and the results are vivid, ambiguous, emotionally resonant, fascinating.--Lucas Mann, Washington Post

In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. Then he took on his colleagues. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both readers and writers.

Creative nonfiction--true stories enriched by relevant ideas, insights, and intimacies--offered liberation to writers, allowing them to push their work in freewheeling directions. The genre also opened doors to outsiders--doctors, lawyers, construction workers--who felt they had stories to tell about their lives and experiences.

Gutkind documents the evolution of the genre, discussing the lives and work of such practitioners as Joan Didion, Tom Wolfe, Norman Mailer, James Baldwin, Zora Neale Hurston, Rachel Carson, Upton Sinclair, Janet Malcolm, and Vivian Gornick. Gutkind also highlights the ethics of writing creative nonfiction, including how writers handle the distinctions between fact and fiction.

Gutkind's book narrates the story not just of a genre but of the person who brought it to the forefront of the literary and journalistic world.

An account of the emergence of creative nonfiction, written by the godfather of the genre

When [Gutkind] stops to look back on his own evolving perspective . . . [and] reflects upon his writing career, the choices he made . . . he puts himself, and us, right back in the moment--and the results are vivid, ambiguous, emotionally resonant, fascinating.--Lucas Mann, Washington Post

In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. Then he took on his colleagues. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both readers and writers.

Creative nonfiction--true stories enriched by relevant ideas, insights, and intimacies--offered liberation to writers, allowing them to push their work in freewheeling directions. The genre also opened doors to outsiders--doctors, lawyers, construction workers--who felt they had stories to tell about their lives and experiences.

Gutkind documents the evolution of the genre, discussing the lives and work of such practitioners as Joan Didion, Tom Wolfe, Norman Mailer, James Baldwin, Zora Neale Hurston, Rachel Carson, Upton Sinclair, Janet Malcolm, and Vivian Gornick. Gutkind also highlights the ethics of writing creative nonfiction, including how writers handle the distinctions between fact and fiction.

Gutkind's book narrates the story not just of a genre but of the person who brought it to the forefront of the literary and journalistic world.

From Lee Gutkind, the Godfather behind creative narrative nonfiction (Vanity Fair), and the staff of the landmark literary journal Creative Nonfiction comes this fresh collection of fact-based personal narratives, mined from literary blogs, 'zines, and other fringe publications. In My Glove: A Biography, Stefan Fatsis, author of Word Freak and a Wall Street Journal reporter, traces the history of his baseball glove the one thing I would be devastated to lose, my last, best connection to the baseball that defined my life as a kid as he relinquishes it to the glove designer at Rawlings for an overhaul. Heidi Julavits, editor of The Believer, imagines a future in which book-related fatalities Death of the intellect is one thing, but actual death is quite another revolutionize the writer's market. This new volume of The Best Creative Nonfiction continues to engage and delight with exceptional work from writers old and new.

Lee Gutkind, proclaimed the Godfather behind creative nonfiction by Vanity Fair, along with the staff of his landmark journal Creative Nonfiction, has culled alternative publications, 'zines, blogs, podcasts, literary journals, and other often overlooked publications in search of new voices and innovative ideas essays and articles written with panache and power. The Truth About Cops and Dogs, by Rebecca Skloot, describes a vicious pack of wild dogs, preying on the domesticated pets of Manhattan. Monica Wojcik's The w00t Files, for the chic geek crowd, comes directly from John McPhee's famous Literature of Fact workshop at Princeton, a launching pad for famous young writers. Daniel Nestor, of McSweeney's and Bookslut, explains James Frey, while the very overweight Michael Rosenwald becomes a Popular Science nearly nude centerfold in a quest for knowledge about high-tech diagnostics.

In this inspired anthology, doctors relate true stories from their professional lives, capturing disillusionments and triumphs encountered along the way. Essays by such distinguished writers as Peter D. Kramer, Kay Redfield Jamison, Danielle Ofri, Robert Coles, Lauren Slater, Sandeep Jauhar, and Perri Klass create a vivid mural of the medical world, from a student's uneasy first encounter with a cadaver to a veteran doctor's memories of the emotionally charged days and nights of residency.

A complete guide to the art and craft of creative nonfiction--from one of its pioneer practitioners

The challenge of creative nonfiction is to write the truth in a style that is as accurate and informative as reportage, yet as personal, provocative, and dramatic as fiction. In this one-of-a-kind guide, award-winning author, essayist, teacher, and editor Lee Gutkind gives you concise, pointed advice on every aspect of writing and selling your work, including:
* Guidelines for choosing provocative--and salable--topics
* Smart research techniques--including advice on conducting penetrating interviews and using electronic research tools
* Tips for focusing and structuring a piece for maximum effectiveness
* Advice on working successfully with editors and literary agents

Although organ transplantation is the preeminent medical miracle of the last quarter of a century, Many Sleepless Nights is the first book to go beyond the headlines and describe the patients who have embraced this last chance to hold on to life, the intricate medical procedures that can save them, the surgeons and nurses who work in this emotionally charged world, and the ethics which complicate this miracle high-tech therapy. Lee Gutkind was granted unconditional access to the world's largest transplant center - the University of Pittsburgh's Presbyterian-University and Children's hospitals, where there is an organ transplant every eight hours, 365 days per year. For four years he immersed himself in the frantic night-and-day world of transplantation, living side by side with transplant candidates and recipients, jetting though the night with organ procurement teams, monitoring patients with surgeons and nurses, observing in the operating room, participating in the ethical and psychosocial evaluations of prospective patients which help to determine who will receive scarce organs. During his four years at Presbyterian and Children's Hospitals, Gutkind established close relationships with many patients, and his portrayal of them, living and sometimes dying under unbelievable stress, is a moving and dramatic statement about the capacity of human beings to endure. Many Sleepless Nights also outlines the history of organ transplantation and tells the story of the large and complex medical teams behind the operation. It captures the tension of the search for viable organs; the pressure decisions about which patients, among many, will receive them; and the surgery itself.Its vivid portrayal of the transplant pioneer Thomas Starzl - a man obsessed with saving lives - shows how a major innovator in American medicine functions during days and nights of extreme pressure.

As founding editor of Creative Nonfiction and architect of the genre, Lee Gutkind played a crucial role in establishing literary, narrative nonfiction in the marketplace and in the academy. A longstanding advocate of New Journalism, he has reported on a wide range of issues--robots and artificial intelligence, mental illness, organ transplants, veterinarians and animals, baseball, motorcycle enthusiasts--and explored them all with his unique voice and approach.

In My Last Eight Thousand Days, Gutkind turns his notepad and tape recorder inward, using his skills as an immersion journalist to perform a deep dive on himself. Here, he offers a memoir of his life as a journalist, editor, husband, father, and Pittsburgh native, not only recounting his many triumphs, but also exposing his missteps and challenges. The overarching concern that frames these brave, often confessional stories, is his obsession and fascination with aging: how aging provoked anxieties and unearthed long-rooted tensions, and how he came to accept, even enjoy, his mental and physical decline. Gutkind documents the realities of aging with the characteristically blunt, melancholic wit and authenticity that drive the quiet force of all his work.

In the High Bay at the Robotics Institute at Carnegie Mellon, Segways scoot across the floor chasing soccer balls while other robots hunt for treasure. Nursebots, developed to care for hospital patients, mingle with a robotic Lara Croft lookalike. Lee Gutkind immersed himself in this frenzied subculture and, in Almost Human, introduces us to Zoe, Groundhog, Grace, and Sandstorm robots designed to help, or in some cases replace, humans as well as to the colorful cast of researchers attempting to create language to talk not only to machines but also to one another across their disciplines.

Dubbed-some would say drubbed-the godfather behind creative nonfiction by Vanity Fair, Lee Gutkind takes the opportunity of these essays, and the rich material of his own life, to define, defend, and further expand the genre he has done so much to shape. The result is an explosive and hilarious memoir of Gutkind's colorful life as a motorcyclist, a medical insider, a sailor, a college professor, an over-aged insecure father, and a literary whipping boy. In Forever Fat Gutkind battles his weight, his ex-wives, his father, his rabbi, his psychiatrist, and his critics in a lifelong cross-country, cross-cultural search for stability and identity. And from Gutkind's battles, the reader emerges a winner, treated to a sometimes poignant, sometimes harrowing, sometimes uproarious, and always engrossing story of the simultaneous awakening of a man and his mission, and of the constant struggle, in literature and in life, to sort out memory and imagination. Here, enacted in technicolor terms, is the universal, symbolic truth that no matter how far you travel, over how many years, you will never completely shed the weighty baggage of adolescence. Yet, as Gutkind proves again and again, he has learned to describe his burden with an ever-lightening brilliance. Lee Gutkind is the founder and editor of the journal Creative Nonfiction. The author and editor of a dozen books, including the award-winning Many Sleepless Nights: The World of Organ Transplantation, he is a professor of English at the University of Pittsburgh and the director of the Mid-Atlantic Creative Nonfiction Writers' Conference at Goucher College.

Anyone still asking, What is creative nonfiction? will find the answer in this collection of artfully crafted, true stories. Selected by Lee Gutkind, the godfather behind creative nonfiction, and the staff of Creative Nonfiction, these stories--ranging from immersion journalism to intensely personal essays--illustrate the genre's power and potential. Edwidge Danticat recalls her Uncle Moise's love of a certain four-letter word and finds in his abandonment of the word near the end of his life the true meaning of exile. In Literary Murder, Julianna Baggott traces her roots as a novelist to her family's strange, desperate (sometimes conniving and glorious) past and writes about her decision, in The Madam, to kill off a character based on her grandfather. And Sean Rowe explains why, if you must get arrested, Selma, Alabama, is the place to do it. This exciting and expansive array of works and voices is sure to impress and delight.

Stefan Fatsis sends his stunningly perfect, consummately perfect, why-would-anyone-use-anything-else? perfect glove to be restored by the glove designer at Rawlings. Frank Deford makes the case that the baseball cap may be the most universal article of clothing ever designed. Roger Angell considers why it is that pitchers are so much livelier and more garrulous than hitters. George Plimpton reflects on the slow demotion of aging or slumping players from pitcher to first base, to the outfield.

United by the authors' fervent love of the game, each chapter in this book reminds us of the unique role baseball plays in our national history and collective imagination. In addition to the authors mentioned above, the lineup includes:

- Kevin Baker
- Jeff Greenfield
- Katherine A. Powers
- Michael Shapiro
- John Thorn
- Sean Wilentz
- And more

Published previously as Anatomy of Baseball and Great Baseball Stories, this wide-ranging collection now includes pieces by A. Bartlett Giamatti, Gay Talese, Matthew McGough, and George Vecsey.

Skyhorse Publishing, as well as our Sports Publishing imprint, are proud to publish a broad range of books for readers interested in sports--books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team.

Whether you are a New York Yankees fan or hail from Red Sox nation; whether you are a die-hard Green Bay Packers or Dallas Cowboys fan; whether you root for the Kentucky Wildcats, Louisville Cardinals, UCLA Bruins, or Kansas Jayhawks; whether you route for the Boston Bruins, Toronto Maple Leafs, Montreal Canadiens, or Los Angeles Kings; we have a book for you. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.

In Mexico, writes Ilan Stavans in the introduction to this provocative new collection on Mexican culture and politics, the essay] is embraced as passionately as a sport. While the American essay may be personal and confessional or erudite and academic, it is presumed to be truthful. By contrast, the Mexican essay pushes the boundaries between fact and fiction as writers seek to make their opinions heard--in literary journals, in newspapers, and even on cereal boxes. What is real and what isn't in a Mexican essay, only God knows, concludes Stavans. In Hurricanes and Carnivals, Lee Gutkind, a pioneer in the teaching of creative nonfiction, brings together fifteen essays by Mexican, Mexican American, and Latin American writers that push the boundaries of style and form, showing that navigating truth is anything but clear-cut. Although creative nonfiction is widely thought to be an American art form, this collection proves otherwise. By blending fact and fiction, story and fantasy, history and mythology, these writers and others push the bounds of the essay to present a vision of Mexico rarely seen from this side of the border. Addressing topics that include immigration, politics, ecology, violence, family, and sexuality, they take literary license on a whirlwind adventure. C. M. Mayo shows us Mexico City as seen through the eyes of her pug, Picadou; Juan Villoro examines modern Mexico through the lens of demography; Homero Aridjis uses the plight of nesting sea turtles to document a slowly changing Mexican attitude toward natural resources; and Sam Quinones documents the decline of beauty-queen addiction in Mazatl n and tells us about the flower festivals where, according to lore, only two things matter: hurricanes and carnivals. For readers interested in a literary view of contemporary Mexico, as well as students of the creative nonfiction genre, this volume is essential

Thoughtful, poignant, and hilarious personal essays collected by the editors of Creative Nonfiction explore the meanings of Italian-American identity.

In the twenty-one nonfiction narratives collected in Our Roots Are Deep with Passion, established and emerging writers with family ties to Italy reflect on the ways that their lives have been accented with uniquely Italian-American flavors. Several of the essays breathe new life into the time-honored theme of family--Louise DeSalvo honors her grandfather, nick-named the drunk because he spent his life of hard work drinking wine instead of water, and James Vescovi portrays the close of the stormy relationship between his father and grandmother. Other stories tackle the mystical side of Italian-American life, like Laura Valeri's account of a summer vacation s ance in Sardinia that goes eerily awry. And elsewhere, Stephanie Susnjara charts the history of garlic in society and her kitchen, and Gina Barreca offers an unabashed confession of congenital jealousy.

Lee Gutkind, founding editor of Creative Nonfiction, the nation's premier nonfiction prose literary journal, and Joanna Clapps Herman have brought together artful essays by novelists, scholars, critics, and memoirists from across the country. The pieces are as varied as their authors, but all explore the unique intersections of language, tradition, cuisine, and culture that characterize the diverse experience of Americans of Italian heritage.

A father and son travel across North America in a pick-up truck--talking, laughing, fighting, and bonding.

After years of thinking he'd never have kids, Lee Gutkind became a father at forty-seven and, following his divorce, soon found himself taking over more and more of the primary care responsibilities for his son, Sam. As one of a growing number of old new dads (recent studies have shown that one in ten children are born to fathers over forty), Gutkind realized that he faced challenges-both mental and physical-not faced by younger dads, not the least of which was how to bond with a son who was so much younger than himself. For the past five years, Gutkind's approach to this challenge has been to spend several weeks of every summer truckin' with Sam, a term they define as a metaphor for spontaneity, a lack of restriction: Truckin' means that you can what you want to do sometimes; you don't always need to do what's expected.

What began as long, cross-country journeys in a pick-up truck, including one memorable trip up the Alaska-Canadian Highway en route to a writer's conference in Homer, Alaska, have in more recent years ranged farther afield, to Europe, Australia, and Tibet. Whether listening to rock and roll music, entertaining themselves with their secret jokes and code words, fishing for halibut, or fighting over tuna fish sandwiches and how best to butter one's toast, Lee and Sam have learned to respect one another. In the process of their travels and their adventures, Lee has also come to grips with the downside of middle age and the embarassment of senior moments, while Sam has inevitably begun to assert himself and shape his own life. Interspersed with Sam's own observations and journal entries, Truckin' with Sam is an honest, moving, and often hilarious account of one father's determination to bond with his son, a spontaneous travelogue that will appeal to old dads, new dads, and women who want to know more about how dads (and sons) think and behave.