From one of our most admired playwrights, an ambitious, complicated and often laugh-out-loud religious debate (Toby Zinman, The Philadelphia Inquirer)

Set in a time-bending, seriocomically imagined world between Heaven and Hell, The Last Days of Judas Iscariot is a philosophical meditation on the conflict between divine mercy and human free will that takes a close look at the eternal damnation of the Bible's most notorious sinner. This latest work from the author of Our Lady of 121st Street shares many of the traits that have made Mr. Guirgis a playwright to reckon with in recent years: a fierce and questing mind that refuses to settle for glib answers, a gift for identifying with life's losers and an unforced eloquence that finds the poetry in lowdown street talk. [Guirgis brings to the play] a stirring sense of Christian existential pain, which wonders at the paradoxes of faith (Ben Brantley, The New York Times).

When Therese Marie arrives in the emergency room of a small hospital in the Bronx, suffering from hypothermia and in shock, no one there knows her story. To the doctors and nurses, she is just another abandoned elderly woman who can't even tell them her name. But Therese Marie's dementia is not all that it seems. And when her prodigal son, Danny, returns to New York, Therese Marie must fight to maintain her dignity in light of her son's insistence on confronting the ugly secrets of their past.
In this unconventional family drama, Stephen Adly Guirgis gives us a mother and son who must face a long family legacy of abuse in order to find the true meaning of grace.

Guirgis, like other storytellers who explore the sacred and profane, is most interested in how grace transforms us.--The New Yorker

Written with humor, tenderness, grit, and wonderment by acclaimed playwright Stephen Adly Guirgis, Between Riverside and Crazy is an extraordinary new play: a dark comedy about a man trying to maintain control as the world unravels around him.

City Hall is demanding more than his signature, the Landlord wants him out, the liquor store is closed, and the Church won't leave him alone. As ex-cop and recent widower Walter Pops Washington struggles to hold on to one of the last great rent-stabilized apartments on Riverside Drive, he must also contend with old wounds, new houseguests, and a final ultimatum. It seems the old days are dead and gone -- after a lifetime living between Riverside and Crazy.

Stephen Adly Guirgis' other plays include The Motherfucker with the Hat, Jesus Hopped the 'A' Train, Our Lady of 121st Street, In Arabia We'd All Be Kings, The Last Days of Judas Iscariot, The Little Flower of East Orange, Den of Thieves, Race Religion Politics, and Dominica: The Fat Ugly Ho. His play Between Riverside and Crazy won the Pulitzer Prize for Drama in 2015. He is a former co-artistic director of LABryinth Theater Company. He received the Yale Wyndham-Campbell Prize, a PEN/Laura Pels Award, a Whiting Award and a fellowship from TCG in 2004.

Stephen Adly Guirgis has been hailed as one of the most promising playwrights at work in America today. A masterful poet of the downtrodden, his plays portray life on New York's hardscrabble streets in a manner both tender and unflinching, while continually exploring the often startling gulf between who we are and how we perceive ourselves. Gathered in this volume is his current off-Broadway hit, Our Lady of 121st Street, a comic portrait of the graduates of a Harlem Catholic school reunited at the funeral of a beloved teacher, along with his two previous plays: the philosophical jailhouse drama Jesus Hopped the A Train and In Arabia, We'd All Be Kings, an Iceman Cometh for the Giuliani era that looks at the effect of Times Square's gentrification on its less desirable inhabitants.

Guirgis, a lifelong New Yorker and a properly profane bard of the city, is a wizard at getting language to flow hot, funny, and fast...Guirgis's rough-cut gem of a play is rich with revelation and barbed empathy. --Alexandra Schwartz, New Yorker

Stephen Adly Guirgis brings his prodigious gifts for exploring the lives of social outcasts to new heights in this play about the inner workings of a women's halfway house in New York City, where the unmoored residents struggle with addiction, abuse, and mental illness. Between daily therapy sessions, they clash with the staff and each other, form alliances, and fall in love. Harrowing, humorous, and heartbreaking, Halfway Bitches Go Straight to Heaven roaringly brings to life the experiences of women who society has tried to shuffle out of sight and out of mind.

The most expressive cursing since Shakespeare.--The Guardian

In The Motherfucker with the Hat, Jackie, a recently paroled drug dealer, attempts a fragile balance between the addictions of love, the struggle to stay clean, and revenge for the betrayals that punctuate and maybe even facilitate his recovery.

Stephen Adly Guirgis's other plays include Jesus Hopped the 'A' Train, Our Lady of 121st Street, The Last Days of Judas Iscariot, and The Little Flower of East Orange. His play Between Riverside and Crazy won the 2015 Pulitzer Prize for Drama. He is a former co-artistic director of LABryinth Theater Company. He is a creator and writer of Netflix's The Get Down.

Love and addiction in New York City.

Things are looking up for Jackie. He's out of jail and staying clean thanks to his sponsor. He might even have found a job. And of course there's Veronica, who he's loved since 8th grade. Nothing could come between them - except a hat. Poetic, profane and hilarious, this whip-smart look at love and addiction finds light even in the darkest corners of New York City.

Written with humor, tenderness, grit and wonderment, Between Riverside and Crazy is an extraordinary new play: a dark comedy about a man trying to maintain control as the world unravels around him.