From the internationally bestselling author of the Ruth Galloway Mysteries, an eclectic, thrilling collection of short stories, featuring many characters that readers have come to know and love.

Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume.

There are ghost stories, cozy mysteries, tales of psychological suspense, and poignant vignettes of love and loss.

In the title story, Ruth Galloway crosses paths with a mysterious man in a bookstore, setting in motion a rescue mission that hinges on the legends and lore of Norfolk.

Looking into the past, a young magician in 1920s Leeds wonders just what happened to his missing landlady in Max Mephisto and the Disappearing Act.

In Justice Jones and the Etherphone, a witty girl detective investigates the dire prediction of a fortune teller in dreary postwar London.

A flashback in time reveals Harbinder Kaur as a Detective Sergeant surviving her first day on the job at Shoreham DCI.

To celebrate the holidays, Ruth gets her very first Christmas tree, and her beloved cat narrates his own seasonal story in Flint's Fireside Tale.

And readers can armchair travel with stories set on the Amalfi Coast, in Capri, and in Egypt as Ruth and DCI Nelson experience their very own version of Death on the Nile.

The Man in Black illustrates the breadth and variety of Elly Griffiths's talent for blood-chilling, page-turning stories all with her trademark humor and heart.

The first entry in the acclaimed Ruth Galloway series follows the captivating* archaeologist as she investigates a child's bones found on a nearby beach, thought to be the remains of a little girl who went missing ten years before.

Forensic archeologist Dr. Ruth Galloway is in her late thirties. She lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants--not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child's bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter--exactly like the ones about Lucy.

Is it the same killer? Or a copycat murderer, linked in some way to the site near Ruth's remote home?

*Louise Penny

Fresh and exciting, with both humor and thrills, Griffiths' first book in her new series knocks it out of the park!--Shari Lapena

Cold cases are a lot easier to solve when you can travel back in time to find new evidence. Unless, that is, you get stuck in the nineteenth century...

Ali Dawson and her cold case team investigate crimes so old, they're frozen--or so their inside joke goes. Nobody knows that her team has a secret: they can travel back in time to look for evidence.

The latest assignment sees Ali venture back farther than they have dared before: to 1850s London to clear the name of Cain Templeton, an eccentric patron of the arts. Rumor has it that Cain is part of a sinister group called The Collectors. Ali arrives in the Victorian era to another dead woman at her feet and far too many unanswered questions.

As the clock counts down, Ali becomes more entangled in the mystery, yet danger lurks around every corner. She soon finds herself trapped, unable to make her way back to her beloved son, Finn, who is battling his own accusations in the present day.

Could the two cases be connected? In a race through and against time, Ali must find out before it's too late.

The discovery of a missing woman's bones force Ruth and Nelson to finally confront their feelings for each other as they desperately work to exonerate one of their own in this not-to-be-missed Ruth Galloway mystery from USA Today bestselling author Elly Griffiths.

When builders discover a human skeleton during a renovation of a café, they call in archeologist Dr. Ruth Galloway, who is preoccupied with the threatened closure of her department and by her ever-complicated relationship with DCI Nelson. The bones turn out to be modern--the remains of Emily Pickering, a young archaeology student who went missing in 2002. Suspicion soon falls on Emily's Cambridge tutor and also on another archeology enthusiast who was part of the group gathered the weekend before she disappeared--Ruth's friend Cathbad.

As they investigate, Nelson and his team uncover a tangled web of relationships within the archeology group and look for a link between them and the café where Emily's bones were found. Then, just when the team seem to be making progress, Cathbad disappears. The trail leads Ruth a to the Neolithic flint mines in Grimes Graves. The race is on, first to find Cathbad and then to exonerate him, but will Ruth and Nelson uncover the truth in time to save their friend?

Words turn deadly with an unlikely detective duo on the case of a murdered obituary writer in this literary mystery from the internationally bestselling author of the Ruth Galloway series. Perfect for fans of Richard Osman and the Thursday Murder Club.

Natalka and Edwin are perfect if improbable partners in a detective agency. At eighty-four, Edwin regularly claims that he's the oldest detective in England. He is a master at surveillance, deploying his age as a cloak of invisibility. Natalka, Ukrainian-born and more than fifty years his junior, is a math whizz, who takes any cases concerning fraud or deception. Despite a steady stream of minor cases, Natalka is frustrated. She loves a murder, as she's fond of saying, and none have come the agency's way. That is until local writer Melody Chambers dies.

Melody's daughters are convinced that their mother was murdered. Edwin thinks that Melody's death is linked to that of an obituary writer who predeceased many of his subjects. Edwin and Benedict go undercover to investigate and are on a creative writing weekend at isolated Battle House when another murder occurs. Are the cases linked and what is the role of a distinctly sinister book group attended by many of writers involved? By the time Edwin has infiltrated the group, he is in serious danger...

Seeking professional help, the investigators turn to their friend, detective Harbinder Kaur, and find that they have stumbled on a plot that is stranger than fiction.

Words turn deadly with an unlikely detective duo on the case of a murdered obituary writer in this literary mystery from the internationally bestselling author of the Ruth Galloway series. Perfect for fans of Richard Osman and the Thursday Murder Club.

Natalka and Edwin are perfect if improbable partners in a detective agency. At eighty-four, Edwin regularly claims that he's the oldest detective in England. He is a master at surveillance, deploying his age as a cloak of invisibility. Natalka, Ukrainian-born and more than fifty years his junior, is a math whizz, who takes any cases concerning fraud or deception. Despite a steady stream of minor cases, Natalka is frustrated. She loves a murder, as she's fond of saying, and none have come the agency's way. That is until local writer Melody Chambers dies.

Melody's daughters are convinced that their mother was murdered. Edwin thinks that Melody's death is linked to that of an obituary writer who predeceased many of his subjects. Edwin and Benedict go undercover to investigate and are on a creative writing weekend at isolated Battle House when another murder occurs. Are the cases linked and what is the role of a distinctly sinister book group attended by many of writers involved? By the time Edwin has infiltrated the group, he is in serious danger...

Seeking professional help, the investigators turn to their friend, detective Harbinder Kaur, and find that they have stumbled on a plot that is stranger than fiction.

It's been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway--minus its skull--Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand?

Ruth and Detective Harry Nelson would like to find out--and fast. When they realize the house was once a children's home, they track down the Catholic priest who served as its operator. Father Hennessey reports that two children did go missing from the home forty years before--a boy and a girl. They were never found. When carbon dating proves that the child's bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death.

The chilling debut mystery in the Brighton Mysteries series from Edgar Allen Poe Award-winner Elly Griffiths--author of the Ruth Galloway Mysteries--about a band of magicians who served together in World War II tracking a killer who's performing their deadly tricks.

Captivating.--Wall Street Journal

An absorbing read, the debut of another great series.--San Jose Mercury News

A labyrinthine plot, a splendid reveal, and superb evocation of the wafer-thin veneer of glamour at the bottom end of showbusiness . . . Thoroughly enjoyable. --Guardian

Brighton, 1950. A girl is found cut into three sections, and Detective Inspector Edgar Stephens is convinced the killer is mimicking a famous magic trick--the Zig Zag Girl. The inventor of the trick, Max Mephisto, served with Edgar in a special ops group called the Magic Men that used stage illusions to confound the enemy. Max still performs, touring with ventriloquists, sword-swallowers, and dancing girls.

When Edgar asks for his help with the case, Max tells him to identify the victim, for it takes a special sidekick to do the Zig Zag Girl. Those words haunt Max when he learns the victim was a favorite former assistant of his own. And when Edgar receives a letter warning of another trick on the way, he realizes that it is the Magic Men themselves who are in the killer's sights.

Enormously engaging . . . Griffiths's plot is satisfyingly serpentine.--Daily Mail

Readers will finish looking forward to the next trick up [Griffiths's] sleeve.--Mystery Scene

International Bestseller

Winner of the Edgar Award for Best Novel

This lively whodunit keeps you guessing until the end. --People

Death lies between the lines when the events of a dark story start coming true in this haunting modern Gothic mystery, perfect for fans of Magpie Murders and The Lake House.

Clare Cassidy is no stranger to murder. A high school teacher specializing in the Gothic writer R. M. Holland, she even teaches a course on him. But when one of Clare's colleagues is found dead, with a line from Holland's iconic story The Stranger left by her body, Clare is horrified to see her life collide with her favorite literature.

The police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her diary, the only outlet for her suspicions and fears. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary:

Hallo Clare. You don't know me.

Clare becomes more certain than ever: The Stranger has come to terrifying life. But can the ending be rewritten in time?

In this thrilling mystery, brilliant, feisty, independent forensic archaeologist Ruth Galloway and DCI Harry Nelson investigate a seemingly cursed collection of Aboriginal skulls that are causing people to die from a mysterious fever--and the next person to fall ill is Nelson himself (Richmond Times-Dispatch).

When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum's curator lying dead on the floor. Soon after, the museum's wealthy owner is also found dead, in his stables.

DCI Harry Nelson is called in to investigate, thrusting him into Ruth's path once more. When threatening letters come to light, events take an even more sinister turn. But as Ruth's friends become involved, where will her loyalties lie? As her convictions are tested, Ruth and Nelson must discover how Aboriginal skulls, drug smuggling, and the mystery of the Dreaming hold the answers to these deaths, as well as the keys to their own survival.

Lovers of well-written and intelligent traditional mysteries will welcome [Griffith's] fourth book . . . A Room Full of Bones is a clever blend of history and mystery with more than enough forensic details to attract the more attentive reader.--Denver Post

Galloway is an Everywoman, smart, successful, and a little bit unsure of herself. Readers will look forward to learning more about her.--USA Today

In this thrilling mystery, brilliant, feisty, independent forensic archaeologist Ruth Galloway and DCI Harry Nelson investigate a seemingly cursed collection of Aboriginal skulls that are causing people to die from a mysterious fever--and the next person to fall ill is Nelson himself (Richmond Times-Dispatch).

When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum's curator lying dead on the floor. Soon after, the museum's wealthy owner is also found dead, in his stables.

DCI Harry Nelson is called in to investigate, thrusting him into Ruth's path once more. When threatening letters come to light, events take an even more sinister turn. But as Ruth's friends become involved, where will her loyalties lie? As her convictions are tested, Ruth and Nelson must discover how Aboriginal skulls, drug smuggling, and the mystery of the Dreaming hold the answers to these deaths, as well as the keys to their own survival.

Lovers of well-written and intelligent traditional mysteries will welcome [Griffith's] fourth book . . . A Room Full of Bones is a clever blend of history and mystery with more than enough forensic details to attract the more attentive reader.--Denver Post

Galloway is an Everywoman, smart, successful, and a little bit unsure of herself. Readers will look forward to learning more about her.--USA Today

In a wonderful, atmospheric mystery featuring forensic archaeologist Ruth Galloway and DCI Harry Nelson, six bodies of men killed during World War II turn up in Brighton--bringing with them a long-buried, nefarious secret (Milwaukee Journal Sentinel).

Just back from maternity leave, forensic archeologist Ruth is finding it hard to juggle motherhood and work when she is called in to investigate human bones that have surfaced on a remote Norfolk beach. The presence of DCI Harry Nelson, the married father of her daughter, does not help. The bones, six men with their arms bound, turn out to date back to World War II, a desperate time on this stretch of coastland.

As Ruth and Nelson investigate, Home Guard veteran Archie Whitcliffe reveals the existence of a secret the old soldiers have vowed to protect with their lives. But then Archie is killed and a German journalist arrives, asking questions about Operation Lucifer, a plan to stop a German invasion, and a possible British war crime. What was Operation Lucifer? And who is prepared to kill to keep its secret?

[A] page-turning mystery . . . it provides a wholly satisfying whodunit as well as a good reason to look up the other two [books in the series] . . . Griffiths's Galloway is a likable and alluring character.--Associated Press

Ruth Galloway uncovers the bones of what might be a notorious Victorian child murderess and a baby snatcher known as The Childminder threatens modern-day Norfolk in this irresistible mystery from Elly Griffiths.

The service of the Outcast Dead is held annually in Norwich, commemorating the bodies in the paupers' graves. This year's proceedings hold special interest for forensic archaeologist Ruth Galloway, who has just unearthed the notorious Mother Hook, hanged in 1867 at Norwich Castle for killing multiple children. Now Ruth is reluctantly starring in a TV special, working alongside the alluring historian Dr. Frank Barker. Nearby, DCI Harry Nelson is investigating the case of three children found dead in their home when another child is abducted. A kidnapper dubbed the Childminder claims responsibility, but is the Childminder behind the deaths too? The team races to find out--and after a child close to everyone involved disappears, the stakes couldn't be higher.

An uncommon, down-to-earth heroine whose acute insight, wry humor, and depth of feeling make her a thoroughly engaging companion.--Erin Hart, Agatha- and Anthony Award-nominated author of Haunted Ground and Lake of Sorrows

Elly Griffiths's Ruth Galloway novels have been praised as gripping (Louise Penny), highly atmospheric, (New York Times Book Review), and must-reads for fans of crime fiction (Associated Press). She is the winner of the 2010 Mary Higgins Clark Award.

Forensic archeologist Ruth Galloway investigates a heart-stopping case: an old university friend and fellow archeologist murdered in an arson attack.

When Ruth Galloway learns that her old university friend Dan Golding has died in a house fire, she is shocked and saddened. But when she receives a letter that Dan had written just before he died, her sadness turns to suspicion.The letter tells of a great archaeological discovery, but Dan also says that he is scared for his life.

Was Dan's death linked to his find? The only clue is his mention of the Raven King, an ancient name for King Arthur. When she arrives in Lancashire, Ruth discovers that the bones reveal a shocking fact about King Arthur--and that the bones have mysteriously vanished.

The case draws in DCI Nelson, determined to protect Ruth and their eighteen-month-old daughter, Kate. But someone is willing to kill to keep the bones a secret, and it is beginning to look as if no one is safe.

A vision of the Virgin Mary foreshadows a string of cold-blooded murders, revealing a dark current of religious fanaticism in an old medieval town in this Ruth Galloway mystery.

When Ruth's friend Cathbad sees a vision of the Virgin Mary--in a white gown and blue cloak--in the graveyard next to the cottage he is house-sitting, he takes it in his stride. Walsingham has strong connections to Mary, and Cathbad is a druid after all; visions come with the job. But when the body of a woman in a blue dressing-gown is found dead the next day in a nearby ditch, it is clear Cathbad's vision was all too human--and that a horrible crime has been committed. DCI Nelson and his team are called in for the murder investigation and soon establish that the dead woman was a recovering addict being treated at a nearby private hospital.

Ruth, a devout atheist, has managed to avoid Walsingham during her seventeen years in Norfolk. But then an old university friend, Hilary Smithson, asks to meet her in the village, and Ruth is amazed to discover that her friend is now a priest. Hilary has been receiving vitriolic anonymous letters targeting women priests-- letters containing references to local archaeology and a striking phrase about a woman clad in blue, weeping for the world.

Then another woman is murdered--a priest.

As Walsingham prepares for its annual Easter re-enactment of the Crucifixion, the race is on to unmask the killer before they strike again...

In this delightfully creepy mystery, Ruth Galloway--whom #1 New York Times bestselling author Louise Penny calls a captivating amateur sleuth--is haunted by a ghost from her past, just as her future lands on shaky ground. Its patented combination of mysterious circumstances, police procedure, and agonizing relationship problems will keep you reading, and feeling, all night. --Kirkus Reviews (starred review) Ruth's partner in crime, DCI Nelson, has been receiving threatening letters. They are anonymous, yet reminiscent of ones he has received in the past, from the person who drew him into a case that's haunted him for years. At the same time, Ruth receives a letter purporting to be from that very same person--her former mentor, and the reason she first started working with Nelson. But the author of those letters is dead. Or is he? The past is reaching out for Ruth and Nelson, and its grip is deadly.

In this highly atmospheric mystery, Ruth Galloway--whom #1 New York Times bestselling author Louise Penny calls a captivating amateur sleuth--has her summer vacation disrupted by a murder in a medieval Italian town where dark secrets are buried as deep as bones. When archaeologist Angelo Morelli asks Ruth Galloway to come to the Italian countryside to help identify bones found in picturesque Fontana Liri, she jumps at the chance to go--and brings her daughter along for what she assumes will be a working vacation. Upon arriving, Ruth hears murmurs of Fontana Liri's strong resistance movement during World War II, and begins to sense that the townspeople are harboring an age-old secret. But how, if at all, could this chapter in history be connected to the human remains that Angelo has unearthed? Just as she's getting her footing in the dig, DCI Nelson appears, unexpectedly and for no clear reason. When Ruth's findings lead her and her crew to a modern-day murder, their holiday turns into anything but as they race to find out what darkness is lurking in this seemingly peaceful place. . .and who may be on their trail.

The chilling discovery of a downed World War II plane with a body inside leads Ruth and DCI Nelson to uncover a wealthy family's secrets in this Ruth Galloway mystery.

It's a blazing hot summer in Norfolk when a construction crew unearths a downed American fighter plane from World War II with a body inside. Forensic archeologist Ruth Galloway determines that the skeleton couldn't possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat long presumed dead--news that seems to frighten his descendants. Events are further complicated by a TV company that wants to make a film about Norfolk's deserted air force bases, the so-called ghost fields, which the Blackstocks have converted into a pig farm. As production begins, Ruth notices a mysterious man loitering at Fred Blackstock's memorial service. Then human bones are found on the family's pig farm and the weather quickly turns. Can the team outrace a looming flood to find the killer?

Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor--until Nelson comes calling, investigating a decades-long string of murder-suicides that's looming ever closer, in USA Today Elly Griffiths' penultimate novel in the beloved series.

Three years after her mother's death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of her own Norfolk cottage--before she lived there--with a peculiar inscription on the back. Ruth returns to the cot-tage to uncover its meaning as Norfolk's first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance.

Meanwhile, Nelson is investigating a series of deaths of women that may or may not be suicide. When he links a case to an archaeological dis-covery, he breaks curfew to visit Ruth and enlist her help. But the further Nelson investigates the deaths, the closer he gets to Ruth's isolated cot-tage--until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it's too late.

PRAISE FOR ELLY GRIFFITHS AND THE RUTH GALLOWAY SERIES

Winner of the Edgar Award for Best Novel

Winner of the Mary Higgins Clark Award

Winner of the CWA Dagger in the Library Award

Galloway is an everywoman, smart, successful and a little bit unsure of herself. Readers will look forward to learning more about her. --USA Today

Elly Griffiths draws us all the way back to prehistoric times . . . Highly atmospheric. --New York Times Book Review

Forensic archeologist and academic Ruth Galloway is a captivating amateur sleuth--an inspired creation. I identified with her insecurities and struggles, and cheered her on. --Louise Penny