As US-Russian relations scrape the depths of cold-war antagonism, the promise of partnership that beguiled American administrations during the first post-Soviet decades increasingly appears to have been false from the start. Why did American leaders persist in pursuing it? Was there another path that would have produced more constructive relations or better prepared Washington to face the challenge Russia poses today?
With a practitioner's eye honed during decades of work on Russian affairs, Thomas Graham deftly traces the evolution of opposing ideas of national purpose that created an inherent tension in relations. Getting Russia Right identifies the blind spots that prevented Washington from seeing Russia as it really is and crafting a policy to advance American interests without provoking an aggressive Russian response. Distilling the Putin factor to reveal the contours of the Russia challenge facing the United States whenever he departs the scene, Graham lays out a compelling way to deal with it so that the United States can continue to advance its interests in a rapidly changing world.
Also available as an audiobook.
Near the end of the nineteenth century, Standard Oil millionaire Henry Morrison Flagler ventured to St. Augustine, Florida, America's Oldest City, and transformed it into an exotic travel destination for the social elite. He raised magnificent, fanciful Spanish Renaissance hotel palaces on what had been orange grove and salt marsh. Then he connected his creation with the outside world by building a modern railroad system. Flagler's hotels stand as monuments to innovation in architecture and engineering. They were the first large buildings in the United States constructed of poured concrete, and they pioneered use of novel amenities like electric lights, steam heat, and elevators. They are still a vital part of modern St. Augustine. The Ponce de Leon, Flaglers preeminent hotel, now houses Flagler College; the Alcazar now holds the City Hall and the Lightner Museum. Only the Casa Monica (previously called the Cordova) is presently a hotel.
In the late 1800s, Henry Morrison Flagler walked away from Standard Oil, leaving the enormously successful company in the hands of John D. Rockefeller while he headed to Florida to pursue other interests. Flagler's new venture would lead him to completely restructure the sleepy town of St. Augustine and transform Florida's entire east coast.
This monumental biography tells the story of how one of the wealthiest men in America spared no expense to turn the country's Oldest City into a highly desirable vacation destination for the rich. Upon arrival, Flagler found accommodations in St. Augustine to be inferior, so he set out to build the opulent Ponce de Leon Hotel, and thus began his endeavor to attract wealthy travelers to the small southern city. He funded hospitals and churches and improved streets and parks. He constructed railroads in remote areas where men feared to tread and erected palatial hotels on swampland. The rich and famous flocked to Flagler's invented paradise. And he had the vision to stretch his new railroad southward, establishing hotels and accommodations along the way.
In tracing Flagler's second career, Thomas Graham reveals much about the inner life of the former oil magnate and the demons that drove him to expand a coastal empire that eventually encompassed Palm Beach, Miami, Key West, and finally Nassau. Graham also gives voice to the individuals that history has forgotten: the women who wrote tourist books, the artists who decorated the hotels, the black servants who waited tables, and the journalists who penned society columns for the newspapers.
Arguably no man did more to make over a city--or a state--than Flagler. Almost single-handedly, he transformed Florida from a remote frontier into the winter playground of America's elite. Filled with fascinating details that bring the Gilded Age to life, Mr. Flagler's St. Augustine provides an authoritative look at an intriguing man and a captivating time in American history.
When Thomas unexpectedly suffered a stroke, he faced loss of mobility to his right-sided limbs. Let's go for a walk is his account of the rehabilitation process to restore his mobility and return to active, independent living.
Through a programme of intensive physiotherapy, Thomas worked to regain his physical movement, rebuild his strength, and enhance his stamina. He wrote poetry to support his psychological wellbeing and embraced nature-based activities-sit spotting, forest bathing, walking and gardening-for spiritual sustenance to nurture a greater appreciation for life.
His journey of navigating a medical emergency with resilience and positive intent, supported by close family and friends, offers encouragement and hope to stroke survivors, trauma sufferers, and those entrusted with their care.
Front cover artwork: 'My MAN(dala)' by Slobodanka Graham
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Before Hollywood, when America's rising motion picture industry was based on the East Coast, early film stars like Rudolph Valentino, Ethel Barrymore, and Oliver Hardy made movies in St. Augustine, Florida. Silent Films in St. Augustine tells stories of the leading film producers and actors who escaped New York winters--and kept the studio doors open--in St. Augustine's sunshine and warm weather.
More than 120 films were made in St. Augustine from 1906 to 1926 by film companies such as Thanhouser, Lubin, Eclair, Pathe, Edison, and Vitagraph. The first full-length Frankenstein movie, Life Without Soul, was shot in St. Augustine. Theda Bara became a vamp sensation for her role in A Fool There Was. Sidney Drew acted in the gender-bending A Florida Enchantment. Noted directors Edwin S. Porter, Maurice Tourneur, Sidney Olcott, and George Fitzmaurice also set up shop in the beach town.
Filmmakers used St. Augustine's striking architecture to create backdrops for movies set in exotic foreign locales. The famous Castillo de San Marcos fort, the stone houses on the narrow streets, and Henry Flagler's Spanish Renaissance palace hotels were reimagined as Spain, Italy, France, Egypt, Arabia, South Africa, Brazil, and Hawaii. Residents of St. Augustine loved seeing film teams in action on their streets and would gather around the camera to watch the actors and marvel at the outlandish costumes.
Describing the lavish sets, theatrical action, and New York movie personalities that filled St. Augustine, this book evokes an intensely creative time and place in the history of American moviemaking. Thomas Graham is professor emeritus of history at Flagler College. He is the author of several books including Mr. Flagler's St. Augustine.
The Republicans first became prominent under the leadership of our greatest president, Abraham Lincoln, champion of democracy, freedom, and equal rights for all. But today, the party has left Lincoln's ideals far behind, advocating and tolerating policies that are inconsistent with-and therefore compromise-America's constitutional democratic principles. The GOP also has become a cult of personality, no longer a true political party.
How did this happen?
In Republicans: Political Party or Threat to Our Democracy? author Thomas Graham Jr. vividly details the history of the Republican Party and draws insightful parallels between the two major existential crises in our nation's history: the Civil War and the current moment. With anguish for what the GOP has become, but with hope for the future, Graham-who promoted arms limitation and peace as a senior US diplomat for nearly 30 years-shares his vision for a peaceful return to the principles and integrity of great Republican leaders like Lincoln, Theodore Roosevelt, and Ronald Reagan, and to the stability of the strong two-party system that built our great nation.
Thomas Graham Jr. played a role in the negotiation of every major international arms control and non-proliferation agreement signed by the United States during the past thirty years. As a U.S. government lawyer and diplomat, he helped to shape, negotiate, and secure U.S. ratification of such cornerstones of international security as SALT, START, and the ABM, INF, and CFE treaties as well as conventions prohibiting biological and chemical weapons.
Graham's memoir offers a history of the key negotiations which have substantially reduced the threat of nuclear war. His is a personal account of bureaucratic battles over arms control in six administrations, navigating among the White House, Congress, cabinet secretaries, and agencies with overlapping responsibilities and often competing interests. No comparable text brings together detailed analyses of so many pivotal documents in the history of the Cold War; it offers abundant primary source material for historians, international lawyers, and arms control specialists around the world. Disarmament Sketches also charts the rise and fall of the Arms Control and Disarmament Agency, the only U.S. government agency with primary responsibility for arms control policy, and lays out an agenda for continuing progress in reducing weapons stockpiles around the globe.
Throughout his career, Graham has worked tirelessly to reverse the nuclear arms race and to persuade leaders around the world to make their nations safer by renouncing and reducing their weapons of mass destruction.
An introductory textbook on the principles of chemistry, with chapters covering topics such as atomic theory, the chemical processes of matter, and the practical applications of chemistry in various fields. The book is intended both for students of chemistry and for general readers interested in the subject.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An introductory textbook on the principles of chemistry, with chapters covering topics such as atomic theory, the chemical processes of matter, and the practical applications of chemistry in various fields. The book is intended both for students of chemistry and for general readers interested in the subject.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.