Based on some of literature's horror and science fiction classics, this tour de force of reclaiming the narrative, executed with impressive wit and insight (Publishers Weekly, starred review) debut is the story of a remarkable group of women who come together to solve the mystery of a series of gruesome murders--and the bigger mystery of their own origins.

Mary Jekyll, alone and penniless following her parents' death, is curious about the secrets of her father's mysterious past. One clue in particular hints that Edward Hyde, her father's former friend and a murderer, may be nearby, and there is a reward for information leading to his capture...a reward that would solve all of her immediate financial woes.

But her hunt leads her to Hyde's daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein.

When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.

In the sequel to the Nebula finalist The Strange Case of the Alchemist's Daughter, Mary Jekyll and the rest of the daughters of mad scientists from literature embark on a madcap adventure across Europe to rescue another monstrous girl and stop the Alchemical Society's nefarious plans once and for all.

Mary Jekyll's life has been peaceful since she helped Sherlock Holmes and Dr. Watson solve the Whitechapel Murders. Beatrice Rappaccini, Catherine Moreau, Justine Frankenstein, and Mary's sister Diana Hyde have settled into the Jekyll household in London, and although they sometimes quarrel, the members of the Athena Club get along as well as any five young women with very different personalities. At least they can always rely on Mrs. Poole.

But when Mary receives a telegram that Lucinda Van Helsing has been kidnapped, the Athena Club must travel to the Austro-Hungarian Empire to rescue yet another young woman who has been subjected to horrific experimentation. Where is Lucinda, and what has Professor Van Helsing been doing to his daughter? Can Mary, Diana, Beatrice, and Justine reach her in time?

Racing against the clock to save Lucinda from certain doom, the Athena Club embarks on a madcap journey across Europe. From Paris to Vienna to Budapest, Mary and her friends must make new allies, face old enemies, and finally confront the fearsome, secretive Alchemical Society. It's time for these monstrous gentlewomen to overcome the past and create their own destinies.

The witchy women are Medusa's daughters indeed--their gaze kills. But rather than sending heroes to slay them, the writers of this collection celebrate the deadliness of these femmes fatales.

After a period of decline, Gothic literature underwent a revival at the end of the 1800s. As the century turned, women writers such as Vernon Lee, Mary Coleridge, and Rosamund Mariott Watson left an indelible mark on fantasy and horror literature. Like Medusa herself, their poetry and short stories embody the very essence of magic and monstrosity.

Curated and annotated by award-winning fantasy author and Victorianist Theodora Goss, this collection of rare and strange gems serves as a tantalizing sampler of work by fin-de-siècle women writers, whose legacy still echoes in the speculative fiction we know and love today.

Mary Jekyll and the Athena Club foil a plot to unseat the Queen and race to save one of their own in this electrifying conclusion to the Locus Award winning trilogy that began with The Strange Case of the Alchemist's Daughter.

Life's always an adventure for the Athena Club...especially when one of their own has been kidnapped! After their thrilling European escapades rescuing Lucina van Helsing, Mary Jekyll, and her friends return home to discover that their friend and kitchen maid Alice has vanished--and so has their friend and employer Sherlock Holmes!

As they race to find Alice and bring her home safely, they discover that Alice and Sherlock's kidnapping are only one small part of a plot that threatens Queen Victoria, and the very future of the British Empire. Can Mary, Diana, Beatrice, Catherine, and Justine save their friends--and the Empire?

In the final volume of the trilogy that Publishers Weekly called a tour de force of reclaiming the narrative, executed with impressive wit and insight in a starred review, the women of the Athena Club will embrace their monstrous pasts to create their own destinies.

A monumental career retrospective

This vibrant collection brings together World Fantasy Award winner Goss's exquisite interpretations of and variations on familiar folk and fairy tales. The [poems and stories] span the length of Goss's career ... All approach well-known stories from unexpected angles and with deep empathy for the characters ... The abundance of pieces sometimes has the effect of a musical fugue: common motifs, places, and characters echo through the works, with each reappearance adding something fresh.

-Publishers Weekly

A wicked stepsister frets over all the ways in which she failed to receive her mother's love. A lost woman travels through an enchanted forest looking for someone who can remind her of her name. A girl must wear down seven pairs of shoes to gain help from a witch. A fox makes a life with a human, but neither can deny their true natures. A young woman returns to her childhood home and the fantastic stories she left there. A man lets himself be taken prisoner by the Snow Queen to prove that the woman who loves him would walk barefoot through the ice to save him. Medusa cuts her hair for love.

The Collected Enchantments gathers retellings of folk and fairy tales in prose and verse from World Fantasy and Locus award-winning author Theodora Goss, creator of The Extraordinary Adventures of the Athena Club series. Drawing from her Mythopoeic Award-nominated collections In the Forest of Forgetting and Songs for Ophelia and her Mythopoeic Award-winning tome Snow White Learns Witchcraft, and adding new and uncollected stories and poems, The Collected Enchantments provides a resounding demonstration of how, as Hugo and Nebula award winner Jo Walton writes, Goss provides a vivid, authentic and important voice that, in the words of Science Fiction and Fantasy Writers Association Grand Master Jane Yolen, transposes, transforms, and transcends times, eras, and old tales with ease.

PRAISE FOR THEODORA GOSS

In the tradition of great modern fantasists like Angela Carter and Marina Warner, Theodora Goss's sublime tales are modern classics-beautiful, sly, sensual and deeply moving . . . I envy any reader encountering Goss's work for the first time. -Elizabeth Hand, winner of the Mythopoeic, Nebula, Shirley Jackson and World Fantasy awards

The elegance of Goss's work has never ceased to amaze me. It feels effortless, but endlessly evocative and suggestive, flowing with the rhythms of both the natural world and the intimate socio-familial cosmos. Goss's language fits together like gems in a complex crown, a diadem of images and motifs, resting gently on the head, but with a deceptive weight. -Catherynne M. Valente, winner of the Mythopoeic, Locus, Hugo, Otherwise and Theodore Sturgeon awards

Theodora Goss re-fleshes and re-clothes old tales in multifarious ways. Through prose and poetry, Goss shines her unique light into the fairytale forest-and many bright eyes gleam back. -Margo Lanagan, Aurealis, Ditmar and World Fantasy award winner

With cover art by Catrin Welz-Stein and interior black and white illustrations by Paula Arwen Owen.

A monumental career retrospective

This vibrant collection brings together World Fantasy Award winner Goss's exquisite interpretations of and variations on familiar folk and fairy tales. The [poems and stories] span the length of Goss's career ... All approach well-known stories from unexpected angles and with deep empathy for the characters ... The abundance of pieces sometimes has the effect of a musical fugue: common motifs, places, and characters echo through the works, with each reappearance adding something fresh.

-Publishers Weekly

For Goss, fairy tales are less a set of texts than a language she's become fluent in ... the result is a lyrical, resonant voice and a vision not quite like anyone else's.

-Locus

A wicked stepsister frets over all the ways in which she failed to receive her mother's love. A lost woman travels through an enchanted forest looking for someone who can remind her of her name. A girl must wear down seven pairs of shoes to gain help from a witch. A fox makes a life with a human, but neither can deny their true natures. A young woman returns to her childhood home and the fantastic stories she left there. A man lets himself be taken prisoner by the Snow Queen to prove that the woman who loves him would walk barefoot through the ice to save him. Medusa cuts her hair for love.

The Collected Enchantments gathers retellings of folk and fairy tales in prose and verse from World Fantasy and Locus award-winning author Theodora Goss, creator of The Extraordinary Adventures of the Athena Club series. Drawing from her Mythopoeic Award-nominated collections In the Forest of Forgetting and Songs for Ophelia and her Mythopoeic Award-winning tome Snow White Learns Witchcraft, and adding new and uncollected stories and poems, The Collected Enchantments provides a resounding demonstration of how, as Hugo and Nebula award winner Jo Walton writes, Goss provides a vivid, authentic and important voice that, in the words of Science Fiction and Fantasy Writers Association Grand Master Jane Yolen, transposes, transforms, and transcends times, eras, and old tales with ease.

PRAISE FOR THEODORA GOSS

In the tradition of great modern fantasists like Angela Carter and Marina Warner, Theodora Goss's sublime tales are modern classics-beautiful, sly, sensual and deeply moving . . . I envy any reader encountering Goss's work for the first time.

-Elizabeth Hand

Goss's language fits together like gems in a complex crown, a diadem of images and motifs, resting gently on the head, but with a deceptive weight.

-Catherynne M. Valente

Theodora Goss re-fleshes and re-clothes old tales in multifarious ways. Through prose and poetry, Goss shines her unique light into the fairytale forest-and many bright eyes gleam back.

-Margo Lanagan

With cover art by Catrin Welz-Stein and interior black and white illustrations by Paula Arwen Owen.

One enchanting romance. Two lovers keeping secrets. And a uniquely crafted book that binds their stories forever.

When Evelyn Morgan walked into the village bookstore, she didn't know she would meet the love of her life. When Brendan Thorne handed her a medieval romance, he didn't know it would change the course of his future. It was almost as if they were the cursed lovers in the old book itself . . .

The Thorn and the Blossom is a remarkable literary artifact: You can open the book in either direction to decide whether you'll first read Brendan's, or Evelyn's account of the mysterious love affair. Choose a side, read it like a regular novel--and when you get to the end, you'll find yourself at a whole new beginning.

The reprint of In the Forest of Forgetting by award-winning author Theodora Goss, first published in 2006 by Prime Books, with an introduction by Terri Windling and cover art by Virginia Lee. The table of contents has been slightly modified: Phalaenopsis has been replaced by Her Mother's Ghosts, which first appeared in 2004 in The Rose and Twelve Petals and Other Stories, released by Small Beer Press.

2020 Mythopoeic Fantasy Award Winner for Adult Literature 2020 Locus Award finalist for Best CollectionContains A Country Called Winter, 2020 Locus Award finalist for Best Novelette

I was expecting this to be good, but it's wonderful. Seeing these pieces together makes me realize what a vivid, authentic and important voice Goss is. These are real fairytales, magical, unsettling, touching, and brilliant. I loved every word. -Jo Walton, World Fantasy, Nebula, and Hugo award-winning author of Among Others

Fairy tales are clothing, and to retell them is fashion. The fashion of these particular stories and poems is an abundance of lace, roses and porcelain contrasting with fur, snow and blood. -Amal El-Mohtar, The New York Times

Goss takes obvious delight in reweaving classic European folk tales to reveal new, often deeply feminist, perspectives . . . This toothsome collection is best read in one go. -Publishers Weekly, starred review

A young woman hunts for her wayward shadow at the school where she first learned magic-while another faces a test she never studied for as ice envelopes the world. The tasks assigned a bookish boy lead him to fateful encounters with lizards, owls, trolls and a feisty, sarcastic cat. A bear wedding is cause for celebration, the spinning wheel and the tower in the briar hedge get to tell their own stories, and a kitchenmaid finds out that a lost princess is more than she seems. The sea witch reveals what she hoped to gain when she took the mermaid's voice. A wiser Snow White sets out to craft herself a new tale.

In these eight stories and twenty-three poems, World Fantasy Award winner Theodora Goss retells and recasts fairy tales by Charles Perrault, the Brothers Grimm, Hans Christian Andersen, and Oscar Wilde. Sometimes harrowing, sometimes hilarious, always lyrical, the works gathered in Snow White Learns Witchcraft re-center and empower the women at the heart of these timeless narratives. Science Fiction and Fantasy Writers of America Grand Master Jane Yolen, in her introduction, proclaims that Goss transposes, transforms, and transcends times, eras, and old tales with ease. But also there is a core of tough magic that runs through all her pieces like a river through Faerie . . . I am ready to reread some of my new favorites.

More praise for Snow White Learns Witchcraft

Theodora Goss re-fleshes and re-clothes old tales in multifarious ways. Sometimes the stories' new garments are classic and mythic, sometimes they're up-to-the-minute, twenty-first-century creations . . . Goss shines her unique light into the fairytale forest-and many bright eyes gleam back. -Margo Lanagan, New York Times-bestselling and World Fantasy Award-winning author of Tender Morsels

Theodora Goss's Snow White Learns Witchcraft is a gorgeous, lyric collection of fairy tale retellings. Goss has the ability-the witchcraft-to be able to see the heart of the tale, and show it, polished and reflected and new, to the reader. -Kat Howard, Alex Award-winning author of An Unkindness of Magicians

This collection does what the best songs and poems and spells do: slips gently into your consciousness, then slowly changes the way you see the world. -Fran Wilde, World Fantasy, Nebula, and Hugo finalist and author of the award-winning Bone Universe trilogy

Cover art by Ruth Sanderson

Theodora Goss has been a finalist for the Nebula, Crawford, Locus, Seiun, and Mythopoeic Awards, and on the Tiptree Award Honor List. Her prose-poem Octavia is Lost in the Hall of Masks (2003) won the Rhysling Award and her short story Singing of Mount Abora (2007) won the World Fantasy Award. SONGS FOR OPHELIA gathers together eighty of Theodora's otherworldly poems which lead the reader, as though under a spell, through the unfolding of the seasons and into the realm of pure magic. Delia Sherman, author of THE FREEDOM MAZE and CHANGELING, says about SONGS FOR OPHELIA, Willows, dancing maidens, gypsies, mothers, lovers, daughters, magic animals, living waters, and transformations of all kinds abound in these gorgeous poems. With her formal prosody, her fairytale subjects, and her insights on love and loss and longing, Goss manages, Janus-like, to look back to the Victorians and inward at the heart of a modern woman with intelligence and grace.

• Theodora Goss' first major short story collection showcases such stories as The Rose in Twelve Petals, The Rapid Advance of Sorrow, Lily, With Clouds, In the Forest of Forgetting, Sleeping With Bears and many more. Also includes an introduction by Terri Windling and cover by Virginia Lee.

• Eighteen extraordinary authors devise all-new fairy tales: imaginative reinterpretations of the familiar, evocative new myths, speculations beyond the traditional realm of once upon a time. Often dark, occasionally humorous, always enthralling, these stories find a certain Puss in a near-future New York, an empress bargaining with a dragon, a princess turned into a raven, a king's dancing daughters with powerful secrets, great heroism, terrible villainy, sparks of mischief, and a great deal more. Brilliant dreams and dazzling nightmares with meaning for today and tomorrow...