In the realm of singer songwriters, few have been as influential as Neil Young, whose music has always been creative and relevant throughout six decades. Neil is a chameleon for whom boundaries of genres do not exist. He has delved into folk, country, r&b, rock 'n' roll, grunge, hard rock, electronic and pop and made them his own. But the sixties were his launch pad. This book follows his music through that seminal period when he played with The Squires, Mynah Birds, Buffalo Springfield, Crosby, Stills, Nash and Young, Crazy Horse and The Stray Gators. During this seminal period, Young wrote or co-wrote some of his greatest songs, including 'I Am A Child', 'Southern Man', 'Helpless' and - most importantly - 'Ohio'.It is the story of how one of the most seminal artists of the last fifty years learned his trade - every band, every twist and turn and every track.
One of the the most pivotal albums in the evolution of rock music, no other recording has had more impact than the 1965 classic Bob Dylan, Bringing It All Back Home. In the mid-sixties, Rock Music was about to explode into psychedelia, prog and jazz fusion. Meanwhile, Bob Dylan had made an enormous impact on songwriting with his first four acoustic albums. He had created a different way of writing songs with themes such as civil rights, anti-war protests and social issues that lifted rock music from teenage love songs to serious poetic works of art full of symbolism. But with Bringing It All Back Home, Dylan shot his lyrics through with surreal hard-edged Beat poetry and charged the music from acoustic to blues-based loud electric rock. It alienated him from many of his peers in the folk community but contains classic cuts like 'Mr Tambourine Man' 'Maggie's Farm' and 'Subterranean Homesick Blues'. Dylan had opened the door on experimentation. The Beatles, Stones, Who, Doors, Hendrix, Pink Floyd and Cream all listened and responded. Songwriting rose to new heights with few boundaries. In the wake of Bringing It All Back Home, music was forever changed.
Captain Beefheart (Don Vliet) was undoubtedly the creator of the most bizarre and wonderful music. A child prodigy sculptor, he applied his artistic approach to music, creating 'aural sculptures'. He befriended Frank Zappa in High School, collaborating on a teenage rock opera and sci-fi/fantasy film entitled Captain Beefheart vs The Grunt People. It was from this film that Don took his name. Of course, a magic character had to have a magic band. The Magic Band started out as a blues band in the mid-sixties but soon, with lysergic propulsion, surreal poetry, free-form jazz, polyrhythms and African beats, they were at the forefront of West Coast Acid Rock. A series of hugely inventive albums, including the infamous Trout Mask Replica, established them as the foremost avant-garde rock band with legendary live performances. The author was there for their first concert at Middle Earth and that night changed his life. Few Bands are as influential. The Beatles, The Fall, PJ Harvey and Tom Waits all pay homage, While The Magic Band have inspired a myriad of tribute bands and created a mythology like no other. This book sets the history of the band in context, analysing every track and interpreting the music with its poetic content. It is essential reading for diehard fans and the Beefheart-curious alike.