A lively and poignant exploration of life's latter decades.
In The Rest of Our Lives, memoirist Judy Goldman brings her devoted readers dispatches from the edge of life, when turning eighty can be as surprising and baffling as losing your virginity or seeing The Beatles at Shea Stadium. In this lively and poignant exploration of aging, Goldman circles to those other uncharted moments of our lives when we are at once anxious and excited about just what might happen next. Goldman's telling and retelling of pivotal stories of her own family and friends-romances, births, late-night taxi-cab rides, falls, frailty, and even death--are altogether new in her hands.
Una historia infantil sobre la tradición más viva de México.
Esta celebración reúne a las familias, es pretexto para comer delicioso y además es la ocasión perfecta para bailar y cantar! Dos mundos se mezclan brevemente para festejar la vida.
Pero este año es diferente: Paco tiene insomnio, y es urgente que se duerma para preparar la fiesta! Juana tiene una idea, pero necesita que todos participen.
ENGLISH DESCRIPTION
This family celebration is the best excuse for eating delicious food and also a great time to dance and sing! Two worlds briefly blend together to celebrate life.
In the world of the dead, they are preparing to celebrate Day of
the Living -- when a family visits their loved ones in the cemetery.
But Paco, the groundskeeper, just can't sleep a wink. They cannot
begin the arrangements if any of the living is out there!
In this book, young readers will follow Juana as she comes up with
a plan to help Paco fall asleep, so the dead can get on with the
celebrations.
Una historia infantil sobre la tradición más viva de México.
Esta celebración reúne a las familias, es pretexto para comer delicioso y además es la ocasión perfecta para bailar y cantar! Dos mundos se mezclan brevemente para festejar la vida.
Pero este año es diferente: Paco tiene insomnio, y es urgente que se duerma para preparar la fiesta! Juana tiene una idea, pero necesita que todos participen.
2023 Southern Book Prize Nonfiction Finalist - A 2022 Katie Couric Media Must-Read New Book - A personal meditation on love in the shadow of white privilege and racism
Child is the story of Judy Goldman's relationship with Mattie Culp, the Black woman who worked for her family as a live-in maid and helped raise her--the unconscionable scaffolding on which the relationship was built and the deep love. It is also the story of Mattie's child, who was left behind to be raised by someone else. Judy, now eighty, cross-examines what it was to be a privileged white child in the Jim Crow South, how a bond can evolve in and out of step with a changing world, and whether we can ever tell the whole truth, even to ourselves. It is an incandescent book of small moments, heart-warming, heartbreaking, and, ultimately, inspiring.
Family stories grow to be bigger than the experiences themselves, writes Judy Goldman in her memoir, Losing My Sister. They become home to us, tell us who we are, who we want to be. Over the years, they take on more and more embellishments and adornments until they eclipse the actual memory. They become our past--just as a snapshot will, at first, enhance a memory, then replace it. As she remembers it now, Goldman's was an idyllic childhood, charmed even, filled with parental love and sisterly confidences. Growing up in Rock Hill, South Carolina, Judy and her older sister, Brenda, did everything together. Though it was clear from an early age that their personalities were very different (Judy was the sweet one, Brenda, the strong one), they continued to be fairly inseparable into adulthood. But the love between sisters is complex. Though Judy and Brenda remained close, Goldman recalls struggling to break free of her prescribed role as the agreeable little sister and to assert herself even as she built her own life and started a family. The sisters' relationship became further strained by the illnesses and deaths of their parents, and later, by the discovery that each had tumors in their breasts--Judy's benign, Brenda's malignant. The two sisters came back together shortly before the possibility of permanent loss became very real. In her uniquely lyrical and poignant style, Goldman deftly navigates past events and present emotions, drawing readers in as she explores the joys and sorrows of family, friendship, and sisterhood.
Judy Goldman is the author of two novels, Early Leaving and The Slow Way Back, and two books of poetry. Her work has been published in Real Simple magazine, and in many literary journals--including Kenyon Review, Southern Review, Ohio Review, Gettysburg Review, Shenandoah, Prairie Schooner--as well as in numerous anthologies. Her commentaries have aired on public radio and she teaches at writers' conferences throughout the country. She received the Fortner Writer and Community Award for outstanding generosity to other writers and the larger community. She's also the recipient of the Sir Walter Raleigh Award for Fiction, the Mary Ruffin Poole Award for First Fiction, the Gerald Cable Poetry Prize, the Roanoke-Chowan Prize for Poetry, the Oscar Arnold Young Prize for Poetry, and the Zoe Kincaid Brockman Prize for Poetry. The Slow Way Back was shortlisted for the Southeastern Independent Bookseller Alliance's Novel of the Year. Judy lives with her husband in Charlotte, North Carolina.
A mother wakes one morning to find the police at her door to arrest her only child-a star athlete and honor student-for murder.
The Smallwoods are one of those families who project a rosy image, exactly what we all hoped and imagined our lives would be. Peter Smallwood is a patent attorney with the oldest firm in town. Kathryne is president of parents' council at the private high school their son, Early, attends. She is an over-involved mother; Peter is under-involved. She's excessive when she should hold back; he's stingy when fullness is needed. Kathryne is so protective of their son, so overbearing, that the only way out for him is to disappoint her in a profound way. The novel opens the night before his sentencing. It covers the next thirteen months and flashes back to family memories Kathryne has told again and again through the years, trotting them out like scrubbed children-as well as the memories she would just as soon forget.
EARLY LEAVING is Kathryne's story. She probes the pieces of the past to see if she should have seen the end coming. Was there any point where she might have come between her son and what lay in wait for him? Or was it just the randomness of fate and its consequences? Was she the cause? All she ever wanted was to keep him safe and happy. Isn't that what every mother wants?