African American art in the era of Malcolm X and the Black Panthers

In the period of radical change that was 1963-83, young black artists at the beginning of their careers confronted difficult questions about art, politics and racial identity. How to make art that would stand as innovative, original, formally and materially complex, while also making work that reflected their concerns and experience as black Americans?

Soul of a Nation surveys this crucial period in American art history, bringing to light previously neglected histories of 20th-century black artists, including Sam Gilliam, Melvin Edwards, Jack Whitten, William T. Williams, Howardina Pindell, Romare Bearden, David Hammons, Barkley L. Hendricks, Senga Nengudi, Noah Purifoy, Faith Ringgold, Betye Saar, Charles White and Frank Bowling.

The book features substantial essays from Mark Godfrey and Zoe Whitley, writing on abstraction and figuration, respectively. It also explores the art-historical and social contexts with subjects ranging from black feminism, AfriCOBRA and other artist-run groups to the role of museums in the debates of the period and visual art's relation to the Black Arts Movement. Over 170 artworks by these and many other artists of the era are illustrated in full color.

2017 marks the 50th anniversary of the first use of the term black power by student activist Stokely Carmichael; it will also be 50 years since the US Supreme Court overturned the prohibition of interracial marriage. At this turning point in the reassessment of African American art history, Soul of a Nation is a vital contribution to this timely subject.

A celebration of groundbreaking works by generations of women artists from Joan Mitchell to Julie Mehretu and beyond

This book explores the bold vision and vast range of achievements of women artists working predominantly across North America from the late 1960s into the present moment. The paintings, sculpture and mixed-media works featured are drawn from the Shah Garg Collection, which is dedicated to illuminating the critical role that women have played in shaping the development of abstraction and the narratives of art more broadly. Making Their Mark includes two sweeping essays by editors Mark Godfrey and Katy Siegel, writings by six scholars on topics relevant to the depth of the collection, such as the importance of craft traditions, artistic experimentation with new technologies and the impact of personal and communal identity on artmaking, as well as lively texts by 15 artists about the artists who inspire them. Richly illustrated with works by 136 artists, this volume offers new insights that make it a resource for students of art and general readers alike.
Artists include: Pacita Abad, Candida Alvarez, Olga de Amaral, Emma Amos, Firelei B�ez, Jennifer Bartlett, Barbara Chase-Riboud, Trude Guermonprez, Jacqueline Humphries, Suzanne Jackson, Maria Lassnig, Simone Leigh, Julie Mehretu, Joan Mitchell, Senga Nengudi, Toyin Ojih Odutula, Calida Rawles, Ilana Savdie, Tschabalala Self, Lorna Simpson, Jaune Quick-to-See Smith, Pat Steir, Lenore Tawney, Toshiko Takaezu, Charline von Heyl, Kay WalkingStick and Mary Weatherford.

A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition

A New York Magazine 2021 holiday gift guide pick

What is Black art? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what Black art meant.

Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as Black art in the first place.

Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time.

Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever.

Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright.

The first and only monograph to give a comprehensive examination of acclaimed American artist Sarah Sze's painting practice

Since the late 1990s, Sarah Sze has developed a signature visual language that challenges the static nature of art with a dynamic body of work spanning sculpture, painting, drawing, printmaking, video and installation.

In recent years, Sze has returned to painting, the medium in which she was first trained. Comprising constellations of painted and collaged elements, her expansive abstract landscapes explore a visual world that is constantly evolving, degrading, and generating new ways of seeing. Her paintings are highly sought-after and are held in the permanent collections of prominent institutions and museums worldwide.

The book includes two essays by Mark Godfrey and Tina Pang that explore Sze's influences and her working process, plus an interview between the artist and Madeleine Grynsztejn, that expands on the theoretical underpinnings of her painting practice.

With each copy numbered and hand signed by the artist, this exquisitely illustrated luxury volume, packaged in a cloth-wrapped slipcase, was created in close collaboration with Sze, and is the first monograph devoted to her painting practice.

By presenting original research into British legal history, this volume emphasises the historical shaping of the law by ideas of authority. The essays offer perspectives upon the way that ideas of authority underpinned the conceptualisation and interpretation of legal sources over time and became embedded in legal institutions. The contributors explore the basis of the authority of particular sources of law, such as legislation or court judgments, and highlight how this was affected by shifting ideas relating to concepts of sovereignty, religion, political legitimacy, the nature of law, equity and judicial interpretation. The analysis also encompasses ideas of authority which influenced the development of courts, remedies and jurisdictions, international aspects of legal authority when questions of foreign law or jurisdiction arose in British courts, the wider authority of systems of legal ideas such as natural law, the authority of legal treatises, and the relationship between history, law and legal thought.

Empty Lot is a new work by Mexican artist Abraham Cruzvillegas (b. 1968), the first of the Hyundai Commissions for Tate Modern's Turbine Hall. This book documents the conception and creation of this dramatic sculpture, looking at its monumental and microscopic scale. As a kind of artist's book within the publication, Cruzvillegas contributes 60 pages filled with artwork, poems, album covers, drawings, and photographs of people and places that inspire him. Created in close collaboration with the artist, this unique publication features a fully illustrated survey of Cruzvillegas's life and work, including installations at the Walker Art Center, Minneapolis, and The New Museum, New York, and an in-depth interview with Tate curator Mark Godfrey.

Published to document the exhibition Ed Ruscha: Tom Sawyer Paintings, this lavishly illustrated bilingual English and French catalogue features new essays by Mark Godfrey and Ralph Rugoff.

Ed Ruscha: Tom Sawyer Paintings documents the 2022 exhibition of ten new paintings and a new hologram at Gagosian Paris. The exhibition brought together naturalistic paintings of simple wooden slats, which at once represent a new direction in Ruscha's work and extend his long-standing interest in realism, modernist abstraction, and the American vernacular.

The catalogue includes plate photography of the ten paintings and one hologram as well as installation views of the exhibition.

Ed Ruscha was born in 1937 in Omaha, Nebraska and lives and works in Los Angeles. A career-spanning retrospective, ED RUSCHA/NOW THEN, will open at the Museum of Modern Art, New York, in September 2023 and travel to the Los Angeles County Museum of Art in April 2024.

Since 1993, Gagosian has presented twenty-five major exhibitions of Ruscha's work in the United States and Europe.

New, illustrated essays by Mark Godfrey and Ralph Rugoff, offering critical and historical contexts for the work, are included in this bilingual English and French catalogue.

Miraculous Mother Novena, an examination of the nine-day supplication to Jesus' mother Mary:
This book leads readers through the Miraculous Mother Novena, a nine-day prayer regimen that has been a part of Christian tradition for centuries. The book starts out by outlining the novena's background and significance before offering a thorough schedule for each of the nine days, complete with daily prayers and meditations. It also contains analyses of the novena's significance and function in a believer's life.
Readers will discover the various facets of Mary's function as Jesus' mother and an inspiration to Christians throughout the book. Her virtues-humility, fidelity, and perseverance, among others-are emphasized in the book, which also examines how these traits could be used in daily life. It also contains devotions and prayers to Mary, as well as accounts and illustrations of miracles credited to her intercession.
The value of the novena in strengthening one's relationship with God and finding solace and calm during trying times is discussed in the book's conclusion. It provides inspiration and hope to anyone pursuing spiritual development and rejuvenation.

We become like the river reflected, both light and dark.

Struggling artist Sylvia is offered an unusual commission by the mysterious Victor, acting on behalf of a secret sponsor, who wants to engage her for a year to produce art depicting the Holocaust. She accepts the project on trust and discovers an enigmatic thirteen-year-old girl Nina, who becomes her model and pupil. As the months pass, Sylvia begins to unravel the truth about Victor, the secret sponsor and Nina, while unearthing more about history and identity than she was ever prepared for.

A family drama that champions the structures and beliefs that underpin a civilised society, The River Reflects faces the darkest shadows of human nature. With the Thames winding relentlessly through this compelling story, Sylvia, Victor, Nina and those around them progress from fear and isolation to seek love and fortitude and the redemptive power of the human spirit.

This prayer book is for anyone who desires a deeper connection with God through prayer. Whether you're new to prayer or have been praying for years, this book can help you grow in your relationship with God. It includes daily prayers that focus on different aspects of life, such as peace, comfort, strength, wisdom, and more. Each prayer is accompanied by a Bible verse to guide your reflection. You can use this book as a devotional, a resource for difficult times, or simply as a way to spend time with God every day. Let this book be a tool to help you develop a more intimate relationship with God, and allow His love and peace to fill your heart. May you find strength, comfort, and guidance through these prayers, and may you experience the joy of knowing that you are loved and cared for by a God who is always with you.