Beyond its vulgar function as a means of execution, the Gallows has long served as a source of esoteric power. From the severed appendage of the thief that becomes the Hand of Glory to the fallen seed that spawns the mandrake root, the Hanging Place is awash in the sinistral ambiance of authentic Sorcery.
Richard Gavin weaves together threads of folklore, spiritism, and occult philosophy to create a tapestry of grim vitality. The Moribund Portal: Spectral Resonance and the Numen of the Gallows examines the subtle yet potent symbiosis that exists between the incarnate world and the realm of the Dead. This book's exploration of the liminal space between firmament and earth, where Odin perceived the runes and Christ witnessed the celestial kingdom, is designed to illuminate the macabre portal through which one may glimpse the Otherworld.
Canadian author Richard Gavin has established himself as a leading contemporary writer of weird fiction. His richly nuanced prose style, his imaginative range, and his shrewdness in the portrayal of character and domestic conflict make his tales far more than mere shudder-coining.
In this fourth collection of short stories and novelettes, Gavin again casts a wide imaginative net, from haunted Canadian woodlands to the carnivorous mesas of the American frontier, from Lovecraft's New England to the spirit traditions of Japan. Of the dozen stories included in this book, eight are previously unpublished--a rich new feast of terror for devotees of a writer who works in the tradition of Poe, Machen, Blackwood, and Ligotti. Richard Gavin is the author of three previous short story collections, Charnel Wine (2004), Omens (2007), and The Darkly Splendid Realm (2009). Gavin lives in Ontario, Canada, with his beloved wife and their brood.
Welcome to Richard Gavin's grotesquerie, where fear and faith converge in eerie and nightmarish tales of transcendent horror from a truly visionary writer. The highly anticipated new collection of macabre delights, that explores dark realms of the fevered, fecund mind, and visits strange landscapes and vistas. These are grim and grotesque tales of terror -- modern Mysterium Tremendums -- that open new doors of perception and reality.
Gavin's writing serves as a testament that great masters once crafted great stories .. .and as evidence that they shall do so again.
-- Thomas Ligotti
ADVANCE PRAISE FOR grotesquerie
Richard Gavin is an important figure in the contemporary horror/weird fiction field. Influenced by masters such as Blackwood and Ligotti, Gavin is cerebral, yet empathetic. He reconfigures classical tropes to suit his own unique perspective. Grotesquerie is a major event.
-Laird Barron, author of Swift to Chase
In grotesquerie, Richard Gavin summons ancient gods and vengeful ghosts. He nods knowingly to the horror/weird fiction greats, but forges a singularly unique vision.
- Priya Sharma, author of Ormeshadow
Grotesquerie contains the latest records of Richard Gavin's continuing explorations of the intersection between the mundane and the numinous, the earthly and the spectral, the pastoral and the horrific. Drawing on and in dialogue with such writers of the visionary weird as Aickman, Ligotti, and Machen, Gavin's fictions extend the tradition into bold new territory. Original, idiosyncratic, Richard Gavin is like no one else.
-John Langan, author of The Fisherman and Children of the Fang and Other Genealogies
...richly articulated nightmares that will delight horror fans ...] will put readers in mind of both classic weird fiction and the supernatural mysteries of the 1970s.
-Publishers Weekly