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The New York Times best-selling account of how coyotes--long the target of an extermination policy--spread to every corner of the United States
Finalist for the PEN/E.O. Wilson Literary Science Writing Award
A masterly synthesis of scientific research and personal observation. -Wall Street Journal
Legends don't come close to capturing the incredible story of the coyote. In the face of centuries of campaigns of annihilation employing gases, helicopters, and engineered epidemics, coyotes didn't just survive, they thrived, expanding across the continent from Alaska to New York. In the war between humans and coyotes, coyotes have won, hands-down. Coyote America is the illuminating five-million-year biography of this extraordinary animal, from its origins to its apotheosis. It is one of the great epics of our time.
In 1908, near Folsom, New Mexico, a cowboy discovered the remains of a herd of extinct giant bison. By examining flint points embedded in the bones, archeologists later determined that a band of humans had killed and butchered the animals 12,450 years ago. This discovery vastly expanded America's known human history but also revealed the long-standing danger Homo sapiens presented to the continent's evolutionary richness.
Distinguished author Dan Flores's ambitious history chronicles the epoch in which humans and animals have coexisted in the wild new world of North America--a place shaped both by its own grand evolutionary forces and by momentous arrivals from Asia, Africa, and Europe. With portraits of iconic creatures such as mammoths, horses, wolves, and bison, Flores describes the evolution and historical ecology of North America like never before.
The arrival of humans precipitated an extraordinary disruption of this teeming environment. Flores treats humans not as a species apart but as a new animal entering two continents that had never seen our likes before. He shows how our long past as carnivorous hunters helped us settle America, initially establishing a coast-to-coast culture that lasted longer than the present United States. But humanity's success had devastating consequences for other creatures. In telling this epic story, Flores traces the origins of today's Sixth Extinction to the spread of humans around the world; tracks the story of a hundred centuries of Native America; explains how Old World ideologies precipitated 400 years of market-driven slaughter that devastated so many ancient American species; and explores the decline and miraculous recovery of species in recent decades.
In thrilling narrative style, informed by genomic science, evolutionary biology, and environmental history, Flores celebrates the astonishing bestiary that arose on our continent and introduces the complex human cultures and individuals who hastened its eradication, studied America's animals, and moved heaven and earth to rescue them. Eons in scope and continental in scale, Wild New World is a sweeping yet intimate Big History of the animal-human story in America.
America's Great Plains once possessed one of the grandest wildlife spectacles of the world, equaled only by such places as the Serengeti, the Masai Mara, or the veld of South Africa. Pronghorn antelope, gray wolves, bison, coyotes, wild horses, and grizzly bears: less than two hundred years ago these creatures existed in such abundance that John James Audubon was moved to write, it is impossible to describe or even conceive the vast multitudes of these animals.
In a work that is at once a lyrical evocation of that lost splendor and a detailed natural history of these charismatic species of the historic Great Plains, veteran naturalist and outdoorsman Dan Flores draws a vivid portrait of each of these animals in their glory--and tells the harrowing story of what happened to them at the hands of market hunters and ranchers and ultimately a federal killing program in the nineteenth and twentieth centuries. The Great Plains with its wildlife intact dazzled Americans and Europeans alike, prompting numerous literary tributes. American Serengeti takes its place alongside these celebratory works, showing us the grazers and predators of the plains against the vast opalescent distances, the blue mountains shimmering on the horizon, the great rippling tracts of yellowed grasslands. Far from the empty flyover country of recent times, this landscape is alive with a complex ecology at least 20,000 years old--a continental patrimony whose wonders may not be entirely lost, as recent efforts hold out hope of partial restoration of these historic species. Written by an author who has done breakthrough work on the histories of several of these animals--including bison, wild horses, and coyotes--American Serengeti is as rigorous in its research as it is intimate in its sense of wonder--the most deeply informed, closely observed view we have of the Great Plains' wild heritage.
America's Great Plains once possessed one of the grandest wildlife spectacles of the world, equaled only by such places as the Serengeti, the Masai Mara, or the veld of South Africa. Pronghorn antelope, gray wolves, bison, coyotes, wild horses, and grizzly bears: less than two hundred years ago these creatures existed in such abundance that John James Audubon was moved to write, it is impossible to describe or even conceive the vast multitudes of these animals.
In a work that is at once a lyrical evocation of that lost splendor and a detailed natural history of these charismatic species of the historic Great Plains, veteran naturalist and outdoorsman Dan Flores draws a vivid portrait of each of these animals in their glory--and tells the harrowing story of what happened to them at the hands of market hunters and ranchers and ultimately a federal killing program in the nineteenth and twentieth centuries. The Great Plains with its wildlife intact dazzled Americans and Europeans alike, prompting numerous literary tributes. American Serengeti takes its place alongside these celebratory works, showing us the grazers and predators of the plains against the vast opalescent distances, the blue mountains shimmering on the horizon, the great rippling tracts of yellowed grasslands. Far from the empty flyover country of recent times, this landscape is alive with a complex ecology at least 20,000 years old--a continental patrimony whose wonders may not be entirely lost, as recent efforts hold out hope of partial restoration of these historic species. Written by an author who has done breakthrough work on the histories of several of these animals--including bison, wild horses, and coyotes--American Serengeti is as rigorous in its research as it is intimate in its sense of wonder--the most deeply informed, closely observed view we have of the Great Plains' wild heritage.
The Natural West offers essays reflecting the natural history of the American West as written by one of its most respected environmental historians. Developing a provocative theme, Dan Flores asserts that Western environmental history cannot be explained by examining place, culture, or policy alone, but should be understood within the context of a universal human nature.
The Natural West entertains the notion that we all have a biological nature that helps explain some of our attitudes towards the environment. FLores also explains the ways in which various cultures-including the Comanches, New Mexico Hispanos, Mormons, Texans, and Montanans-interact with the environment of the West.
Gracefully moving between the personal and the objective, Flores intersperses his writings with literature, scientific theory, and personal reflection. The topics cover a wide range-from historical human nature regarding animals and exploration, to the environmental histories of particular Western bioregions, and finally, to Western restoration as the great environmental theme of the twenty-first century.
The volume features 140 color and black-and-white illustrations, ranging from prehistoric rock art to modernist painting, and from charismatic wildlife scenes to classic landscape. They demonstrate the preponderance of Indians and wilderness in the region's art and explore the work of individuals as diverse as Edward Sheriff Curtis and Ansel Adams. Focusing on those whose art has defined the region, Flores tells how painters like Maynard Dixon interpreted the Northern Rockies and describes the contributions of women artists Fra Dana, Evelyn Cameron, and Emily Carr. A final essay, What Was Charlie Russell Trying to Tell Us? critically examines the legacy of Montana's cowboy artist.
Conversational in tone and as informative as they are entertaining, these essays provide rich vistas of their own. Visions of the Big Sky does for the region's art what The Last Best Place did for its literature.
These personal and historical meditations explore the human and natural history of the Near Southwest, a bio-region that embraces New Mexico, Texas, Oklahoma, and slices of Colorado, Kansas, Arkansas, and Louisiana. Centuries ago, the Navajos named this region the Horizontal Yellow, a landscape characterized by yellowed grass stretching in all four directions, rivers that drain from the Southern Rockies to the Gulf of Mexico, and human cultures peculiarly adapted to the regional biome. The Horizontal Yellow's piney woods, oak savannahs, blackland prairies, rolling desert plains, desert scrub basins, scarp mesas, table lands, piñon-juniper foothills, and diverse mountain ranges have succored and inspired American Indians, Hispanos, Anglos, and Frenchmen, including Dan Flores's own ancestors, who homesteaded in western Louisiana three hundred years ago and were mustangers on the Southern Plains. Moving between the present and past, the personal and historical, the author ruminates on myth, wilderness, wolves, horses, deserts, mountains, rivers, and human endeavor from Cabeza de Vaca to Georgia O'Keeffe in the Near Southwest.
Dan Flores explores our complex relationship with the natural environment in a way that far surpasses the simple-minded rhapsody of most nature writers. This is a provocative book from an original mind.--Stephen Harrigan
