A vivid history of how Cold War politics helped solve one of the twentieth century's biggest refugee crises

When World War II ended, about one million people whom the Soviet Union claimed as its citizens were outside the borders of the USSR, mostly in the Western-occupied zones of Germany and Austria. These displaced persons, or DPs--Russians, prewar Soviet citizens, and people from West Ukraine and the Baltic states forcibly incorporated into the Soviet Union in 1939--refused to repatriate to the Soviet Union despite its demands. Thus began one of the first big conflicts of the Cold War. In Lost Souls, Sheila Fitzpatrick draws on new archival research, including Soviet interviews with hundreds of DPs, to offer a vivid account of this crisis, from the competitive maneuverings of politicians and diplomats to the everyday lives of DPs.

American enthusiasm for funding the refugee organizations taking care of DPs quickly waned after the war. It was only after DPs were redefined--from victims of war and Nazism to victims of Communism--in 1947 that a solution was found: the United States would pay for the mass resettlement of DPs in America, Australia, and other countries outside Europe. The Soviet Union protested this theft of its citizens. But it was a coup for the United States. The choice of DPs to live a free life in the West, and the West's welcome of them, became an important theme in America's Cold War propaganda battle with the Soviet Union.

A compelling story of the early Cold War, Lost Souls is also a rare chronicle of a refugee crisis that was solved.

Starting with an overview of the roots of the revolution, Fitzpatrick takes the story from 1917, through Stalin's revolution from above, to the great purges of the 1930s. She tells a gripping story of a Marxist revolution that was intended to transform the world, visited enormous suffering on the Russian people, and, like the French Revolution before it, ended up by devouring its own children.

This updated edition contains a fully revised bibliography and updated introduction to address the centenary, what does it all mean in retrospect.

Asked shortly after the revolution about how she viewed the new government, Tatiana Varsher replied, With the wide-open eyes of a historian. Her countrywoman, Zinaida Zhemchuzhnaia, expressed a similar need to take note: I want to write about the way those events were perceived and reflected in the humble and distant corner of Russia that was the Cossack town of Korenovskaia. What these women witnessed and experienced, and what they were moved to describe, is part of the extraordinary portrait of life in revolutionary Russia presented in this book. A collection of life stories of Russian women in the first half of the twentieth century, In the Shadow of Revolution brings together the testimony of Soviet citizens and émigrés, intellectuals of aristocratic birth and Soviet milkmaids, housewives and engineers, Bolshevik activists and dedicated opponents of the Soviet regime. In literary memoirs, oral interviews, personal dossiers, public speeches, and letters to the editor, these women document their diverse experience of the upheavals that reshaped Russia in the first half of this century.

As is characteristic of twentieth-century Russian women's autobiographies, these life stories take their structure not so much from private events like childbirth or marriage as from great public events. Accordingly the collection is structured around the events these women see as touchstones: the Revolution of 1917 and the Civil War of 1918-20; the switch to the New Economic Policy in the 1920s and collectivization; and the Stalinist society of the 1930s, including the Great Terror. Edited by two preeminent historians of Russia and the Soviet Union, the volume includes introductions that investigate the social historical context of these women's lives as well as the structure of their autobiographical narratives.

In 1917, Bolshevik revolutionaries came to power in the war-torn Russian Empire in a way that defied all predictions, including their own. Scarcely a lifespan later, in 1991, the Soviet Union collapsed as accidentally as it arose. The decades between witnessed drama on an epic scale--the chaos and hope of revolution, famines and purges, hard-won victory in history's most destructive war, and worldwide geopolitical conflict, all entwined around the dream of building a better society.

This book is a lively and authoritative distillation of this complex history, told with vivid details, a grand sweep, and wry wit. The acclaimed historian Sheila Fitzpatrick chronicles the Soviet Age--its rise, reign, and unexpected fall, as well as its afterlife in today's Russia. She underscores the many ironies of the Soviet experience: An ideology that claimed to offer humanity the reins of history wrangled with contingency. An avowedly internationalist and anti-imperialist state birthed an array of nationalisms. And a vision of transcending economic and social inequality and injustice gave rise to a country that was, in its way, surprisingly normal.

Moving seamlessly from Lenin to Stalin to Gorbachev to Putin, The Shortest History of the Soviet Union provides an indispensable guide to one of the twentieth century's great powers and the enduring fascination it still exerts.

When revolutions happen, they change the rules of everyday life--both the codified rules concerning the social and legal classifications of citizens and the unwritten rules about how individuals present themselves to others. This occurred in Russia after the Bolshevik Revolution of 1917, which laid the foundations of the Soviet state, and again in 1991, when that state collapsed. Tear Off the Masks! is about the remaking of identities in these times of upheaval. Sheila Fitzpatrick here brings together in a single volume years of distinguished work on how individuals literally constructed their autobiographies, defended them under challenge, attempted to edit the file-selves created by bureaucratic identity documentation, and denounced others for masking their true social identities.

Marxist class-identity labels--worker, peasant, intelligentsia, bourgeois--were of crucial importance to the Soviet state in the 1920s and 1930s, but it turned out that the determination of a person's class was much more complicated than anyone expected. This in turn left considerable scope for individual creativity and manipulation. Outright imposters, both criminal and political, also make their appearance in this book. The final chapter describes how, after decades of struggle to construct good Soviet socialist personae, Russians had to struggle to make themselves fit for the new, post-Soviet world in the 1990s--by de-Sovietizing themselves.

Engaging in style and replete with colorful detail and characters drawn from a wealth of sources, Tear Off the Masks! offers unique insight into the elusive forms of self-presentation, masking, and unmasking that made up Soviet citizenship and continue to resonate in the post-Soviet world.

In 1917, Bolshevik revolutionaries came to power in the war-torn Russian Empire in a way that defied all predictions, including their own. Scarcely a lifespan later, in 1991, the Soviet Union collapsed as accidentally as it arose. The decades between witnessed drama on an epic scale--the chaos and hope of revolution, famines and purges, hard-won victory in history's most destructive war, and worldwide geopolitical conflict, all entwined around the dream of building a better society.

This book is a lively and authoritative distillation of this complex history, told with vivid details, a grand sweep, and wry wit. The acclaimed historian Sheila Fitzpatrick chronicles the Soviet Age--its rise, reign, and unexpected fall, as well as its afterlife in today's Russia. She underscores the many ironies of the Soviet experience: An ideology that claimed to offer humanity the reins of history wrangled with contingency. An avowedly internationalist and anti-imperialist state birthed an array of nationalisms. And a vision of transcending economic and social inequality and injustice gave rise to a country that was, in its way, surprisingly normal.

Moving seamlessly from Lenin to Stalin to Gorbachev to Putin, The Shortest History of the Soviet Union provides an indispensable guide to one of the twentieth century's great powers and the enduring fascination it still exerts.

The first chronicle of Stalin's inner political and social circle--from a leading Soviet historian

Stalin was the unchallenged dictator of the Soviet Union for so long that most historians have dismissed the officials surrounding him as mere yes-men and political window dressing. On Stalin's Team overturns this view, revealing that behind Stalin was a group of loyal men who formed a remarkably effective team with him from the late 1920s until his death in 1953. Drawing on extensive original research, Sheila Fitzpatrick provides the first in-depth account of this inner circle and their families. She vividly describes how these dedicated comrades-in-arms not only worked closely with Stalin, but also constituted his social circle. Stalin's team included the wily security chief Beria; Andreev, who traveled to provincial purges while listening to Beethoven on a portable gramophone; and Khrushchev, who finally disbanded the team four years after Stalin's death. Taking readers from the cataclysms of the Great Purges and World War II to the paranoia of Stalin's final years, On Stalin's Team paints an entirely new picture of Stalin within his milieu--one that transforms our understanding of how the Soviet Union was ruled during much of its existence.

Stalinism is a provocative addition to the current debates related to the history of the Stalinist period of the Soviet Union. Sheila Fitzpatrick has collected together the newest and the most exciting work by young Russian, American and European scholars, as well as some of the seminal articles that have influenced them, in an attempt to reassess this contentious subject in the light of new data and new theoretical approaches.
The articles are contextualized by a thorough introduction to the totalitarian/revisionist arguments and post-revisionist developments. Eschewing an exclusively high-political focus, the book draws together work on class, identity, consumption culture, and agency. Stalinist terror and nationalities policy are reappraised in the light of new archival findings. Stalinism offers a nuanced navigation of an emotive and misrepresented chapter of the Russian past.

When Lenin asked, Who will beat whom? (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest cultural hegemony from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between proletarian Communists and the bourgeois intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom?

In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on the cultural front from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays--two previously unpublished and all revised for inclusion here--which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor.

The Cultural Front is essential reading for anyone interested in the formative history of the Soviet Union and the dynamic relationship between culture and politics.

How does a daughter tell the story of her father?

Sheila Fitzpatrick was taught from an early age to question authority. She learnt it from her father, the journalist and radical historian Brian Fitzpatrick. But very soon, she began to turn her questioning gaze on him.

Teasing apart the many layers of memory, Fitzpatrick reveals a complex portrait of an Australian family against a Cold War backdrop. As her relationship with her father fades from girlhood adoration to adolescent scepticism, she flees Melbourne for Oxford to start a new life. But it's not so easy to escape being her father's daughter.

My Father's Daughter is a vivid evocation of an Australian childhood; a personal memoir told with the piercing insight of a historian.

The first chronicle of Stalin's inner political and social circle--from a leading Soviet historian

Stalin was the unchallenged dictator of the Soviet Union for so long that most historians have dismissed the officials surrounding him as mere yes-men and political window dressing. On Stalin's Team overturns this view, revealing that behind Stalin was a group of loyal men who formed a remarkably effective team with him from the late 1920s until his death in 1953. Drawing on extensive original research, Sheila Fitzpatrick provides the first in-depth account of this inner circle and their families. She vividly describes how these dedicated comrades-in-arms not only worked closely with Stalin, but also constituted his social circle. Stalin's team included the wily security chief Beria; Andreev, who traveled to provincial purges while listening to Beethoven on a portable gramophone; and Khrushchev, who finally disbanded the team four years after Stalin's death. Taking readers from the cataclysms of the Great Purges and World War II to the paranoia of Stalin's final years, On Stalin's Team paints an entirely new picture of Stalin within his milieu--one that transforms our understanding of how the Soviet Union was ruled during much of its existence.

. . . a comprehensive look at an enigmatic era . . . --Choice

This provocative collection of essays certainly takes some of the polish off Soviet socialism's golden age. --Journal of Interdisciplinary History

The authors and editors of this splendid volume deserve great praise. Their work moves the field of Soviet history several large steps forward. --Slavic Review

Lenin's New Economic Policy of the 1920s, although a relatively free and open potential alternative to Soviet communism, was also a time of extreme tension, as Russian society and culture were rocked by the forces of resistance and change. These essays examine the social and cultural dimensions of NEP in urban and rural Russia in the years before Stalin and rapid industrialization.

When Lenin asked, Who will beat whom? (Kto kogo?), he had no plan to wage revolutionary class war in culture. Many young Communists thought differently, however. Seeking in the name of the proletariat to wrest cultural hegemony from the intelligentsia, they turned culture into a battlefield in the 1920s. But was this, as Communist militants thought, a genuine class struggle between proletarian Communists and the bourgeois intelligentsia? Or was it, as the intelligentsia believed, an onslaught by the ruling Communist Party on the eternal principles of cultural autonomy and intellectual freedom?

In this volume, one of the foremost historians of the Soviet Union chronicles the fierce battle on the cultural front from the October Revolution through the Stalinist 1930s. Sheila Fitzpatrick brings together ten of her essays--two previously unpublished and all revised for inclusion here--which illuminate key arenas of the prolonged struggle over cultural values and institutional control. Individual essays deal with such major issues as the Cultural Revolution, the formation of the new Stalinist elite, and socialist realism, as well as recounting colorful episodes including the uproar over Shostakovich's opera Lady Macbeth of the Mtsensk District, arguments over sexual mores, and the new consumerism of the 1930s. Closely examining the cultural elites and orthodoxies that developed under Stalin, Fitzpatrick offers a provocative reinterpretation of the struggle's final outcome in which the intelligentsia, despite its loss of autonomy and the debasement of its culture, emerged as a partial victor.

The Cultural Front is essential reading for anyone interested in the formative history of the Soviet Union and the dynamic relationship between culture and politics.

Over 20,000 ethnic Russians migrated to Australia after World War II - yet we know very little about their experiences. Some came via China, others from refugee camps in Europe.

Many preferred to keep a low profile in Australia, and some attempted to 'pass' as Polish, West Ukrainian or Yugoslavian. They had good reason to do so: to the Soviet Union, Australia's resettling of Russians amounted to the theft of its citizens, and undercover agents were deployed to persuade them to repatriate. Australia regarded the newcomers with wary suspicion, even as it sought to build its population by opening its door to more immigrants.

Making extensive use of newly discovered Russian-language archives and drawing on a lifetime's study of Soviet history and politics, award-winning author Sheila Fitzpatrick examines the early years of a diverse and disunited Russian-Australian community and how Australian and Soviet intelligence agencies attempted to track and influence them. While anti-Communist 'White' Russians dreamed a war of liberation would overthrow the Soviet regime, a dissident minority admired its achievements and thought of returning home.

Over 20,000 ethnic Russians migrated to Australia after World War II - yet we know very little about their experiences. Some came via China, others from refugee camps in Europe.

Many preferred to keep a low profile in Australia, and some attempted to 'pass' as Polish, West Ukrainian or Yugoslavian. They had good reason to do so: to the Soviet Union, Australia's resettling of Russians amounted to the theft of its citizens, and undercover agents were deployed to persuade them to repatriate. Australia regarded the newcomers with wary suspicion, even as it sought to build its population by opening its door to more immigrants.

Making extensive use of newly discovered Russian-language archives and drawing on a lifetime's study of Soviet history and politics, award-winning author Sheila Fitzpatrick examines the early years of a diverse and disunited Russian-Australian community and how Australian and Soviet intelligence agencies attempted to track and influence them. While anti-Communist 'White' Russians dreamed a war of liberation would overthrow the Soviet regime, a dissident minority admired its achievements and thought of returning home.