On the brink of the 100th anniversary of the Russian Revolution, read the most vivid, moving, and comprehensive history of the events that changed the world

It is history on an epic yet human scale. Vast in scope, exhaustive in original research, written with passion, narrative skill, and human sympathy, A People's Tragedy is a profound account of the Russian Revolution for a new generation. Many consider the Russian Revolution to be the most significant event of the twentieth century. Distinguished scholar Orlando Figes presents a panorama of Russian society on the eve of that revolution, and then narrates the story of how these social forces were violently erased. Within the broad stokes of war and revolution are miniature histories of individuals, in which Figes follows the main players' fortunes as they saw their hopes die and their world crash into ruins. Unlike previous accounts that trace the origins of the revolution to overreaching political forces and ideals, Figes argues that the failure of democracy in 1917 was deeply rooted in Russian culture and social history and that what had started as a people's revolution contained the seeds of its degeneration into violence and dictatorship. A People's Tragedy is a masterful and original synthesis by a mature scholar, presented in a compelling and accessibly human narrative.

This is the essential backstory, the history book that you need if you want to understand modern Russia and its wars with Ukraine, with its neighbors, with America, and with the West.
--Anne Applebaum, author of Twilight of Democracy and Red Famine

Named a Most Anticipated Book of the Year by Publishers Weekly and Kirkus Reviews

From the great storyteller of Russian history (Financial Times), a brilliant account of the national mythologies and imperial ideologies that have shaped Russia's past and politics--essential reading for understanding the country today

The Story of Russia is a fresh approach to the thousand years of Russia's history, concerned as much with the ideas that have shaped how Russians think about their past as it is with the events and personalities comprising it. No other country has reimagined its own story so often, in a perpetual effort to stay in step with the shifts of ruling ideologies.

From the founding of Kievan Rus in the first millennium to Putin's war against Ukraine, Orlando Figes explores the ideas that have guided Russia's actions throughout its long and troubled existence. Whether he's describing the crowning of Ivan the Terrible in a candlelit cathedral or the dramatic upheaval of the peasant revolution, he reveals the impulses, often unappreciated or misunderstood by foreigners, that have driven Russian history: the medieval myth of Mother Russia's holy mission to the world; the imperial tendency toward autocratic rule; the popular belief in a paternal tsar dispensing truth and justice; the cult of sacrifice rooted in the idea of the Russian soul; and always, the nationalist myth of Russia's unjust treatment by the West.

How the Russians came to tell their story and to revise it so often as they went along is not only a vital aspect of their history; it is also our best means of understanding how the country thinks and acts today. Based on a lifetime of scholarship and enthrallingly written, The Story of Russia is quintessential Figes: sweeping, revelatory, and masterful.

History on a grand scale--an enchanting masterpiece that explores the making of one of the world's most vibrant civilizations

A People's Tragedy, wrote Eric Hobsbawm, did more to help us understand the Russian Revolution than any other book I know. Now, in Natasha's Dance, internationally renowned historian Orlando Figes does the same for Russian culture, summoning the myriad elements that formed a nation and held it together.

Beginning in the eighteenth century with the building of St. Petersburg--a window on the West--and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. He skillfully interweaves the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife.

Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of Russianness is revealed by Figes as rich and uplifting, complex and contradictory--a powerful force that unified a vast country and proved more lasting than any Russian ruler or state.

AN ORIGINAL READING OF THE RUSSIAN REVOLUTION, EXAMINING IT NOT AS A SINGLE EVENT BUT AS A HUNDRED-YEAR CYCLE OF VIOLENCE IN PURSUIT OF UTOPIAN DREAMS

In this elegant and incisive account, Orlando Figes offers an illuminating new perspective on the Russian Revolution. While other historians have focused their examinations on the cataclysmic years immediately before and after 1917, Figes shows how the revolution, while it changed in form and character, nevertheless retained the same idealistic goals throughout, from its origins in the famine crisis of 1891 until its end with the collapse of the Soviet regime in 1991. Until the very end of the Soviet system, its leaders believed they were carrying out the revolution Lenin had begun.
With the authority and distinctive style that have marked his magisterial histories, Figes delivers an accessible and paradigm-shifting reconsideration of one of the defining events of the twentieth century.

From the great storyteller of modern Russian historians, (Financial Times) the definitive account of the forgotten war that shaped the modern age

The Charge of the Light Brigade, Florence Nightingale--these are the enduring icons of the Crimean War. Less well-known is that this savage war (1853-1856) killed almost a million soldiers and countless civilians; that it enmeshed four great empires--the British, French, Turkish, and Russian--in a battle over religion as well as territory; that it fixed the fault lines between Russia and the West; that it set in motion the conflicts that would dominate the century to come.

In this masterly history, Orlando Figes reconstructs the first full conflagration of modernity, a global industrialized struggle fought with unusual ferocity and incompetence. Drawing on untapped Russian and Ottoman as well as European sources, Figes vividly depicts the world at war, from the palaces of St. Petersburg to the holy sites of Jerusalem; from the young Tolstoy reporting in Sevastopol to Tsar Nicolas, haunted by dreams of religious salvation; from the ordinary soldiers and nurses on the battlefields to the women and children in towns under siege..

Original, magisterial, alive with voices of the time, The Crimean War is a historical tour de force whose depiction of ethnic cleansing and the West's relations with the Muslim world resonates with contemporary overtones. At once a rigorous, original study and a sweeping, panoramic narrative, The Crimean War is the definitive account of the war that mapped the terrain for today's world..

From the great storyteller of modern Russian historians (Financial Times) comes the definitive account of the forgotten war that shaped the modern age.

The Charge of the Light Brigade, Florence Nightingale--these are the enduring icons of the Crimean War. Less well-known is that this savage war (1853-1856) killed almost a million soldiers and countless civilians; that it enmeshed four great empires--the British, French, Turkish, and Russian--in a battle over religion as well as territory; that it fixed the fault lines between Russia and the West; that it set in motion the conflicts that would dominate the century to come.

In this masterly history, Orlando Figes reconstructs the first full conflagration of modernity, a global industrialized struggle fought with unusual ferocity and incompetence. Drawing on untapped Russian and Ottoman as well as European sources, Figes vividly depicts the world at war, from the palaces of St. Petersburg to the holy sites of Jerusalem; from the young Tolstoy reporting in Sevastopol to Tsar Nicolas, haunted by dreams of religious salvation; from the ordinary soldiers and nurses on the battlefields to the women and children in towns under siege..

Original, magisterial, alive with voices of the time, The Crimean War is a historical tour de force whose depiction of ethnic cleansing and the West's relations with the Muslim world resonates with contemporary overtones. At once a rigorous, original study and a sweeping, panoramic narrative, The Crimean War is the definitive account of the war that mapped the terrain for today's world.

From the master of historical narrative (Financial Times), a dazzling, richly detailed, panoramic work--the first to document the genesis of a continent-wide European culture.

The nineteenth century in Europe was a time of unprecedented artistic achievement. It was also the first age of cultural globalization--an epoch when mass communications and high-speed rail travel brought Europe together, overcoming the barriers of nationalism and facilitating the development of a truly European canon of artistic, musical, and literary works. By 1900, the same books were being read across the continent, the same paintings reproduced, the same music played in homes and heard in concert halls, the same operas performed in all the major theatres.

Drawing from a wealth of documents, letters, and other archival materials, acclaimed historian Orlando Figes examines the interplay of money and art that made this unification possible. At the center of the book is a poignant love triangle: the Russian writer Ivan Turgenev; the Spanish prima donna Pauline Viardot, with whom Turgenev had a long and intimate relationship; and her husband Louis Viardot, an art critic, theater manager, and republican activist. Together, Turgenev and the Viardots acted as a kind of European cultural exchange--they either knew or crossed paths with Delacroix, Berlioz, Chopin, Brahms, Liszt, the Schumanns, Hugo, Flaubert, Dickens, and Dostoyevsky, among many other towering figures.

As Figes observes, nearly all of civilization's great advances have come during periods of heightened cosmopolitanism--when people, ideas, and artistic creations circulate freely between nations. Vivid and insightful, The Europeans shows how such cosmopolitan ferment shaped artistic traditions that came to dominate world culture.

MEJOR LIBRO DEL AÑO 2022 EN Sunday Times * Irish Times * Spectator * Financial Times * Telegraph * Aspects of History

Uno de los libros más esperados según Publishers Weekly and Kirkus Reviews

«Este es el libro de historia que necesitan para entender la Rusia moderna y sus guerras con Ucrania, con sus demás vecinos, con Estados Unidos y con Occidente . -ANNE APPLEBAUM

«Si de verdad quieren entender la Rusia de Putin, anclada en su pasado de mitos, lean este excelente libro . -ANTONY BEEVOR

Orlando Figes, el gran especialista en Rusia, ofrece una nueva historia que da sentido al presente.

La historia de Rusia se ha visto marcada como pocas por el empleo de mitos con fines políticos. Ningún otro país ha reinventado su propio relato con tanta frecuencia, en un esfuerzo perpetuo por adaptarse a los cambios de las ideologías dominantes, y esa tendencia es precisamente un aspecto vital de su cultura. Para comprender lo que depara el futuro del país -y lo que significa el régimen de Putin para Rusia y para el resto del mundo-, debemos desentrañar las ideas y los significados de esa historia.

Desde sus inicios agrarios en el primer milenio hasta la era de Putin, pasando por los periodos de monarquía, totalitarismo y Perestroika, el brillante historiador Orlando Figes examina las claves que han marcado el destino del país, entre ellas la necesidad de un régimen autocrático para gobernar tan vasto territorio; la veneración del «Santo Zar y el culto al líder; la creencia en un espíritu colectivista esencialmente ruso; y su oscilación entre el carácter europeo y euroasiático. Todos estos ingredientes permiten entender la Rusia moderna. En un momento en el que el país se aleja de Europa, esta historia de su pasado, a cargo de toda una autoridad en la materia y maravillosamente narrada, bien podría dilucidar su futuro.

ENGLISH DESCRIPTION

This is the essential backstory, the history book that you need if you want to understand modern Russia and its wars with Ukraine, with its neighbors, with America, and with the West. ―Anne Applebaum, author of Twilight of Democracy and Red Famine

A 2022 BOOK OF THE YEAR FOR: Sunday Times * Irish Times * Spectator * Financial Times * Telegraph * Aspects of History

Named a Most Anticipated Book of the Year by Publishers Weekly and Kirkus Reviews

From the great storyteller of Russian history (Financial Times), a brilliant account of the national mythologies and imperial ideologies that have shaped Russia's past and politics―essential reading for understanding the country today

The Story of Russia is a fresh approach to the thousand years of Russia's history, concerned as much with the ideas that have shaped how Russians think about their past as it is with the events and personalities comprising it. No other country has reimagined its own story so often, in a perpetual effort to stay in step with the shifts of ruling ideologies.

From the founding of Kievan Rus in the first millennium to Putin's war against Ukraine, Orlando Figes explores the ideas that have guided Russia's actions throughout its long and troubled existence. Whether he's describing the crowning of Ivan the Terrible in a candlelit cathedral or the dramatic upheaval of the peasant revolution, he reveals the impulses, often unappreciated or misunderstood by foreigners, that have driven Russian history: the medieval myth of Mother Russia's holy mission to the world; the imperial tendency toward autocratic rule; the popular belief in a paternal tsar dispensing truth and justice; the cult of sacrifice rooted in the idea of the Russian soul; and always, the nationalist myth of Russia's unjust treatment by the West.

How the Russians came to tell their story and to revise it so often as they went along is not only a vital aspect of their history; it is also our best means of understanding how the country thinks and acts today. Based on a lifetime of scholarship and enthrallingly written, The Story of Russia is quintessential Figes: sweeping, revelatory, and masterful.

From the great storyteller of Russian history (Financial Times), a brilliant account of the national mythologies and imperial ideologies that have shaped Russia's past and politics--essential reading for understanding the country today

The Story of Russia is a fresh approach to the thousand years of Russia's history, concerned as much with the ideas that have shaped how Russians think about their past as it is with the events and personalities comprising it. No other country has reimagined its own story so often, in a perpetual effort to stay in step with the shifts of ruling ideologies.

From the founding of Kievan Rus in the first millennium to Putin's war against Ukraine, Orlando Figes explores the ideas that have guided Russia's actions throughout its long and troubled existence. Whether he's describing the crowning of Ivan the Terrible in a candlelit cathedral or the dramatic upheaval of the peasant revolution, he reveals the impulses, often unappreciated or misunderstood by foreigners, that have driven Russian history: the medieval myth of Mother Russia's holy mission to the world; the imperial tendency toward autocratic rule; the popular belief in a paternal tsar dispensing truth and justice; the cult of sacrifice rooted in the idea of the Russian soul; and always, the nationalist myth of Russia's unjust treatment by the West.

How the Russians came to tell their story and to revise it so often as they went along is not only a vital aspect of their history; it is also our best means of understanding how the country thinks and acts today. Based on a lifetime of scholarship and enthrallingly written, The Story of Russia is quintessential Figes: sweeping, revelatory, and masterful.

This is the first book in any language to offer a comprehensive analysis of the political culture of the Russian Revolution. Orlando Figes and Boris Kolonitskii examine the diverse ways that language and other symbols - including flags and emblems, public rituals, songs, and codes of dress - were used to identify competing sides and to create new meanings in the political struggles of 1917. The Revolution was in many ways a battle to control these systems of symbolic meaning, the authors find. The party or faction that could master the complexities of the lexicon of the revolution was well on its way to mastering the revolution itself. The book explores how key words and symbols took on different meanings in various social and political contexts. 'Democracy', 'the people', or 'the working class', for example, could define a wide range of identities and moral worlds in 1917. In addition to such ambiguities, cultural tensions further complicated the revolutionary struggles. Figes and Kolonitskii consider the fundamental clash between the Western political discourse of the socialist parties and the traditional political culture of the Russian masses. They show how the particular conditions and perceptions that coloured Russian politics in 1917 led to the emergence of the cult of the revolutionary leader and the culture of the Terror. Orlando Figes was Professor of History at Birkbeck College, London. He is the author of 'Peasant Russia', 'Civil War' and 'A People's Tragedy: The Russian Revolution 1891-1924'. Boris Kolonitskii was Senior Researcher at the Institute of History of the Academcy of Sciences in St. Petersburg.