Poised at the start of the 21st century, we can see clearly that the previous century was marked by momentous changes in the field of design. Aesthetics entered into everyday life with often staggering results. Our homes and workplaces turned into veritable galleries of style and innovation.

From furniture to graphics, it's all here--the work of artists who have shaped and re-created the modern world with a dizzying variety of materials. From the organic to the geometric, from Art Deco, through to Pop and High-Tech, this book contains all the great names--Harry Bertoia, De Stijl, Dieter Rams, Philippe Starck, Charles and Ray Eames, to name only a very few.

This essential book is a comprehensive journey through the shapes and colors, forms and functions of design history in the 20th century. An A-Z of designers and design schools, which builds into a complete picture of contemporary living. Lavishly illustrated, this is design in the fullest sense.

For the seasoned car collector or the awestruck newcomer, this volume is the consummate sports car anthology. Bringing together 50 of the most exquisite, desirable, and adrenaline-charging sports cars of all time, it recounts the enthralling endeavors in automotive design and engineering in pursuit of optimum dynamic performance for both road and track. This expertly curated roundup of glorious, high-speed two-seaters includes both all-out sports racers as well as their street-legal homologated brethren. Indeed, some of the most desirable cars across all auto-collecting genres are from the glorious golden era of sports car racing, which existed up until the late 1960s. In that time, gentleman privateers would drive their cars to a competition event, such as the famous 24 Hours of Le Mans, race them hard--perhaps winning their class or even the race--before coolly driving them home again.

Showcasing 50 of the most sought-after sports cars ever created, from the 1912 Stutz Model A Bear Cat and the 1938 Alfa Romeo 8C 2900B MM Spider to the 1955 Mercedes-Benz 300 SLR Uhlenhaut Coupé--the world's most expensive car--and the 1962/64 Ferrari 250 GTO Series II, this volume is an automobilia treasure trove. Each fabled model is presented with lavish spreads, complete with imagery taken by the world's leading car photographers alongside rare archival gems, from original factory photos to famous motorsports event posters. Each entry is also accompanied by expert descriptive texts and specs, tapping into the authors' transatlantic expertise and insider knowledge.

If you take even the slightest interest in the design of your toothbrush, the history behind your washing machine, or the evolution of the telephone, you'll take an even greater interest in this completely updated edition of Industrial Design A-Z.

Tracing the evolution of industrial design from the Industrial Revolution to the present day, the book bursts with synergies of form and function that transform our daily experience. From cameras to kitchenware, Lego to Lamborghini, we meet the individual designers, the global businesses, and above all the genius products that become integrated into even the smallest details of our lives.

Alongside star designers like Marc Newson and Philippe Starck and major global brands like Braun and Apple, lesser-known and newcomer entries such as Brompton Bicycles and Enercon wind turbines attest to product design's restless pace, as well as to today's most pressing challenges and priorities to which it must turn its creative invention.

Dream Rides: The most spectacular bikes on the planet. From the 1894 Hildebrand & Wolfmüller to the 2020 Aston Martin AMB 001, this book lavishly explores 50 of the most desirable motorcycles to have ever sped thrillingly around a circuit or along an open road. From pioneering record-breakers, luxury tourers, and legendary roadracers to GP-winning machines, iconic superbikes, and exotic customs, this book celebrates motorcycle design and engineering at its highest level. Many examples are from acclaimed private collections and very rarely seen. Others are the all-out stars of renowned motorcycle museums--such as the 1938 Brough Superior Golden Dream or the 1957 MV Agusta 500 4C, which took John Surtees to World Championship glory. Alongside some early survivors in astonishingly original condition is a stable of fabled racers--the actual machines that were competed on by the likes of Tarquinio Provini, Mike Hailwood, Giacomo Agostini, and Barry Sheene.

The fascinating stories behind these fabulous motorbikes are expertly recounted in detail, alongside stunning imagery specially taken for the book by the world's leading motorcycle photographers. Also included are rare archival gems, from early posters to remarkable action shots.

A cornucopia of motorcycle treasures and an absolute must-have for all bike enthusiasts!

Scandinavia is world famous for its inimitable, democratic designs which bridge the gap between craftsmanship and industrial production, organic forms and everyday functionality. This all-you-need guide includes a detailed look at Scandinavian furniture, glass, ceramics, textiles, jewelry, metalware, and product design from 1900 to the present day, with in-depth entries on 125 designers and design-led companies.

Featured designers and designer-led companies include Verner Panton, Arne Jacobsen, Alvar Aalto, Timo Sarpaneva, Hans Wegner, Tapio Wirkkala, Stig Lindberg, Finn Juhl, Märta Måås-Fjetterström, Arnold Madsen, Barbro Nilsson, Fritz Hansen, Artek, Le Klint, Gustavsberg, Iittala, Fiskars, Orrefors, Royal Copenhagen, Holmegaard, Arabia, Marimekko, and Georg Jensen.

William Morris (1834-1896) was one of the greatest creative figures of the 19th century. As a visionary designer, as well as a manufacturer, writer, artist, and socialist activist, he pioneered the Arts and Crafts movement of the Victorian era, and left an extraordinary influence on architecture, textile, and interior design.

This richly illustrated book offers a suitably beautiful introduction to Morris's colorful life and all aspects of his design work, including interiors, tiles, embroidery, tapestries, carpets, and calligraphy. Though best known in his lifetime as a poet and author, it is these exquisite designs that secured Morris's posthumous reputation. As page after page dazzles with their beautiful patterns and forms, we explore the pioneering craftsmanship and natural motifs that inspired them, as well as Morris's remarkable cultural legacy, through British textiles, Bauhaus, and even modern environmentalism.

Founded in 1928 as a living diary by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world's most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.

This fresh reprint of domus' 1950s coverage brings together the most important features from an era of post-war optimism. As memories of conflict receded, architecture and design sought new forms, materials, and applications, as well as increasing international dialogue.

Highlights include Le Corbusier's design of the United Nations Building in New York; the Case Study Houses of Charles and Ray Eames; Richard Neutra in California, office machines by Olivetti, furniture by Ray and Charles Eames, ceramics and tables by Ettore Sottsass, and the Herman Miller Showroom by Alexander Girard in San Francisco.

domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers' and manufacturers' names

Founded in 1928 as a living diary by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world's most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.

This fresh reprint of the 1970s domus coverage brings together the most important features from an era marking seismic changes in architecture and design. It was a time when individualism gained momentum as a novel style, and we began to notice the first postmodernist tendencies. Faced with the global energy crisis, architects and designers imbued their methods with a new ecological awareness.

For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those groundbreaking projects and practitioners that made the cut include Shiro Kuramata, Verner Panton, Joe Colombo, Richard Meier, the modernist structures by Foster Associates and the Centre Georges Pompidou by Renzo Piano and Richard Rogers.

domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers' and manufacturers' names

Offering an unrivaled record of architecture and design, the living diary of domus was founded by Gio Ponti in 1928. Through the years and decades that followed, the journal charted the major themes and movements of industrial, interior, product, and structural design with an eye for creative excellence as much as editorial rigor.

This fresh reprint features domus' coverage from the transformative years between 1928 and 1939. It is an era famed for the emergence of the International Style when the likes of Le Corbusier, Mies van der Rohe, Marcel Breuer, Alvar Aalto, and Richard Neutra channeled modernist ideals into rectilinear forms, restrained surfaces, and open, luminous interiors. The domus coverage of this decisive decade spanned the details and the grand designs. From soaring steel skyscrapers to tubular furniture, its coverage is a definitive record of how light, form, and pared-down aesthetics combined in the pursuit of an honest and utilitarian form for the modern and rapidly industrializing age.

domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers' and manufacturers' names

Scottish architect, designer, and painter Charles Rennie Mackintosh (1868-1928) was one of the earliest pioneers of modern architecture and design. While he did not receive much recognition in his hometown of Glasgow during his lifetime, his bold new blend of simplicity and poetic detail inspired modernists across Europe.

Mackintosh's avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining an adventurous dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light.

Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as The Four; the other two were Margaret's sister, Frances, and her husband, Herbert MacNair. On the continent, the Glasgow Style was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear yet lyrical forms.

In this introductory book, we take in Mackintosh's practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe. Featured projects include his complete scheme for the Willow Tea Rooms and the Mackintosh Building at the Glasgow School of Art, widely considered Mackintosh's masterwork.

Founded in 1928 as a living diary by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world's most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.

This fresh reprint of domus' coverage of the 1940s brings together the most important features from a decade of destruction and reconstruction. Even amid the bombing raids inflicted on Milan, domus continued to publish through much of the war, charting the design zeitgeist, while managing a successive turnover of editors and editors-in-chief during Ponti's interregnum between 1941 and 1948.

The pages from this period record reports and features on modern industrial design and furniture, new prefabricated houses, American academic architecture, the building projects of Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni, as well as the postwar flowering of Organic Design.

domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers' and manufacturers' names

Founded in 1928 as a living diary by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world's most influential architecture and design journal. With both style and rigor, it has offered consistent coverage of major themes and stylistic movements in product, structure, interior, and industrial design.

This fresh reprint features the highlights from the 1960s issues and documents the daring, practical, and beautiful projects of a decade of futuristic thrill and booming pop culture. Synthetics and plastics hit the stage, leading to radical new design, while conventional notions of elegance give way to fresh exploratory forms.

For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those projects and practitioners that made the grade include Ray and Charles Eames, Gae Aulenti, Kenzo Tange, Verner Panton, Achille and Pier Giacomo Castiglioni, Ettore Sottsass, Carlo Scarpa, Angelo Mangiarotti, Cesare Maria Casati, and Eero Saarinen.

domus distilled Seven volumes spanning 1928 to 1999 Over 4,000 pages featuring influential projects by the most important designers and architects Original layouts and all covers, with captions providing navigation and context Introductory essays by renowned architects and designers Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian A comprehensive index in each volume listing both designers' and manufacturers' names

Poised at the start of the 21st century, we can see clearly that the previous century was marked by momentous changes in the field of design. Aesthetics entered into everyday life with often staggering results. Our homes and workplaces turned into veritable galleries of style and innovation.

From furniture to graphics, it's all here--the work of artists who have shaped and re-created the modern world with a dizzying variety of materials. From the organic to the geometric, from Art Deco, through to Pop and High-Tech, this book contains all the great names--Harry Bertoia, De Stijl, Dieter Rams, Philippe Starck, Charles and Ray Eames, to name only a very few.

This essential book is a comprehensive journey through the shapes and colors, forms and functions of design history in the 20th century. An A-Z of designers and design schools, which builds into a complete picture of contemporary living. Lavishly illustrated, this is design in the fullest sense.

Dream Rides: The most spectacular bikes on the planet. From the 1894 Hildebrand & Wolfmüller to the 2020 Aston Martin AMB 001, this set lavishly explores 100 of the most desirable motorcycles to have ever sped thrillingly around a circuit or along an open road. From pioneering record-breakers, luxury tourers, and legendary roadracers to GP-winning machines, iconic superbikes, and exotic customs, this book celebrates motorcycle design and engineering at its highest level. Many examples are from acclaimed private collections and very rarely seen. Others are the all-out stars of renowned motorcycle museums--such as the 1938 Brough Superior Golden Dream or the 1957 MV Agusta 500 4C, which took John Surtees to World Championship glory. Alongside some early survivors in astonishingly original condition is a stable of fabled racers--the actual machines that were competed on by the likes of Dario Ambrosini, Tarquinio Provini, Mike Hailwood, Giacomo Agostini, Barry Sheene, and Kenny Roberts.

The fascinating stories behind these fabulous motorbikes are expertly recounted in detail, alongside stunning imagery specially taken for the book by the world's leading motorcycle photographers. Also included are rare archival gems, from early posters to remarkable action shots. In addition, there is a foreword by legendary petrolhead Jay Leno, and interviews with George Barber, founder of the Barber Vintage Motorsports Museum; Sammy Miller, championship-winning racer and founder of the Sammy Miller Motorcycle Museum; Ben Walker, Department Director of Motorcycles at Bonhams; Paul d'Orléans, founder of The Vintagent; and Gordon McCall, cofounder of The Quail Motorcycle Gathering, the world-renowned motorcycle concours event held in Carmel, California.

A cornucopia of motorcycle treasures and an absolute must-have for all bike enthusiasts!

Designed to be a companion to our classic title 1000 Chairs, this edition contains an awesome selection of over 1000 lights. Presented chronologically by decade are the 20th century's most interesting electric lights, from Tiffany's beautiful leaded-glass shades to completely outrageous designs from the late 1960s and 1970s to the latest high-tech LED lamps. All major styles are represented here--Arts & Crafts, Art Nouveau, Art Deco, Modern Movement, De Stijl, Postwar, Pop, Radical, Postmodern, and Contemporary--in 640 pages of truly illuminated works.This definitive reference work is a must-have for collectors and design fans.

If you take even the slightest interest in the design of your toothbrush, the history behind your washing machine, or the evolution of the telephone, you'll take an even greater interest in this completely updated edition of Industrial Design A-Z.

Tracing the evolution of industrial design from the Industrial Revolution to the present day, the book bursts with synergies of form and function that transform our daily experience. From cameras to kitchenware, Lego to Lamborghini, we meet the individual designers, the global businesses, and above all the genius products that become integrated into even the smallest details of our lives.

Alongside star designers like Marc Newson and Philippe Starck and major global brands like Braun and Apple, lesser-known and newcomer entries such as Brompton Bicycles and Enercon wind turbines attest to product design's restless pace, as well as to today's most pressing challenges and priorities to which it must turn its creative invention.

Scottish architect, designer, and painter Charles Rennie Mackintosh (1868-1928) was one of the earliest pioneers of modern architecture and design. While he did not receive much recognition in his hometown of Glasgow during his lifetime, his bold new blend of simplicity and poetic detail inspired modernists across Europe. Mackintosh's avant-garde approach embraced a variety of media as well as fresh stylistic devices. His multi-faceted oeuvre incorporated architecture, furniture, graphic design, landscapes, and flower studies. He embraced strong lines, elegant proportions, and natural motifs, combining an adventurous dose of japonisme with a modernist sensibility for function. He preferred bold black typography, restrained shapes, and tall, generous windows suffusing rooms with light. Much of his work was collaborative practice with his wife, fellow artist Margaret Macdonald. The couple made up half of the loose Glasgow collective known as The Four; the other two were Margaret's sister, Frances, and her husband, Herbert MacNair. On the continent, the Glasgow Style was met with delight. In Italy, Germany, and, in particular, Austria, artists of the Viennese Secession and Art Nouveau drew much from its rectilinear yet lyrical forms. In this introductory book, we take in Mackintosh's practice across art, architecture, and design to explore his particular combination of the statuesque and sensual and its vital influence on modernist expression across Europe. Featured projects include his complete scheme for the Willow Tea Rooms and the Mackintosh Building at the Glasgow School of Art, widely considered Mackintosh's masterwork.

William Morris (1834-1896) was one of the greatest creative figures of the 19th century. As a visionary designer, as well as a manufacturer, writer, artist, and socialist activist, he pioneered the Arts and Crafts movement of the Victorian era, and left an extraordinary influence on architecture, textile, and interior design. This richly illustrated book offers a suitably beautiful introduction to Morris's colorful life and all aspects of his design work, including interiors, tiles, embroidery, tapestries, carpets, and calligraphy. Though best known in his lifetime as a poet and author, it is these exquisite designs that secured Morris's posthumous reputation. As page after page dazzles with their beautiful patterns and forms, we explore the pioneering craftsmanship and natural motifs that inspired them, as well as Morris's remarkable cultural legacy, through British textiles, Bauhaus, and even modern environmentalism.

Scandinavia is world famous for its inimitable, democratic designs which bridge the gap between crafts and industrial production, organic forms and everyday functionality. This all-you-need guide includes a detailed look at Scandinavian furniture, glass, ceramics, textiles, jewelry, metalware, and industrial design from 1900 to the present day, with in-depth entries on over 180 designers and design-led companies, plus a list of important design-related destinations across Norway, Sweden, Denmark, Iceland, and Finland. Featured designers and designer-led companies include Verner Panton, Arne Jacobsen, Alvar Aalto, Timo Sarpaneva, Hans Wegner, Tapio Wirkkala, Sigvard Bernadotte, Stig Lindberg, Ingeborg Lundin, Finn Juhl, Fritz Hansen, Artek, Le Klint, Gustavsberg, Iittala, Fiskars, Volvo, Saab, Orrefors, Royal Copenhagen, Holmegaard, Arabia, Marimekko, and Georg Jensen.

Scandinavia is world famous for its inimitable, democratic designs which bridge the gap between craftsmanship and industrial production, organic forms and everyday functionality. This all-you-need guide includes a detailed look at Scandinavian furniture, glass, ceramics, textiles, jewelry, metalware, and product design from 1900 to the present day, with in-depth entries on 125 designers and design-led companies.

Featured designers and designer-led companies include Verner Panton, Arne Jacobsen, Alvar Aalto, Timo Sarpaneva, Hans Wegner, Tapio Wirkkala, Stig Lindberg, Finn Juhl, Märta Måås-Fjetterström, Arnold Madsen, Barbro Nilsson, Fritz Hansen, Artek, Le Klint, Gustavsberg, Iittala, Fiskars, Orrefors, Royal Copenhagen, Holmegaard, Arabia, Marimekko, and Georg Jensen.