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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In Global Shadows the renowned anthropologist James Ferguson moves beyond the traditional anthropological focus on local communities to explore more general questions about Africa and its place in the contemporary world. Ferguson develops his argument through a series of provocative essays which open-as he shows they must-into interrogations of globalization, modernity, worldwide inequality, and social justice. He maintains that Africans in a variety of social and geographical locations increasingly seek to make claims of membership within a global community, claims that contest the marginalization that has so far been the principal fruit of globalization for Africa. Ferguson contends that such claims demand new understandings of the global, centered less on transnational flows and images of unfettered connection than on the social relations that selectively constitute global society and on the rights and obligations that characterize it.
Ferguson points out that anthropologists and others who have refused the category of Africa as empirically problematic have, in their devotion to particularity, allowed themselves to remain bystanders in the broader conversations about Africa. In Global Shadows, he urges fellow scholars into the arena, encouraging them to find a way to speak beyond the academy about Africa's position within an egregiously imbalanced world order.
James Ferguson's comprehensive overview of William Faulkner's short fiction is a systematic study of this body of work, which Faulkner produced over a period of forty years. Based on his reading of the manuscripts and typescripts of the stories, Ferguson examines Faulkner's struggle to master the special problems posed by the genre. While Ferguson offers a variety of new perspectives on the short fiction, he emphasizes solipsism as a key theme.
The book is organized topically. A chronological survey of Faulkner's career as a writer of short fiction is followed by chapters devoted to aspects of Faulkner's craft: thematic patterns, point of view, and other technical and formal matters. The concluding chapter deals with the relationship between Faulkner's stories and his books.
Ferguson offers a frank assessment of Faulkner's failures and successes as a writer of short fiction along with an exhaustive bibliography of the stories. He urges students and scholars to study Faulkner's contribution to this genre both as an extraordinary body of work in its own right and as a means of understanding more fully Faulkner's total achievement.
James L. Ferguson (1928-2021) held the endowed chair of the James A. and Sophronia R. McKee Professorship in English Literature at Hanover College until 1992.