Pulitzer Prize-winning cartoonist Jules Feiffer brings the fantastical to life with his signature style in this zany, whimsical adventure about a family on a quest to find their mother and save another dimension.

Curly and Perlie, brother and sister, find themselves transported to the Lost Dimension. Soon they are joined by big sister Shirley and their very special Mommy. Marvelous adventures await the whole family in that weird dimension. Come along and see for yourself!

Named one of 100 Great Children's Books by The New York Public Library and #9 on School Library Journal's list of the Top 100 Picture Books!

From acclaimed author-illustrator Jules Feiffer, Bark, George is a hilarious, subversive story about a dog who can't . . . bark! This picture book geared for the youngest readers is perfect for those who love Mo Willems's Pigeon series.

When George's mother tells her son to bark, George goes Meow, which definitely isn't right because George is a dog. When she asks him again, he goes Oink. What's going on with George? Readers will delight at the surprise ending!

Plus don't miss Jules Feiffer's wonderful new follow-up: Smart George!

ALA Booklist Editors' Choice Maryland Children's Book Award Parents' Choice Silver Honor Keystone to Reading Book Award (Pennsylvania) Georgia Children's Picture Storybook Award Flicker Tale Children's Book Award (North Dakota) Florida Children's Book Award Charlotte Zolotow Award Honor Book Buckeye Children's Book Award (Ohio) Arizona Young Readers' Award ALA Notable Children's Book

Feiffer's characters are unforgettable...the pictures burst with the sort of broad physical comedy that a lot of children just love. It all makes for a witty, laugh-out-loud play on the old favorite about the old lady who swallowed a fly. --ALA Booklist *(Starred Review)*

Young readers will roar with laughter at this slapstick farce. --School Library Journal *(Starred Review)*

Pulitzer Prize-winning cartoonist Jules Feiffer brings the fantastical to life with his signature style in this zany, whimsical adventure about a family on a quest to find their mother and save another dimension.

Curly and Perlie, brother and sister, find themselves transported to the Lost Dimension. Soon they are joined by big sister Shirley and their very special Mommy. Marvelous adventures await the whole family in that weird dimension. Come along and see for yourself!

Now planned as a Broadway musical from the Tony Award-winning producer of Hamilton and Rent!

From the Pulitzer Prize-winning cartoonist, playwright, screenwriter, and illustrator of The Phantom Tollbooth, Jules Feiffer, comes a witty story about following your dreams.

Jimmy is bad at sports and not much better at school, but he sure can draw terrific cartoons. And his dream, like that of his Uncle Lester who writes flop Broadway musicals, is to be recognized for what he loves doing most.

Wickedly funny... reminiscent of Roald Dahl's edgy lampoons. --ALA Booklist (starred review)

A witty story that combines a comfortably oldfangled tone with up-to-the-minute characterizations and a playful use of graphics. --Publishers Weekly (starred review)

*An Amazon Best Book of 2020 So Far*

Everyone's favorite dog is back in the much-anticipated follow-up to Bark, George from celebrated author-illustrator Jules Feiffer.

When George's mother asks her pup to add one plus one, two plus two, and three plus three, George would rather eat, go for a walk, and take a nap. But soon George finds himself in a colorful dream about...numbers Can George count his way out?

Featuring laugh-out-loud humor and expressive and bold illustrations from acclaimed author-illustrator and Pulitzer Prize-winning cartoonist Jules Feiffer, this imaginative follow-up to Bark, George is the perfect read-aloud for children ready to learn their numbers.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.

We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Raymond, I want you Just when Raymond is in the middle of a comic book, his mother calls him. Not once but five times. It's not fair Raymond thinks. Then he thinks: What if I had my own MEANWHILE...? Comic books always use MEANWHILE... to change the scene. So Raymond tries writing it on the wall behind his bed.

To his astonishment, Raymond discovers that he can MEANWHILE...from one perilous adventure to another'from pirates on the high seas, to Martians in outer space, to a posse and a mountain lion out West. Then, at the worst possible moment, Raymond's MEANWHILE... fails him, leaving him in a spot that spells certain doom Unless . . .

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.

We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Jules Feiffer

Full Length Black Comedy

Characters: 6 male 2 female

Interior Set

Depressed New Yorker Alfred Chamberlain is engaged to perky can-do Patsy Newquist. As their wedding day grows near Alfred finds himself embroiled in an urban nightmare not the least of which is his fiance's family the possiblity of marriage without Faith muggings and a sniper's bullet.

Jules Feiffer a satirical sharpshooter with a deadly aim stares balefully at the meaningle

It's not under the bed, or on the chair, or beneath the couch, or behind the curtains. It's GONE

What do you do when your favorite toy disappears, and you can't find it where you left it? What if your family is NO help at all? A determined little detective heads up the search, and discovers more than she ever expected

00-01 Young Reader's Choice Award Program Masterlist

Adding to a legendary career that includes a Pulitzer Prize, an Academy Award, Obie Awards, and Lifetime Achievement Awards from the National Cartoonist Society and the Writers Guild of America, Jules Feiffer now presents his first noir graphic novel. Kill My Mother is a loving homage to the pulp-inspired films and comic strips of his youth. Channeling Eisner's The Spirit, along with the likes of Hammett, Chandler, Cain, John Huston, and Billy Wilder, and spiced with the deft humor for which Feiffer is renowned, Kill My Mother centers on five formidable women from two unrelated families, linked fatefully and fatally by a has-been, hard-drinking private detective.

As our story begins, we meet Annie Hannigan, an out-of-control teenager, jitterbugging in the 1930s. Annie dreams of offing her mother, Elsie, whom she blames for abandoning her for a job soon after her husband, a cop, is shot and killed. Now, employed by her husband's best friend--an over-the-hill and perpetually soused private eye--Elsie finds herself covering up his missteps as she is drawn into a case of a mysterious client, who leads her into a decade-long drama of deception and dual identities sprawling from the Depression era to World War II Hollywood and the jungles of the South Pacific.

Along with three femme fatales, an obsessed daughter, and a loner heroine, Kill My Mother features a fighter turned tap dancer, a small-time thug who dreams of being a hit man, a name-dropping cab driver, a communist liquor store owner, and a hunky movie star with a mind-boggling secret. Culminating in a U.S.O. tour on a war-torn Pacific island, this disparate band of old enemies congregate to settle scores.

In a drawing style derived from Steve Canyon and The Spirit, Feiffer combines his long-honed skills as cartoonist, playwright, and screenwriter to draw us into this seductively menacing world where streets are black with soot and rain, and base motives and betrayal are served on the rocks in bars unsafe to enter. Bluesy, fast-moving, and funny, Kill My Mother is a trip to Hammett-Chandler-Cain Land: a noir-graphic novel like the movies they don't make anymore.

Subversive, funny, and effortlessly droll, Jules Feiffer's cartoons were all over New York in the 1960s and '70s--featured in the Village Voice, but also cut out and pinned to bulletin boards in offices and on refrigerators at home. Feiffer describes himself as lucking into the zeitgeist, and there's some truth to the sentiment; Feiffer's brand of satire reflected Americans' ambivalence about the Vietnam War, changing social mores, and much more.

Feiffer's memoir, Backing into Forward, like his cartoons, is sharply perceptive with a distinctive bite of mordant humor. Beginning with his childhood in Brooklyn, Feiffer paints a picture of a troubled kid with an overbearing mother and a host of crippling anxieties. From there, he discusses his apprenticeship with his hero, Will Eisner, and his time serving in the military during the Korean War, which saw him both feigning a breakdown and penning a cartoon narrative called Munro that solidified his distinctive aesthetic as an artist. While Feiffer's voice grounds the book, the sheer scope of his artistic accomplishment, from his cartoons turning up in the New Yorker, Playboy, and the Nation to his plays and film scripts, is remarkable and keeps the narrative bouncing along at a speedy clip. A compelling combination of a natural sense of humor and a ruthless dedication to authenticity, Backing into Forward is full of wit and verve, often moving but never sentimental.

Jules Feiffer's original and neurotic voice. . . . reinvented comics in the 1950s and made possible what's now called the 'graphic novel.' His engaging new memoir is told in that same witty and perceptive New York cadence, mellowed and laced with wisdom. He's an inspiration.--Art Spiegelman

'Prince Roger sets out eagerly on a quest and finds a few adventures, a lot of friends, a damsel or two in distress (not!) and himself, in the end. A 'carrier of joy' whose mere presence causes everyone to laugh uncontrollably, Roger finds cruelty and kindness equally amusing, and expects his quest to be a lark. It's anything but: As Roger passes through the Forever Forest, nearly starves at the Dastardly Divide, sees people at their worst in the Valley of Vengeance, and temporarily despairs in the Mountains of Malice, he sobers up, learns to care for others, becomes an expert peacemaker, does Good Deeds, and falls in love with Lady Sadie, who says what she thinks as she repeatedly saves his bacon.'--K. 'Feiffer's worldly-wise, confiding tone and sense of the absurd are highly congenial, and the drawings are a vintage Feiffer delight.'--Publishers Weekly.

100 Books for Reading and Sharing 1995 (NY Public Library)

Comedy / 2m, 4f, 1f child / 2 Ints. An acerbic comedy by the famed cartoonist and author of KNOCK KNOCK and LITTLE MURDERS. It's about a middle-aged journalist who has, at last, grown up - only to find he's trapped in a world of emotional infants. A laceratingly funny play about the strangest of human syndromes - the love that kills rather than comforts. Feiffer's vision seems merciless, but its mercy is the fierce comic clarity with which he exposes every conceivable permutation of smooth-ton

Adding to a legendary career that includes a Pulitzer Prize, an Academy Award, Obie Awards, and Lifetime Achievement Awards from the National Cartoonist Society and the Writers Guild of America, Jules Feiffer now presents his first noir graphic novel. Kill My Mother is a loving homage to the pulp-inspired films and comic strips of his youth. Channeling Eisner's The Spirit, along with the likes of Hammett, Chandler, Cain, John Huston, and Billy Wilder, and spiced with the deft humor for which Feiffer is renowned, Kill My Mother centers on five formidable women from two unrelated families, linked fatefully and fatally by a has-been, hard-drinking private detective.

As our story begins, we meet Annie Hannigan, an out-of-control teenager, jitterbugging in the 1930s. Annie dreams of offing her mother, Elsie, whom she blames for abandoning her for a job soon after her husband, a cop, is shot and killed. Now, employed by her husband's best friend--an over-the-hill and perpetually soused private eye--Elsie finds herself covering up his missteps as she is drawn into a case of a mysterious client, who leads her into a decade-long drama of deception and dual identities sprawling from the Depression era to World War II Hollywood and the jungles of the South Pacific.

Along with three femme fatales, an obsessed daughter, and a loner heroine, Kill My Mother features a fighter turned tap dancer, a small-time thug who dreams of being a hit man, a name-dropping cab driver, a communist liquor store owner, and a hunky movie star with a mind-boggling secret. Culminating in a U.S.O. tour on a war-torn Pacific island, this disparate band of old enemies congregate to settle scores.

In a drawing style derived from Steve Canyon and The Spirit, Feiffer combines his long-honed skills as cartoonist, playwright, and screenwriter to draw us into this seductively menacing world where streets are black with soot and rain, and base motives and betrayal are served on the rocks in bars unsafe to enter. Bluesy, fast-moving, and funny, Kill My Mother is a trip to Hammett-Chandler-Cain Land: a noir-graphic novel like the movies they don't make anymore.

With the New York Times bestseller Kill My Mother, legendary cartoonist Jules Feiffer began an epic saga of American noir fiction. With Cousin Joseph, a prequel that introduces us to bare-knuckled Detective Sam Hannigan, head of the Bay City's Red Squad and patriarch of the Hannigan family featured in Kill My Mother, Feiffer brings us the second installment in this highly anticipated graphic trilogy.

Our story opens in Bay City in 1931 in the midst of the Great Depression. Big Sam sees himself as a righteous, truth-seeking patriot, defending the American way, as his Irish immigrant father would have wanted, against a rising tide of left-wing unionism, strikes, and disruption that plague his home town. At the same time he makes monthly, secret overnight trips on behalf of Cousin Joseph, a mysterious man on the phone he has never laid eyes on, to pay off Hollywood producers to ensure that they will film only upbeat films that idealize a mythic America: no warts, no injustice uncorrected, only happy endings.

But Sam, himself, is not in for a happy ending, as step by step the secret of his unseen mentor's duplicity is revealed to him. Fast-moving action, violence, and murder in the noir style of pulps and forties films are melded in the satiric, sociopolitical Feifferian style to dig up the buried fearmongering of the past and expose how closely it matches the headlines, happenings, and violence of today.

With Cousin Joseph, Feiffer builds on his late-life conversion to cinematic noir, bowing, as ever, to youthful heroes Will Eisner and Milton Caniff, but ultimately creating a masterpiece that through his unique perspective and comic-strip noir style illuminates the very origins of Hollywood and its role in creating the bipolar nation we've become.

Elliot is a bachelor in his late thirties whose new girlfriend, Joanna, is everything he ever wanted in a woman--intelligent, beautiful, warm, independent--and yet terrifies him for precisely that reason. A twice-divorced real estate broker who likes order in her life, she is equally scared of the precariousness of having someone matter to her. Their uncertainties come to a head when Elliot takes her to a party to meet 'the guys'--Bobby, who works for Playboy; Phil, a recovering alcoholic; and Larry, who 'is not comfortable with a woman outside the confines of a divorce court.' The encounter becomes an initiation ceremony crackling with witty, barbed, and devastating dialogue that strips the two lovers of all pretensions, forcing them to confront each other anew in a painful awareness of their vulnerability. The result is a bitterly funny play about the ambiguities of being in love, with Jules Feiffer at his most incisive, wise, and wickedly honest.

by Jules Feiffer
This satirical novel follows the humorous, existential rise and fall of a narcissistic lothario, Harry, from his family's endless bounty of love and hope. Feiffer's brilliant modern fable comments less on the anomie of narcissism, and more on the insecure desire of the world to find a charismatic messiah. Originally published in 1963, this scathing satirical tour de force touts America's love for chiselers and rats

Jules Feiffer has had one of the most varied and illustrious careers of any 20th century cartoonist. For over 40 years he contributed strips to The Village Voice, and has long been a regular contributor to the London Observer and Playboy. An animated cartoon based on his story Munro received an Academy Award in 1961. In the '60s, he branched into theater, writing several plays now regarded as classics: Little Murders; Knock, Knock; The White House Murder Case; Elliot Loves; and The Grown-Ups, to name a few. Originally conceived for the stage, his Carnal Knowledge became one of the landmark films of the '70s. He has written two prose novels, Harry the Rat with Women and Ackroyd, as well as a cartoon novel, Tantrum. In the 1990s, Feiffer embarked on yet another career, this time as a children's book author. He has over a half-dozen to his credit, including modern classics like The Man and the Ceiling.Passionella and Other Stories collects Feiffer's finest extended graphic narratives of the late '50s and early '60s. It opens in full-color with Excalibur and Rose, the fable of a village comedian who embarks on a crusade in search of his serious side, which he finds in spades when he encounters his true love, the pathologically depressed Rose. The volume's centerpiece, Passionella, a retelling of Cinderella set in modern Hollywood, concerns a chimney sweep whose fairy godmother transforms her into the mysterious exotic bewitching temptressand movie starPassionella. Other stories include The Lonely Machine, an account of one man's attempt to find the perfect relationship through robot love, and Harold Swerg, the predicament of the world's greatest athlete who'd rather stay at his mundane job than compete against others, despite his country's desperate pleas to enter the Olympics. Three more classic graphic tales and several entertaining one-act plays round out this handsomely designed hardcover edition.