NATIONAL BESTSELLER
WINNER OF THE BOOKER PRIZE

A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum. --Booker Prize Judges

Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain's colonial history in Africa and the Caribbean.

The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London's funding-deprived schools; Carole, one of Shirley's former students, is a successful investment banker; Carole's mother Bummi works as a cleaner and worries about her daughter's lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class.

Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

From the bestselling and Booker Prize-winning author of Girl, Woman, Other, Bernardine Evaristo's memoir of her own life and writing, and her manifesto on unstoppability, creativity, and activism

Bernardine Evaristo's 2019 Booker Prize win was a historic and revolutionary occasion, with Evaristo being the first Black woman and first Black British person ever to win the prize in its fifty-year history. Girl, Woman, Other was named a favorite book of the year by President Obama and Roxane Gay, was translated into thirty-five languages, and has now reached more than a million readers.

Evaristo's astonishing nonfiction debut, Manifesto, is a vibrant and inspirational account of Evaristo's life and career as she rebelled against the mainstream and fought over several decades to bring her creative work into the world. With her characteristic humor, Evaristo describes her childhood as one of eight siblings, with a Nigerian father and white Catholic mother, tells the story of how she helped set up Britain's first Black women's theatre company, remembers the queer relationships of her twenties, and recounts her determination to write books that were absent in the literary world around her. She provides a hugely powerful perspective to contemporary conversations around race, class, feminism, sexuality, and aging. She reminds us of how far we have come, and how far we still have to go. In Manifesto, Evaristo charts her theory of unstoppability, showing creative people how they too can visualize and find success in their work, ignoring the naysayers.

Both unconventional memoir and inspirational text, Manifesto is a unique reminder to us all to persist in doing work we believe in, even when we might feel overlooked or discounted. Evaristo shows us how we too can follow in her footsteps, from first vision, to insistent perseverance, to eventual triumph.

NATIONAL BESTSELLER
WINNER OF THE BOOKER PRIZE

A must-read about modern Britain and womanhood . . . An impressive, fierce novel about the lives of black British families, their struggles, pains, laughter, longings and loves . . . Her style is passionate, razor-sharp, brimming with energy and humor. There is never a single moment of dullness in this book and the pace does not allow you to turn away from its momentum. --Booker Prize Judges

Bernardine Evaristo is the winner of the 2019 Booker Prize and the first black woman to receive this highest literary honor in the English language. Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of Black British women that paints a vivid portrait of the state of contemporary Britain and looks back to the legacy of Britain's colonial history in Africa and the Caribbean.

The twelve central characters of this multi-voiced novel lead vastly different lives: Amma is a newly acclaimed playwright whose work often explores her Black lesbian identity; her old friend Shirley is a teacher, jaded after decades of work in London's funding-deprived schools; Carole, one of Shirley's former students, is a successful investment banker; Carole's mother Bummi works as a cleaner and worries about her daughter's lack of rootedness despite her obvious achievements. From a nonbinary social media influencer to a 93-year-old woman living on a farm in Northern England, these unforgettable characters also intersect in shared aspects of their identities, from age to race to sexuality to class.

Sparklingly witty and filled with emotion, centering voices we often see othered, and written in an innovative fast-moving form that borrows technique from poetry, Girl, Woman, Other is a polyphonic and richly textured social novel that shows a side of Britain we rarely see, one that reminds us of all that connects us to our neighbors, even in times when we are encouraged to be split apart.

From the Booker Prize-winning author of Girl, Woman, Other, which has sold over 250,000 copies in Grove's editions, a groundbreaking, hilarious novel set in London following two older gay Caribbean men reckoning with being closeted in a rapidly changing world

Bernardine Evaristo can take any story from any time and turn it into something vibrating with life.--Ali Smith

One of Booker Prize winner Bernardine Evaristo's most highly celebrated novels, Mr. Loverman follows a man named Barrington Jedidiah Walker, who is seventy-four and leads a double life. Born and bred in Antigua, he has lived in Hackney, London, for years. Flamboyant and wise-cracking, with dapper taste in retro suits and a fondness for Shakespeare, Barrington is a husband, father, grandfather―and also secretly gay, lovers with his childhood friend, Morris.

Barry's deeply religious and disappointed wife, Carmel, thinks he sleeps with other women rather than men. When their marriage goes into meltdown, Barry wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away? With the wit and humanity that characterized Girl, Woman, Other, Mr. Loverman explodes cultural myths and shows the extent of what can happen when people fear the consequences of being true to themselves.

--Winner of the Ferro-Grumley Award for LGBT Fiction

Evaristo's confident control of the language, her vibrant use of humor, rhythm and poetry, and the realistic mix of Caribbean patois with both street and the Queen's English . . . fix characters in the reader's mind. --New York Times Sunday Book Review

As a writer at the Guardian once proclaimed, if you don't know Evaristo's work, you should . . . the novel proves to be revolutionary in its honest portrayal of gay men . . . and Evaristo's writing is both intelligible and compelling. --Library Journal, Starred Review

Barrington Jedidiah Walker is seventy-four and leads a double life. Born and bred in Antigua, he's lived in Hackney, London, for years. A flamboyant, wise-cracking character with a dapper taste in retro suits and a fondness for Shakespeare, Barrington is a husband, father, grandfather--and also secretly gay, lovers with his childhood friend, Morris.

His deeply religious and disappointed wife, Carmel, thinks he sleeps with other women. When their marriage goes into meltdown, Barrington wants to divorce Carmel and live with Morris, but after a lifetime of fear and deception, will he manage to break away? With an abundance of laugh-out-loud humor and wit, Mr. Loverman explodes cultural myths and shows the extent of what can happen when people fear the consequences of being true to themselves.

Lara is a powerful semi-autobiographical novel-in-verse based on Booker winner Bernardine Evaristo's own childhood and family history. The eponymous Lara is a mixed-race girl raised in Woolwich, a white suburb of London, during the 60s and 70s. Her father, Taiwo, is Nigerian, and her mother, Ellen, is white British. They marry in the 1950s, in spite of fierce opposition from Ellen's family, and quickly produce eight children in ten years. Lara is their fourth child and we follow her journey from restricted childhood to conflicted early adulthood, and then from London to Nigeria to Brazil as she seeks to understand herself and her ancestry. The novel travels back over 150 years, seven generations and three continents of Lara's ancestry. It is the story of Irish Catholics leaving generations of rural hardship behind and ascending to a rigid middle class in England; of German immigrants escaping poverty and seeking to build a new life in 19th century London; and of proud Yorubas enslaved in Brazil, free in colonial Nigeria and hopeful in post-war London. Lara explores the lives of those who leave one country in search of a better life elsewhere, but who end up struggling to be accepted even as they lay the foundations for their children and future generations. This is a new edition of Bernardine Evaristo's first novel Lara, rewritten and expanded by a third since its first publication in 1997.

A provocative and dizzying satire (The New Yorker) that boldly turns history on its head (Elle) from the Man Booker Prize winning author of Girl, Woman, Other.

What if the history of the transatlantic slave trade had been reversed and Africans had enslaved Europeans? How would that have changed the ways that people justified their inhuman behavior? How would it inform our cultural attitudes and the insidious racism that still lingers today? We see this tragicomic world turned upside down through the eyes of Doris, an Englishwoman enslaved and taken to the New World, movingly recounting experiences of tremendous hardship and the dreams of the people she has left behind, all while journeying toward an escape into freedom.

A poignant and dramatic story grounded in provocative ideas, Blonde Roots is a genuinely original, profoundly imaginative novel.

Booker Prize-winning author Bernardine Evaristo's Feminism is a powerful new interpretation of British art from an intersectional feminist perspective.

Art museums have long drawn me into their spaces. The infinite possibilities of the language of art opens me up to methods of communication quite unlike my own. I am fascinated by the most interesting and adventurous artists, who are surely among the most innovative thinkers on the planet. I am in awe of their talent and endless inventiveness, and my imagination is nourished by theirs. I am challenged to think differently about how we might understand, recreate, reshape, reimagine life itself--animate, inanimate, spirit. My senses are stimulated, my emotions stirred, my brain whirs away in the background and I feel very much alive.

When I was invited to write this book, my first time writing about art, I immediately knew that I would turn my attention on women and womxn (to include nonbinary people) of color in British art because, similar to the story throughout the arts, either as creator or curator, we haven't been very visible. This book is personal--about the art I've seen, and the art I've loved--and my interpretation of the art in the national collection and beyond, from an intersectional feminist perspective.

Includes Color Illustrations

From the bestselling and Booker Prize-winning author of Girl, Woman, Other, Bernardine Evaristo's memoir of her own life and writing, and her manifesto on unstoppability, creativity, and activism

Bernardine Evaristo's 2019 Booker Prize win was a historic and revolutionary occasion, with Evaristo being the first Black woman and first Black British person ever to win the prize in its fifty-year history. Girl, Woman, Other was named a favorite book of the year by President Obama and Roxane Gay, was translated into thirty-five languages, and has now reached more than a million readers.

Evaristo's astonishing nonfiction debut, Manifesto, is a vibrant and inspirational account of Evaristo's life and career as she rebelled against the mainstream and fought over several decades to bring her creative work into the world. With her characteristic humor, Evaristo describes her childhood as one of eight siblings, with a Nigerian father and white Catholic mother, tells the story of how she helped set up Britain's first Black women's theatre company, remembers the queer relationships of her twenties, and recounts her determination to write books that were absent in the literary world around her. She provides a hugely powerful perspective to contemporary conversations around race, class, feminism, sexuality, and aging. She reminds us of how far we have come, and how far we still have to go. In Manifesto, Evaristo charts her theory of unstoppability, showing creative people how they too can visualize and find success in their work, ignoring the naysayers.

Both unconventional memoir and inspirational text, Manifesto is a unique reminder to us all to persist in doing work we believe in, even when we might feel overlooked or discounted. Evaristo shows us how we too can follow in her footsteps, from first vision, to insistent perseverance, to eventual triumph.

This is the new writing anthology from the British Council showcasing the best in fiction, non-fiction and poetry from established and up-and-coming writers. This volume has been chosen by the novelists, Bernardine Evaristo and Maggie Gee.

'Nobody has ever measured, not even poets, how much the heart can hold.'
Zelda Fitzgerald

Love is not a singular concept.

In this collection, seven award-winning authors explore seven concepts of love: from Philautia, self-love, to Agape, love for humanity; and from Storge, a natural affection for family, to Mania, a frenzied, obsessive love.

Seven authors; seven short stories; seven flashes of love.

This paperback edition of How Much the Heart Can Hold includes the winning short story from the SceptreLoves short story Prize.

This groundbreaking anthology of ten new poets truly reflects the multicultural make-up of contemporary Britain. At a time when less than 1% of all poetry books published in the UK are by black or Asian poets, the work of these writers testifies to the quality and versatility of vital writing that should not be overlooked. These new voices draw on cultural influences and multiple heritages that can only enrich and broaden the scope of contemporary British poetry. This anthology is the culmination of a much needed initiative by literature development agency Spread the Word to support talented new Black and Asian poets. The poets' histories are to be found in Trinidad and Tobago, Grenada, Guyana, Jamaica, Ghana, Saudi Arabia, Pakistan, Sri Lanka, Bangladesh, Uganda, Ethiopia, Ireland and England. Their eclectic, wide-ranging poems will take you on a journey into war and exile, myth and magic, homeland and memory, fantasy, family and love. Whether travelling through the streets of London, the killing fields of Bangladesh, the cane fields of the Caribbean, or back in time to the life of a courtesan in 3rd century BC India, these poems will open up new landscapes for the reader. Ten's new poets are: Mir Mahfuz Ali, Rowyda Amin, Malika Booker, Roger Robinson, Karen McCarthy, Nick Makoha, Denise Saul, Seni Seneviratne, Shazea Quraishi and Janet Kofi Tsekpo.