* HUGO AWARD WINNER: BEST NOVELLA * NEBULA AND LOCUS AWARDS WINNER: BEST NOVELLA *

[An] exquisitely crafted tale...Part epistolary romance, part mind-blowing science fiction adventure, this dazzling story unfolds bit by bit, revealing layers of meaning as it plays with cause and effect, wildly imaginative technologies, and increasingly intricate wordplay...This short novel warrants multiple readings to fully unlock its complexities. --Publishers Weekly (starred review)

From award-winning authors Amal El-Mohtar and Max Gladstone comes an enthralling, romantic novel spanning time and space about two time-traveling rivals who fall in love and must change the past to ensure their future.

Among the ashes of a dying world, an agent of the Commandment finds a letter. It reads: Burn before reading.

Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, becomes something more. Something epic. Something romantic. Something that could change the past and the future.

Except the discovery of their bond would mean the death of each of them. There's still a war going on, after all. And someone has to win. That's how war works, right?

Cowritten by two beloved and award-winning sci-fi writers, This Is How You Lose the Time War is an epic love story spanning time and space.

AN INDIE NEXT AND LIBRARYREADS PICK!

The River Has Roots is the hugely anticipated solo debut of the New York Times bestselling and Hugo Award winning author Amal El-Mohtar. Follow the river Liss to the small town of Thistleford, on the edge of Faerie, and meet two sisters who cannot be separated, even in death.

The hardcover edition features beautiful interior illustrations and a foil case stamp.

Half delicious murder ballad, half beguiling love story. --Holly Black - An absolute must-read. --T. Kingfisher - Every sentence sings! --Sarah Beth Durst - Utterly enchanting. --Fonda Lee - A story that outlasts itself. --Alix E. Harrow - Truly exquisite. --Zoraida Córdova - A beautiful, musical, and loving story. --Emma Törzs

Oh what is stronger than a death? Two sisters singing with one breath.

In the small town of Thistleford, on the edge of Faerie, dwells the mysterious Hawthorn family.

There, they tend and harvest the enchanted willows and honour an ancient compact to sing to them in thanks for their magic. None more devotedly than the family's latest daughters, Esther and Ysabel, who cherish each other as much as they cherish the ancient trees.

But when Esther rejects a forceful suitor in favor of a lover from the land of Faerie, not only the sisters' bond but also their lives will be at risk...

The gorgeous, enthralling hardcover deluxe edition of the bestselling Hugo, Nebula, and Locus Award-winning sci-fi novella spanning time and space about two time-traveling rivals who fall in love and must change the past to ensure their future. Including new cover art, sprayed edges, colored endpapers, and a foil stamped three-piece case.

Among the ashes of a dying world, an agent of the Commandment finds a letter. It reads: Burn before reading.

Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, becomes something more. Something epic. Something romantic. Something that could change the past and the future.

Except the discovery of their bond would mean the death of each of them. There's still a war going on, after all. And someone has to win. That's how war works, right?

Cowritten by two beloved and award-winning sci-fi writers, This Is How You Lost the Time War is an exquisitely crafted tale (Publishers Weekly, starred review) that spans time and space. Now fans can rejoice with the beautiful new design, which perfectly complements the novella's breathtaking exploration of time travel, heart-pounding romance, and the intense rivalry that spans across the ages.

Twenty-eight days there are in the month of February, a cold month, a month in which the summer seems an endless dream one had once, long ago. We should not be tricked by the frost, for it was during the dreaming month of February that Amal El-Mohtar composed The Honey Month, a book that tastes and smells of sun. Each day she uncapped a vial of honey, letting the brew inspire the words that became this book. Amal offers us much more than poetry and prose, however. Her words wrap around us like spiderwebs, gently pulling us into the web she weaves, where honey girls tempt and tease us, where things lost return and sorrow paints the leaves. This is a colourful book, but it is by no means a frivolous one. Remember, not all honey is sweet.

These bewitching poems and stories unwind a fevered world of magic and longing and young women who chance the uncanny and gain wisdom beyond their years.

The poems in Mike Allen's latest book, Hungry Constellations, make a rowdy, red-tinged tapestry, representing twenty years of work from one of the major creative forces in this genre. These poems are physical, expansive, and revolutionary. They are grand and dystopic. They seethe with the conflict of opposites. Allen likes the destructive side of creation as much as the emergent side ... He writes about stars and legends and human beings contending with the monster-filled and glorious cosmos. He does it all with a relentless, energetic style, full of thought and invention. -Star*Line

The mutants of Wonderland threaten to smash through the looking glass as the river of Time overflows its banks. The King of Cats and the Queen of Wolves dance a duet across eons, alternately foes and lovers. Monstrous constellations come to life in the sky, hungry for people-filled worlds.

Hungry Constellations, the newest poetry collection from Nebula Award finalist and three-time Rhysling Award winner Mike Allen, surveys two decades of mind-bending verse. Editor Dominik Parisien starts with poems drawn from Allen's previous book-length collections, Strange Wisdoms of the Dead (2006) and The Journey to Kailash (2008), then concludes the triptych with a selection of new and previously uncollected pieces, which author, poet and editor Amal El-Mohtar calls Allen's most ambitious work to date in her introduction. Cover artist Paula Arwen Friedlander (arwendesigns.net) adroitly illustrates the collection's Rhysling Award-nominated title poem.

Funded by a Kickstarter campaign, Hungry Constellations is Allen's first poetry collection available in digital format.

From the introduction by Amal El-Mohtar:

Let me tell you about Mike Allen's poetry. This is a man who delights in breaking bodies: butchering, splitting, flaying, dismembering, then seeding landscapes with viscera until they too become bodies-bodies invaded, bodies stuffed, bodies contaminated. This is a man who carves words into and out of bodies, be they skin or sapphire, corpses or constellations. But somehow Allen skirts gore and clinical detachment both: there is a precision and an economy to his horror that's reminiscent of clockwork, architecture, astronomy. Imagine a clock with bone-gears, a skin-tree growing liver-fruit, a ship knifing a face into the moon, and you'll have something of a sense of what lies before you ... Subterranean in conception and galactic in execution, this is a book of monsters.

Praise for Mike Allen's poetry:

Allen's is poetry for goths of all ages ... There is a long tradition of poetry dealing with the uncanny-think Keats' 'La Belle Dame Sans Merci' or Coleridge's 'The Rime of the Ancient Mariner'-and it's nice to see someone putting it to such use again. Allen's poems ... do a fine job of making the human scary and the scary human.
-The Philadelphia Inquirer

Mike Allen pours everything he's got onto his poem-canvases. Mythologies, science-fiction scenarios, private memories and desires, and untestable ideas crowd and overlay one another upon the pages as if flung from an overloaded brush. Here is a vividly vertiginous collection of poems, all fun and mind-games.
-Fred Chappell

Mike Allen is a poetic Shiva, whirling his thousand limbs to snatch gold from thin air and create these epics-in-miniature, each with its own metallic sheen.
-Catherynne M. Valente

In the great tradition of Clark Ashton Smith, Ray Bradbury and Ursula K. Le Guin, Mike Allen shows us how science fiction poetry can do what all first-rate poetry does-rouse the imagination to venture into darkness and the unknown, there to discover old truths and new delights.
-R.H.W. Dillard