Much history and theory is uncovered here in the first comprehensive study of zine publishing. From their origins in early 20th century science fiction cults, their more proximate roots in 1960s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. He also analyzes how zines measure up to their utopian and escapist outlook in achieving fundamental social change. Packed with extracts and illustrations, he provides a useful overview of the contemporary underground in all its splendor and misery.

The Art of Activism is an all-purpose guide to artistic activism, combining the creative power of the arts to move us emotionally with the strategic planning of activism necessary to bring about social change. With contemporary case studies and historical examples, chapters on cultural and cognitive theory, sections on what can be learned from unlikely sources like popular culture and marketing techniques, along with investigations into ethics and evaluation, explorations of the creative process and the importance of utopian thinking, and an attached workbook with over fifty exercises to practice, the co-founders of the Center for Artistic Activism take readers step-by-step through the process of becoming, or becoming even better, artistic activists.

This expansive and carefully crafted reader brings together many of the classic texts that help to define culture as a tool of resistance. With illuminating introductions throughout, it presents a range of theoretical and historical writings that have influenced contemporary debate, providing tools for the reader's own interventions. In these pages can be found the work of Karl Marx, Matthew Arnold, Antonio Gramsci, C.L.R. James, Bertolt Brecht, Walter Benjamin, Theodor Adorno, Virginia Woolf, Mikhail Bakhtin, Stuart Hall, Christopher Hill, Janice Radway, Eric Hobsbawm, Abbie Hoffman, Mahatma Gandhi, Dick Hebdige, Hakim Bey, Raymond Williams, Robin Kelley, Tom Frank and more than a dozen others, including a number of new activists/authors published here for the first time.

The first book to seriously identify how artistic activism works and how to make it work better

The past decade has seen an explosion in the hybrid practice of artistic activism, as artists have turned toward activism to make their work more socially impactful and activists have adopted techniques and perspectives from the arts to make their interventions more creative. Yet questions haunt the practice: Does artistic activism work aesthetically? Does it work politically? And what does working even mean when one combines art and activism? In ffect, author Stephen Duncombe sets out to address these questions at the heart of the field of artistic activism.

Written by the co-founder and current Research Director of the internationally recognized Center for Artistic Activism, ffect draws on Duncombe's more than twenty-five years of experi-ence in the field and one hundred in-depth interviews with artistic activists worldwide. More than a mere academic exercise, the theory, research, and tools in this book lay the groundwork for artistic activists to evaluate and strengthen their practice and to create better projects. The exploration of good artistic activism is grounded in three sets of concerns. 1) Change: Upon what theories of change is artistic activism based? 2) Intention: What do we hope and expect artistic activism to do, and how does it do this? 3) Evaluation: What actually happens as the result of an artistic activist intervention? Can it be measured?

ffect is rich with examples that demonstrate successful artistic activism, including Undo-cubus, an old bus painted No Fear across its side that was driven cross-country by a group of undocumented immigrant activists; Journal Rappé, a video show created by Senegalese rappers who created long-form investigative reports by rapping the current news in French and Wolof; and War on Smog, a staged a public performance piece by artistic activists in the city of Chongqing in Southwest China. Scannable QR codes are included to provide tools that help readers assess the ffect of their artistic activism.

This reader brings together scholars from different eras, cultures and geographic locations. With this diversity of voices, the book opens a dialogue about the social power of art and how change is envisioned by deliberately juxtaposing radically different conceptions of art and activism. Among the writers included are: James Baldwin, Lucy Lippard, Herbert Marcuse, Audre Lorde, Trinh T. Minh-ha, Rabindranath Tagore, John Dewey, John Berger, Augusto Boal, Franz Fanon, Raymond Williams, Jacque Ranciere, Rosalyn Deutche, Stuart Hall, bell hooks, Mikhail Baktin, Octavia Butler, and W. E. B. DuBois.

The reader focuses on concepts that scholars have grappled with as to how art and politics can combine to achieve social change. It deliberately does not include case studies or manifestos. Rather, the texts are organized thematically: Art Unsettles: Social Systems and Critique; Art Reveals: Making the Invisible Visible; Art Resists: Everyday Interventions; Art Acts: Activism as Art; Art (Re)Orders: Making Sense of the World; and Art Imagines: Envisioning New Worlds. This thematic structure allows the reader to engage with different perspectives with the theme for engaged dialogue. Each thematic section opens with a brief essay by the editors framing the central conceptual concerns that follow.

The first book to seriously identify how artistic activism works and how to make it work better

The past decade has seen an explosion in the hybrid practice of artistic activism, as artists have turned toward activism to make their work more socially impactful and activists have adopted techniques and perspectives from the arts to make their interventions more creative. Yet questions haunt the practice: Does artistic activism work aesthetically? Does it work politically? And what does working even mean when one combines art and activism? In ffect, author Stephen Duncombe sets out to address these questions at the heart of the field of artistic activism.

Written by the co-founder and current Research Director of the internationally recognized Center for Artistic Activism, ffect draws on Duncombe's more than twenty-five years of experi-ence in the field and one hundred in-depth interviews with artistic activists worldwide. More than a mere academic exercise, the theory, research, and tools in this book lay the groundwork for artistic activists to evaluate and strengthen their practice and to create better projects. The exploration of good artistic activism is grounded in three sets of concerns. 1) Change: Upon what theories of change is artistic activism based? 2) Intention: What do we hope and expect artistic activism to do, and how does it do this? 3) Evaluation: What actually happens as the result of an artistic activist intervention? Can it be measured?

ffect is rich with examples that demonstrate successful artistic activism, including Undo-cubus, an old bus painted No Fear across its side that was driven cross-country by a group of undocumented immigrant activists; Journal Rappé, a video show created by Senegalese rappers who created long-form investigative reports by rapping the current news in French and Wolof; and War on Smog, a staged a public performance piece by artistic activists in the city of Chongqing in Southwest China. Scannable QR codes are included to provide tools that help readers assess the ffect of their artistic activism.

White Riot is the definitive study of the subject, collecting first-person writing, lyrics, letters to zines, and analyses of punk history from across the globe. This book brings together writing from leading critics such as Greil Marcus and Dick Hebdige, personal reflections from punk pioneers such as Jimmy Pursey, Darryl Jenifer and Mimi Nguyen, and reports on punk scenes from Toronto to Jakarta.

Elegantly written and charmingly illustrated, The Activist Angler shows how lessons learned from angling can guide political activism and vice versa. Patience, preparation and precision are needed to catch fish . . . and to build a movement.

Looking for a retreat during the stress of the pandemic, the activist and teacher Steve Duncombe took up fishing, a sport he had abandoned in his youth. After many years away from his rod, he had to re-learn how to fish and approached the practice with what Zen masters call Beginner's Mind. Having no recent experience to fall back on, every fish successfully caught or line hopelessly snarled served as a lesson. Hours spent doing little more than casting and retrieving meant plenty of time to think. One of the things Steve thought a lot about was activism. The art of angling, he discovered, has a lot to teach about the art of activism.

The Activist Angler brings together these lessons in an engaging journey from the street to the beach and back. The format is simple: one reflection on fishing followed by another on what might be learned and applied to activism, with each accompanied by an illustration. Topics range from telling fish stories and the trap of activist nostalgia, to the impossibility of thinking like a fish yet the necessity for an organizer to understand their audience, with detours through reflections on self-care, catch-and-release, and taking responsibility for the human cost of one's political actions.

Illuminates the life and image of one of New York City's most fashionable criminals--Celia Cooney

Ripped straight from the headlines of the Jazz Age, The Bobbed Haired Bandit is a tale of flappers and fast cars, of sex and morality. In the spring of 1924, a poor, 19-year-old laundress from Brooklyn robbed a string of New York grocery stores with a baby automatic, a fur coat, and a fashionable bobbed hairdo. Celia Cooney's crimes made national news, with the likes of Ring Lardner and Walter Lippman writing about her exploits for enthralled readers.

The Bobbed Haired Bandit brings to life a world of great wealth and poverty, of Prohibition and class conflict. With her husband Ed at her side, Celia raised herself from a life of drudgery to become a celebrity in her own pulp-fiction novel, a role she consciously cultivated. She also launched the largest manhunt in New York City's history, humiliating the police with daring crimes and taunting notes.

Sifting through conflicting accounts, Stephen Duncombe and Andrew Mattson show how Celia's story was used to explain the world, to wage cultural battles, to further political interest, and above all, to sell newspapers. To progressives, she was an example of what happens when a community doesn't protect its children. To conservatives, she symbolized a permissive society that gave too much freedom to the young, poor, and female. These competing stories distill the tensions of the time.

In a gripping account that reads like a detective serial, Duncombe and Mattson have culled newspaper reports, court records, interviews with Celia's sons, and even popular songs and jokes to capture what William Randolph Hearst's newspaper called the strangest, weirdest, most dramatic, most tragic, human interest story ever told.