Gustave Dor (1832-83) was perhaps the most successful illustrator of the nineteenth century. His Dor Bible was a treasured possession in countless homes, and his best-received works continued to appear through the years in edition after edition. His illustrations for Dante's Divine Comedy constitute one of his most highly regarded efforts and were Dor 's personal favorites.
The present volume reproduces with excellent clarity all 135 plates that Dor produced for The Inferno, Purgatory, and Paradise. From the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise, Dor 's illustrations depict the passion and grandeur of Dante's masterpiece in such famous scenes as the embarkation of the souls for hell, Paolo and Francesca (four plates), the forest of suicides, Tha s the harlot, Bertram de Born holding his severed head aloft, Ugolino (four plates), the emergence of Dante and Virgil from hell, the ascent up the mountain, the flight of the eagle, Arachne, the lustful sinners being purged in the seventh circle, the appearance of Beatrice, the planet Mercury, and the first splendors of paradise, Christ on the cross, the stairway of Saturn, the final vision of the Queen of Heaven, and many more.
Each plate is accompanied by appropriate lines from the Henry Wadsworth Longfellow translation of Dante's work.

Nowhere but in the Bible were dramatic textual material and the artistry of Gustave Dor more perfectly matched. The Book of Books seemed to unleash a new power of creation in Dor not apparent in his previous work. In the Creation scenes, the horrifying visions of the Flood, the battle sequences with their monumental crowds, the plates depicting the life of Jesus -- many of which have now become the standard iconography -- and finally the vision of the New Jerusalem, Dor reached the fullest expressions of his extraordinary talent.
This book collects all 241 plates -- long out of print -- that Dor executed for the Bible. In these plates, reproduced from outstanding early editions, the artist not only captures the dramatic intensity of the Scriptures, but sustains it longer than any other single artist was able to do. In addition, Dor reimagined all the scenes, so that what he produced was not a mere reworking of what centuries of other artists had already done, but a new and fresh visual interpretation of the Bible.
Each plate is accompanied by the verses from the Authorized (King James) Version of the Bible that the scene depicts, and an Introduction by Millicent Rose covers Dor 's life and art in general. This is a sumptuous book that everyone, from those interested in Scripture to lovers of great art, will be proud to possess.

Gustave Dore's magnificent engravings for The Rime of the Ancient Mariner are among the later works of the great French illustrator. The intensely evocative poem provided Dor with the long-awaited opportunity to convey limitless space on a gigantic scale, and he exploited the poem's fantastic range of atmosphere to the limits of its possibilities. The terrifying space of the open sea, the storms and whirlpools of an unknown ocean, the vast icy caverns of Antarctica, the hot equatorial sea swarming with monsters, all of the amazing visual elements that make Coleridge's masterpiece one of the most exciting and most memorable poems in the English language are unforgettably engraved in Dor 's plates.
This edition reproduces all of the plates to perfection, in their original size. The illustrations and the text of the poem appear on facing pages, so that the imaginative kinship of Dor and Coleridge is delightfully evident on every page: the illustrations capture all the moods of the poem in their full intensity, bringing the images evoked by the words into clear visual focus.
Unabridged and slightly rearranged republication of the 1878 American edition. Text slightly amended to conform to the authoritative 1834 edition of the poem.

This superb compilation showcases the art of Gustave Doré, one of the nineteenth century's most prolific and successful book illustrators. Brimming with stunning images created to accompany the world's greatest literature, this volume compiles the very finest and most famous plates from Doré's work.
Scores of magnificent, finely wrought engravings feature such dramatic and powerful scenes as Don Quixote tilting at windmills, Christ driving the money-changers from the temple, Moses destroying the tablets inscribed with the Ten Commandments, and Charon rowing his ferry to the gates of Hell. Sources include immortal stories ranging from Milton's Paradise Lost and Dante's Divine Comedy to Coleridge's Rime of the Ancient Mariner, Poe's The Raven, and more than a dozen other books.
For graphic artists and designers, this collection will provide an outstanding assortment of royalty-free images. For lovers of art and literature, these inspired plates will provide the definitive imagery of a host of literary classics.

Gustave Doré's Romantic style of illustration, supremely imaginative and richly detailed, was ideally suited to literary subjects. His wood-engraved illustrations for John Milton's monumental epic poem Paradise Lost, recounting mankind's fall from the grace of God through the work of Satan, were among his finest and most dramatic works. This volume presents superb reproductions of all 50 plates drawn by Doré and engraved in his studios for the original edition of Paradise Lost.
Artists and art lovers will find in these pages supreme examples of the illustrator's art. Among the events depicted: the expulsion of Satan from heaven, Adam and Eve in Paradise, the nine-day fall of Lucifer's legions to Hell, the Creation, the temptation of Eve, the Flood, Moses holding up the Ten Commandments, and the fearsome creatures Milton referred to as Gorgons, and Hydras, and Chimeras dire.
The dreamlike, otherworldly quality Doré often brought to his work seems especially appropriate for Paradise Lost with its lofty spirit and epic events. Indeed, Doré's grand conception seems to realize perfectly Milton's own poetic version. Appropriate quotes from the text of Paradise Lost are printed alongside each illustration. A plot summary of the entire poem is also included.

His Don Quixote ... from its first to its last page [is] a marvel of imagination, poetry, sentiment, and sarcasm. . . . People still speak of it only as 'Doré's Don Quixote'. -- Life and Reminiscences of Gustave Doré
Doré himself had something of Quixote's chivalry and spent an arduous life drafting impossible dreams; he knew fame as well as pain, disillusionment, and failure. At age 30 he was ready for Quixote and prepared to realize his dream of illustrating the world's great books.
Doré never became the painter he yearned to be, but he came very close to realizing his desired intimacy with the classics. His sympathy with Cervantes' satire was so close that, of the numerous Quixote interpretations by many outstanding artists, Doré's has become the standard. The French translation of Cervantes that Doré illustrated is forgotten; here is the memorable remnant of that work -- all 120 full-page plates, plus a selection of 70 characteristic headpiece and tailpiece vignettes.
As can be seen in the backgrounds, Doré was ready professionally as well as emotionally for Quixote. He had traveled through Spain preparing an earlier work, and his graphic memory was as strong and indelible as that of another great Quixote interpreter, Picasso. From Sancho's village through Spanish hills and dry plateaus, in the Pyrenees and by the sea, in rural castles and Barcelona luxury, Doré illuminated the seventeenth-century setting with a nineteenth-century acquaintance with the scene. Doré was also a careful student of Renaissance costume and architecture; his minutiae, so copious, are invariably correct.
Captions written especially for this edition describe the action with reference to the original Spanish text, capturing high points of the story. But of course Doré conveys it all in a picture: the famous windmill charge, traversing the Sierra Morena, battling the Knight of the White Moon, visions of giants, dragons, flaming lakes, and damsels, the Dulcinea never found, all in full-page wood engravings. Doré's marvelous penchant for ghostly effects in panoramic landscapes and seascapes finds large scope here, carefully engraved by one of the best of his longtime studio engravers, H. Pisano.
Doré's Man of la Mancha glows with the artist's own enchantment and humor. Artists and illustration aficionados will add this royalty-free volume to other Dover editions of Doré's works -- art he created to stand with great literature that now stands alone. Doré's Quixote indeed stands alone, unique among the knights and graphic castles in Spain.

This beautiful hardback edition includes 93 well known, dramatic and beautiful scenes from the Old Testament, 81 from the New Testament and 10 from the Apocrypha, illustrated by French artist and illustrator, Gustave Doré.

This luxury edition is gold blocked and the pages have stencilled edges that reflect the magnificent illustrations within the book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Tous les passages importants de la Bible, racont s simplement, illustr s de gravures de Gustave Dor , et accompagn s de citations de la traduction de Louis Segond.

This enchanting volume contains a collection of the most beloved fairy tales, accompanied by stunning illustrations by Gustave Dore. Delight in old favorites like Cinderella, Sleeping Beauty, and Little Red Riding Hood, or discover new tales to treasure.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Balzac's Contes Drolatiques is a collection of bawdy and satirical short stories written by the French author Honore de Balzac. This edition features illustrations by the celebrated artist Gustave Doré. The stories are set in medieval France and poke fun at the social norms and conventions of the time. It is a hilarious and irreverent masterpiece of French literature.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Gustave Dor 's stunning imagery enhances Cervantes' epic masterpiece in this full-size retro restoration of Don Quixote.

First published in the 1600's by Spanish writer Miguel de Cervantes, Don Quixote is regarded by many as history's greatest piece of literature, made even better when enhanced by the spectacular artwork of Gustave Dor . This Retro Restoration includes:

- Full-size 8 1/2 x 11 pages
- Crisp digitally re-scanned and enhanced images
- Bold new cover design
- Author's original page layouts
- Classic type font
- English version with illustration captions

Don Quixote Part 1 starts the two-part saga of Don Quixote de la Mancha and Sancho Panza as they heroically travel in pursuit of adventure and the knowledge of what it means to be human. Don Quixote's vivid imagination is rivaled only by the creative vision of Dor , who gives the armor-clad aspiring knight and his companions the charismatic and iconic look for which they are still remembered today.

The CGR Publishing Restoration Workshop spared no expense when restoring, cleaning, and digitally remastering a rare, mint copy of Don Quixote for a new generation of readers. Dor 's crisp illustrations explode from the pages with incredible detail to liven Cervantes' unforgettable storytelling. Many regard Don Quixote as Dor 's best work, showcasing his skills as a technical illustrator and gifted, humorous cartoonist.

The prodigal French artist unleashed a nonstop barrage of humorous cartoons, caricatures, and adorable scribbles that highlight the humor and imagination of Cervantes' character and his relationship to those around him. Dor also created some of his most outstanding full-page work filled with intricate details that tell stories within the story. Don Quixote is a sight to behold and a thrill to read. Don Quixote Parts 1 and 2 contain 370 illustrations, many of them full-page

About the Artist:
Master artist Gustave Dor (1832-1883), known for the lavish illustrations in Dante's Inferno, Purgatory and Paradise, Dor 's London: A Pilgrimage, and Milton's Paradise Lost. His mastery of human anatomy, background detail, shading, and layout are evident on every page.

About the Publisher:
The CGR Publishing Restoration Workshop uses a vast array of computers and digital scanners to restore, preserve, and enhance the classic works of writers and artists from the 19th century. Each new release includes display-quality covers, enlarged covers, and retro fonts. Select books include Dante's Inferno Retro Hell-Bound Edition, Gustave Dor 's London: A Pilgrimage, The Complete Book of Birds, A Life of George Westinghouse, The Clock Book: A Detailed Illustrated Collection of Classic Clocks, The Aeroplane Speaks, and much more.

The Dor Bible Gallery is an unchanged, high-quality reprint of the original edition of 1890. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The major stories of the New Testament for children.

The major stories of the New Testament for children.

Les passages les plus importants de la Bible, racont s simplement, illustr s de gravures de Gustave Dor , et accompagn s de citations de la traduction de Louis Segond.

Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. This first Book proposes first in brief the whole Subject, Mans disobedience, and the loss thereupon of Paradise wherein he was plac't: Then touches the prime cause of his fall, the Serpent, or rather Satan in the Serpent; who revolting from God, and drawing to his side many Legions of Angels, was by the command of God driven out of Heaven with all his Crew into the great Deep. Which action past over, the Poem hasts into the midst of things, presenting Satan with his Angels now fallen into Hell, describ'd here, not in the Center (for Heaven and Earth may be suppos'd as yet not made, certainly not yet accurst) but in a place of utter darknesse, fitliest call'd Chaos: Here Satan with his Angels lying on the burning Lake, thunder-struck and, astonisht, after a certain space recovers, as from confusion, calls up him who next in Order and Dignity lay by him; they confer of thir miserable fall. Satan awakens all his Legions, who lay till then in the same manner confounded; They rise, thir Numbers, array of Battel, thir chief Leaders nam'd, according to the Idols known afterwards in Canaan and the Countries adjoyning. To these Satan directs his Speech, comforts them with hope yet of regaining Heaven, but tells them lastly of a new World and new kind of Creature to be created, according to an ancient Prophesie or report in Heaven; for that Angels were long before this visible Creation, was the opinion of many ancient Fathers. To find out the truth of this Prophesie, and what to determin thereon he refers to a full Councell. What his Associates thence attempt. Pandemonium the Palace of Satan rises, suddenly built out of the Deep: The infernal Peers there sit in Counsel.

The Raven is a narrative poem, it is often noted for musical, stylized, with a supernatural feel. A raven tells of the mysterious visit to a distraught lover, tracing the man's slow descent into madness. The lover, is identified as being a student, is grieving the loss of his love, Lenore. On a bust of Pallas, the raven sits, seeming to further aggravate his anguish with its constant repetition of the word Nevermore. This version of The Raven has twenty-nine illustrations and punctuation added for ease of reading. Finally, a detailed author's biography. The poem is accompanied by the illustrations, then stands alone, final comments about the poem in detail.With the analyzed Reading Level of 5.2, due to the orphaned wording of the past and poetic license.

The Dor Bible Gallery - Containing one hundred superb illustrations and a page of explanatory letter-press facing each is an unchanged, high-quality reprint of the original edition of 1892. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.