Expanded 50th anniversary edition of the City Lights classic, featuring fifteen new poems. Simultaneously released with Diane di Prima's Spring and Autumn Annals on the one-year anniversary of her passing.

By turns a handbook of countercultural living, a manual for street protest, and a feminist broadside against the repressive state apparatus, Revolutionary Letters is a modern classic, as relevant today as it was fifty years ago. In 1968, visionary poet Diane di Prima moved from Beat New York to hippie San Francisco to begin these letters, poems filled with a blend of utopian imagination, radical politics, and ecological awareness. Immersed in alternative histories and mystical traditions, the poems were catapulted into the world through underground newspapers and free pamphlets, circulating far and wide. In 1971, Lawrence Ferlinghetti published the first of four ever-expanding book versions in the Pocket Poets Series. In her last years, di Prima oversaw the final iteration of this lifelong project, adding poems written between 2007 and her death in 2020. This 50th Anniversary edition marks the long-awaited return of Revolutionary Lettersto City Lights.

Praise for Revolutionary Letters, 50th Anniversary Edition:

There is a generosity and affection in Revolutionary Letters that I find myself returning to, always, when I'm at my most cynical and feeling lost for any understanding of what a better world might look like. When I need to be grounded and re-centered in my understanding of community care as a living, breathing, full-time mission. And, quite simply, when I need to be reminded of how language can begin on the page, and echo far beyond.--Hanif Abdurraqib

What's astonishing about Diane di Prima's Revolutionary Letters is how these poems are adamantly useful. A manual of insurgent instruction, these poems tell you how to mitigate tear gas and sleep deprivation, eat a healthy diet, and overthrow the state. This book is ever more urgent in our moment, as a resurgent left faces down the apocalypse. Revolutionary Letters is a time machine towards a better future.--Ken Chen

With this new and expanded edition we are offered a window onto a master poet redefining revolution over her lifetime. Di Prima continues to interrogate the ways in which we have been taught to live, love, eat, write, fight and take control. How can we make the most of this book and its wisdom? It's not enough to simply read it or even to write our own Revolutionary Letters. These poems are not realized until we are called upon to act.--Cedar Sigo

How do 'we' keep fighting? There is no one way, but sometimes you think about lines in Diane di Prima's Revolutionary Letters. Di Prima's 'letters' feel like they were written to the all of you that always is somewhere coming together. And here you thought this classic couldn't get any better.--Wendy Trevino

Long regarded as an underground classic for its gritty and unabashedly erotic portrayal of the Beat years, Memoirs of a Beatnik is a moving account of a powerful woman artist coming of age sensually and intellectually in a movement dominated by a small confederacy of men, many of whom she lived with and loved. Filled with anecdotes about her adventures in New York City, Diane di Prima's memoir shows her learning to raise her rebellion into art, and making her way toward literary success. Memoirs of a Beatnik offers a fascinating narrative about the courage and triumphs of the imagination.

In Recollections of My Life as a Woman, Diane di Prima explores the first three decades of her extraordinary life. Born into a conservative Italian American family, di Prima grew up in Brooklyn but broke away from her roots to follow through on a lifelong commitment to become a poet, first made when she was in high school. Immersing herself in Manhattan's early 1950s Bohemia, di Prima quickly emerged as a renowned poet, an influential editor, and a single mother at a time when this was unheard of. Vividly chronicling the intense, creative cauldron of those years, she recounts her revolutionary relationships and sexuality, and how her experimentation led her to define herself as a woman. What emerges is a fascinating narrative about the courage and triumph of the imagination, and how one woman discovered her role in the world.

Loba is a visionary epic quest for the reintegration of the femimine, hailed by many as the great female counterpart to Allen Ginsberg's Howl when the first half appeared in 1978. Now published for the first time in its completed form with new material, Loba, she-wolf in Spanish explores the wilderness at the heart of experience, through the archetype of the wolf goddess, elemental symbol of complete self-acceptance.

Feminist Beat poet Diane di Prima was born in Brooklyn, New York. She attended Swarthmore College for two years before moving to Greenwich Village in Manhattan and becoming a writer in the emerging Beat movement. There, she developed friendships with poets Amiri Baraka, Allen Ginsberg, Jack Kerouac, Frank O'Hara and Audre Lorde. After joining Timothy Leary's intentional community in upstate New York, she moved to San Francisco in 1968. One of her collections of poetry, The Poetry Deal, is also published by City Lights Publishers. Di Prima was named Poet Laureate of San Francisco in 2009. She has been awarded the National Poetry Association's Lifetime Service Award and the Fred Cody Award for Lifetime Achievement and has also received grants from the National Endowment for the Arts, the Committee on Poetry, the Lapis Foundation and the Institute for Aesthetic Development. St. Lawrence University granted her an honorary doctorate.

Lyrical and unforgettable, part elegy and part memoir, we present a previously unpublished masterpiece from the Beat Generation icon. Simultaneously released with an expanded edition of di Prima's classic Revolutionary Letters on the one-year anniversary of her passing.

In the autumn of 1964, Diane di Prima was a young poet living in New York when her dearest friend, dancer, choreographer, and Warhol Factory member, Freddie Herko, leapt from the window of a Greenwich Village apartment to a sudden, dramatic, and tragic death at the age of 29. In her shock and grief, di Prima began a daily practice of writing to Freddie. For a year, she would go to her study each day, light a stick of incense, and type furiously until it burned itself out.

The narrative ranges over the decade from 1954--the year di Prima and Herko first met--to 1965, with occasional forays into di Prima's memories of growing up in Brooklyn. Lyrical, elegant, and nakedly honest, Spring and Autumn Annals is a moving tribute to a friendship, and to the extraordinary innovation and accomplishments of the period. Masterfully observed and passionately recorded, it offers a uniquely American portrait of the artist as a young woman in the heyday of bohemian New York City.

One of The Millions' Most Anticipated Books of 2021.

Praise for Spring and Autumn Annals:

The book is a treasure. Moving between the East Village, San Francisco, Topanga Canyon and Stinson Beach with young children, di Prima's life is unbelievably rich. She studies Greek, writes, prepares dinners and feasts, and co-edits Floating Bear magazine. Diane di Prima is one of the greatest writers of her generation, and this book offers a window into its lives.--Chris Kraus

Extolled by a writer who radically devoted herself to the experiential truth of beauty and intellect, in poverty and grace, in independent dignity, and in the community of Beat consciousness, Diane di Prima's Spring and Autumn Annals arrives as a long-lost charm of illuminated meditations to love, life, death, eros and selflessness. An essential 1960s text of visionary rapaciousness.--Thurston Moore

Freddie Herko wished for a third love before he died; and what a love is in this book's beholding, saying, and release. Di Prima's dancing narrative, propelled and circling at the speed of thought, picking up every name and detailed perception as a rolling tide, fills me with gratitude for the truth of her eye. Nothing gets past it, not even the 'ballet slippers letting in the snow.'--Ana Bozičevic

A masterpiece of literary reflection, as quest to archive her dancer friend's life, to make art at all costs and the price dearly paid. Di Prima's observational capacity is profound, her devotion and loyalty assures her deserved place as a national treasure. She generously instills in us the call of poetic remembrance as an act of resistance, and gives voice to the marginalized participants in experimental cultural movements that carried courage in creative rebellion while envisioning freedom of the human spirit. Di Prima's poetic memoir of the artist journey is a triumph. A must read and reread for years to come.--Karen Finley

The Poetry Deal shines with eros and kindness and the reality of inspiration. No American or Anarchist voice or soul-building heart has ever been more clear. The pages are fierce with love and generosity.--Michael McClure, author of Ghost Tantras

The Poetry Deal is fresh flame from a revolutionary fire that continues to burn. Every woman of every age should carry it in a purse with their pepper spray. Diane is the ultimate weapon.--Amber Tamblyn, author of Dark Sparkler

In her latest collection as San Francisco Poet Laureate, di Prima is again at the height of her powers, with 'the act of writing itself more compelling than ever.'--Micah Ballard, author of Waifs and Strays

I return to this book again and again to remember what it means to own and further a poetic and political lineage.--Ana Bozicevic, author of Rise in the Fall

The Poetry Deal [is] an urgent success of the highest order . . . Diane di Prima should always be high on the American poetry play list.--Barbara Berman, The Rumpus

Recounting a life in poetry, her commitment to progressive thought and action, and a half-century of Bay Area culture, crises, and change, di Prima writes at the top of her game . . . di Prima recalls the time an institutionalized Ezra Pound told her that 'poets have to eat'; rarely has a poet left so much bread on the table for future poets.--*Starred Review, Publishers Weekly

This is a volume that traverses the specific and reaches the universal. She marks her poems with great strength and utmost sensitivity. They are poems that live in real time; not cyberspace. di Prima's poetry is well-lived and poetry worth living in. She is a gifted teacher enjoining the reader to face life's lessons for the attendant dilemmas of old age. Carry this book with you. It will arm you with continuous insight and flaming provocation.--Robert Sutherland-Cohen

Framed by two passionate, and critical, prose statements assessing her adopted home city, The Poetry Deal is a collection of poems that provide a personal and political look at forty years of Bay Area culture. Often elegiac in tone, the book captures the poet's sense of loss as she chronicles the deaths of friends from the AIDS epidemic as well as the passing of illustrious countercultural colleagues like Philip Whalen, Pigpen from the Grateful Dead, and Kirby Doyle. She also recalls and mourns out-of-town inspirations like Chögyam Trungpa Rinpoche, Audre Lorde, and Ezra Pound. Yet even as she laments the state of her city today, she finds triumph and solace in her own relationships, the marriages of her friends, the endurance of City Lights, and other symbols of San Francisco's heritage.

Born in Brooklyn in 1934, Diane di Prima emerged as a member of the Beat Generation in New York in the late '50s; in the early '60s, she founded the important mimeo magazine The Floating Bear with her lover LeRoi Jones (Amiri Baraka). In the late '60s, she moved to San Francisco, where she would publish her groundbreaking Revolutionary Letters (1971) with City Lights. Her other important books include Memoirs of a Beatnik, Pieces of a Dream, Recollections of My Life as a Woman, and Loba. She was named San Francisco Poet Laureate in 2009.

Haiku originated in New York City in 1964, when Beat Generation poet Diane di Prima gave West Coast assemblage artist George Herms a series of seasonal poems that would lead him to create a suite of woodcuts illustrating them.

can't sleep: inside my head a new poem
is starting to kick at night
-- Diane di Prima, Haiku, Spring

This, the first bound book of Haiku, commemorates the fiftieth anniversary of the poems' printing by Herms in 1967 and the formation of his LOVƎ Press.

Haiku includes reproductions of di Prima's thirty-two short poems and Herms's thirty-six woodcuts from the 1967 edition as well as an essay by curator Sarah C. Bancroft, On Making Haiku.