Monsters under Glass explores our enduring fascination with hothouses and exotic blooms, from their rise in ancient times, through the Victorian vogue for plant collecting, to the vegetable monsters of twentieth-century science fiction and the movies, comics, and video games of the present day. Our interest in hothouses can be traced back to the Roman emperor Tiberius, but it was only in the early nineteenth century that a boom in exotic plant collecting and new glasshouse technologies stimulated the imagination of novelists, poets, and artists, and the hothouse entered the creative language in a highly charged way. Decadent writers in England and Europe--including Charles Baudelaire and Oscar Wilde--transformed the hothouse from a functional object to a powerful metaphor of metropolitan life, sexuality, and being replete with a dark underside of decay and death; and of consciousness itself, nurtured and dissected under glass.

In a study as wide-ranging, vivid, and beautiful as our beloved exotic blooms themselves, Jane Desmarais charts the history and influence of these humid, tropical worlds and their creations, providing a steamy window onto our recent past.

Reading Decadence is an intersensorial experience. It is to indulge in voluptuous pleasures and excruciating pains, to sample exotic tastes and sounds, and to envisage states of mind in highly sensual terms. Obsessed with extreme sensory experiences, Decadent writers identified ways of shocking the middle classes and rejecting moralism by turning the conventional notion of 'good taste' on its head. This collection of essays explores the Decadent sensorium in the work of established and less well-known Decadent writers and artists, including Rachilde, Theodore Wratislaw, Arthur Symons, Mark Andr Raffalovich, J.-K. Huysmans, Theodore Watts-Dunton, Michael Field, Ernest Dowson, and St phane Mallarm . Tracing sensual motifs and figures in the work of late nineteenth-century Decadent writers and artists, leading and emerging scholars in the field offer new and provocative insights into the Decadent imagination.

Jane Desmarais is Senior Lecturer in English at Goldsmiths, University of London. Alice Cond is a Postdoctoral Research Associate in the Department of English and Comparative Literature at Goldsmiths, University of London.

An annotated anthology of the ever-fascinating tradition of Decadence in 19th-century writing, including key manifestos, critical declarations, poems, stories, critical responses, parodies, and ancient Roman antecedents. the book forms an essential resource for undergraduate and postgraduate students, and for others fascinated by Decadent writing.

Over the last twenty years there have been flurries of interest in the artist's model, and recent exhibitions have stimulated new activity in this area. Model and Supermodel extends the discussion about the social and cultural significance of the model in British art and culture. A fascinating collection of essays and interviews, it examines the persistent mythology of the artist's model and some of the ambiguities involved in depicting the body.

The volume begins with Martin Postle's survey of the profession of the model during the period c.1840-1940. Elizabeth Prettejohn considers the Pre-Raphaelite model and Alison Smith examines the lives of some nineteenth-century models who achieved fame and notoriety in their own right. Jane Desmarais looks at the model from a literary perspective and Reena Suleman presents the work of Edward Linley Sambourne. Michael Hatt's essay examines the aesthetic and ethical aspects of Tuke's use of boy models for his paintings of nude bathers, and William Vaughan reflects on the British figurative tradition from Sickert to Freud. Catherine Wood brings the volume up to date with her essay on the found model in contemporary art, and the volume concludes with two interviews with the artist, Peter Blake, and a life model, Susannah Gregory.

The book offers a series of lively takes on the phenomenon of the artist's model. It will make fascinating reading for those interested in modern art and the wider aspects of British culture and society.

Reading Decadence is an intersensorial experience. It is to indulge in voluptuous pleasures and excruciating pains, to sample exotic tastes and sounds, and to envisage states of mind in highly sensual terms. Obsessed with extreme sensory experiences, Decadent writers identified ways of shocking the middle classes and rejecting moralism by turning the conventional notion of 'good taste' on its head. This collection of essays explores the Decadent sensorium in the work of established and less well-known Decadent writers and artists, including Rachilde, Theodore Wratislaw, Arthur Symons, Mark Andr Raffalovich, J.-K. Huysmans, Theodore Watts-Dunton, Michael Field, Ernest Dowson, and St phane Mallarm . Tracing sensual motifs and figures in the work of late nineteenth-century Decadent writers and artists, leading and emerging scholars in the field offer new and provocative insights into the Decadent imagination.

Jane Desmarais is Senior Lecturer in English at Goldsmiths, University of London. Alice Cond is a Postdoctoral Research Associate in the Department of English and Comparative Literature at Goldsmiths, University of London.

The tradition of Decadent writing in the 19th century remains a fascinating current in the evolution of modern literature. This new anthology brings together key texts from an international range of Decadent writings and writings about Decadence, many of them previously hard to find and some freshly translated from French, German, Italian, and - in a special section on ancient Roman antecedents - from Latin.

The selection of texts and extracts, more fully annotated than in other sources, includes key Decadent manifestos and declarations of principle by Théophile Gautier, Walter Pater and Oscar Wilde; poems by Charles Baudelaire, Arthur Symons and many others; extracts from prose fictions by J.-K. Huysmans, Aubrey Beardsley and others; critical denunciations, with more discerning responses to the challenge of Decadence; parodies by Max Beerbohm among others of Decadent attitudes and styles; and significant extracts from relevant ancient Roman writings by Petronius and Juvenal.

The selection and explanatory notes combine to offer university students of literature and culture at all levels, along with teachers and lay enthusiasts, a rich resource for the understanding of Decadence as an elusive idea and as a literary tradition, in its complex evolution from the 1830s to the fin de siècle and beyond.

The number of people suffering from different eating disorders has grown dramatically within the last twenty years. These two volumes examine feeding difficulties and eating disorders in children and adolescents, from babies to 19-year-olds. The volumes consist of clinical cases that describe the process of psychoanalytic psychotherapy used to treat the patients. The contributors look at the underlying causes for the disorders, such as bulimia and anorexia, lead to a normal life with the help of psychoanalytic psychotherapy. In addition, this collection takes into account the profound effects eating disorders have, not only on the patients, but on their immediate family and friends as well.'Many cases describe the anxieties and strategies of defence used against feelings of dependence and the risk of accepting from another. This is a core theme in both volumes and is the principal idea behind the paradoxical title, The Generosity of Acceptance.

Decadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor's indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine's rational pursuit of hedonism, to the nineteenth-century dandy's simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxieties and uncertainties.

This book is a study of the simultaneous physiological recordings and psychoanalytic observations when emotional/psychological responses to external stimuli occur pari passu with observed physiological changes. It is the culmination of the author's psychiatric and psychoanalytic work with patients over fifty years, and is based on the simple premise that physiological measurements cannot describe the mind and the mind cannot describe physiological processes. In order for us to have a significant knowledge of the object the author argues that we need both, and that medical specialists and health professionals (doctors, nurses, psychoanalysts, psychotherapists, psychiatrists, etc.) need to be trained to adopt a Complementary approach to patients. The complex relationship between mind and body offers vital clues to the individual's condition, and only by considering patients both physically and mentally can doctors and psychoanalysts make precise and competent judgements.

The meaning of decadence varies with context, depending on what (or who) is understood to have declined, decayed, or degenerated. These negative meanings are familiar from history (the decline and fall of Rome), sociology (the decay of communities), morality (the degeneration of values), and more, including such popular conceptions of decadence as excess and corruption. At the same time, all of this negative decadence has found positive cultural expression, principally in literature, through the work of such celebrated nineteenth-century decadents as Charles Baudelaire, Oscar Wilde, and many others. This volume takes the study of decadence beyond these canonical literary works to explore the phenomenon in broader historical, geographical, and cultural contexts.

In thirty-five chapters by esteemed scholars from a range of disciplines, the Oxford Handbook of Decadence addresses different critical periods, such as classical antiquity, various ages of empire, the interwar era in the twentieth century, and contemporary times, as well as key places--France, Belgium, Britain, Italy, Germany, the Nordic nations, Russia and Ukraine, the Ottoman Empire, and Japan--and such genres as the novel, the short story, drama, the essay, prose poetry, and film. The volume also considers decadence more broadly as a culture not limited to literature by tracing its manifestations in such material forms as book design, fashion, interior decoration, and architecture, as well as through the experiential register of the senses: decadent vision, sound, smell, taste, and touch are all reflected, respectively, in painting, music, perfume, cuisine, and feeling. Finally, the chapters explore the theoretical resonance of decadence in such fields as theology, science, ecology, politics, psychoanalysis, and philosophy. By illuminating the various ways decadence can be construed, the Handbook offers an in-depth and original exploration into the paradox of decadence: a culture that draws its creative energy from the idea of decline.

Designed to appeal to the book lover, the Macmillan Collector's Library is a series of beautifully bound pocket-sized gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure. These beautiful books make perfect gifts or a treat for any book lover.

As the nineteenth century drew to a close, decadent authors boldly decided it was time for something new.

Their work was was radical, daring and controversial, and it captured a unique feeling and exciting atmosphere. Rich with aesthetic hedonism, this anthology showcases the very best short stories from the movement.

In 'The Nightingale and the Rose', Oscar Wilde expertly captures the decadent mood when a young student laments the futility of art; Vernon Lee tells the story of a mysterious and beautiful woman who brings strange misfortune to a coastal village in 'Dionea'; 'A Funeral Oration' by Jean Lorrain oozes with excess and indulgence; 'Enoch Soames' grapples with the fin de siècle fear of leaving no legacy. From famous authors to lesser-known writers, there is no shortage of drama, darkness and decay in this riveting collection.

This edition is edited and introduced by writer and academic Jane Desmarais.