In this compilation of poems by Walter De La Mare are 84 pieces, representing the entire Songs of Childhood and the Up and Down and Boys and Girls sections of Peacock Pie.
Presented in large type with plenty of space around the text for easy reading this collection also features the original illustrations by Estella Canziani. If reading over a term there are enough poems for one each day, with some left over for when the children beg for more.
In this compilation of poems by Walter De La Mare are 84 pieces, representing the entire Songs of Childhood and the Up and Down and Boys and Girls sections of Peacock Pie.
Presented in large type with plenty of space around the text for easy reading this collection also features the original illustrations by Estella Canziani. If reading over a term there are enough poems for one each day, with some left over for when the children beg for more.
En su ensayo El horror sobrenatural en la literatura, H. P. Lovecraft atribuye a Walter de la Mare una curiosa técnica narrativa, consistente en transmitir los sentimientos, en el sentido de llevarlos desde el texto a la mente del lector. Y el autor lo consigue de forma soberbia. A la luz de estos relatos sería válido afirmar que esta técnica opera por sugestión y acumulación, en ese delgado confín donde se funden lo real y lo fantasmal.
Los relatos incluidos en este volumen fueron seleccionados, traducidos y prologados por Francisco Torres Olivier, uno de los mayores impulsores del género macabro y sobrenatural en lengua castellana. Se incluyen los cuentos más celebrados de De la Mare, esos donde el eco de las palabras resulta, por momentos, más potente que las propias palabras.
Walter de la Mare (1843-1956) es dueño de una obra ecléctica:
ensayos, poemas infantiles, cuentos de terror psicológico. Las delicadezas campean en su literatura: es el trabajo con las atmósferas aquello que lo alejan de la ortodoxia y las vanguardias para convertirlo, sin eufemismos, en un autor único en su género.
Quizás por eso su traductor reconoce su valor y, a la vez, las enormes dificultades de volcarlo al español. Quizás por eso estos relatos son tan usuales en antologías del ámbito angloparlante, y casi inhallables en idioma español.
Como fuese, el rescate de estos cuentos cumple en celebrar, con pleno merecimiento, a un autor insoslayable en la literatura fantástica del siglo XX.
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An enchanting retelling of nineteen fairy tales, introduced by popular fantasy writer Philip Pullman
Originally published in 1927, Told Again is an enchanting collection of elegant fairy tales, showcasing the formidable talents of Walter de la Mare, one of the most celebrated writers of children's literature during the first half of the twentieth century. His abundant literary gifts can be savored once more in this beautiful new edition. Nineteen adapted classics, including Rapunzel, Little Red Riding-Hood, Rumplestiltskin, and The Sleeping Beauty, are made new by de la Mare's poetic insights and graceful prose, making these tales appropriate for younger readers. With marvelous black and white illustrations by A. H. Watson, this volume also presents a splendid introduction by Philip Pullman, the contemporary master of fantasy literature.An enchanting retelling of nineteen fairy tales, introduced by popular fantasy writer Philip Pullman
Originally published in 1927, Told Again is an enchanting collection of elegant fairy tales, showcasing the formidable talents of a writer who used magical realism before the term had even been invented. Walter de la Mare (1873-1956) was one of the most celebrated writers of children's literature during the first half of the twentieth century--so much so that W. H. Auden edited a selection of his poems and British children could recite de la Mare's verses by heart. His abundant literary gifts can be savored once more in this new edition. With marvelous black and white illustrations by A. H. Watson, this volume includes a splendid introduction by Philip Pullman, the contemporary master of fantasy literature. The significance of the nineteen adapted classics in Told Again lies in de la Mare's poetic insights and graceful prose, which--as Pullman indicates in his introduction--soften and sweeten the originals, making these tales appropriate for younger readers. In The Four Brothers, the siblings allow the princess to choose her own husband rather than argue over her; and in Rapunzel, de la Mare discreetly leaves out details of the prince's tortured, blind search for his love. Familiar stories, such as Little Red Riding-Hood, Rumplestiltskin, and The Sleeping Beauty are also made new through de la Mare's expansive, descriptive, and lyrical prose. Pullman covers important details about de la Mare's life and captures the stylistic intention behind the rewriting of these wonderful favorites. Reviving the work of a writer who exemplified a romantic vision and imagination, Told Again is a remarkable retelling of fairy tales touched by mystery and magic.