Prisoners of the American Dream is Mike Davis's brilliant exegesis of a persistent and major analytical problem for Marxist historians and political economists: Why has the world's most industrially advanced nation never spawned a mass party of the working class? This series of essays surveys the history of the American bourgeois democratic revolution from its Jacksonian beginnings to the rise of the New Right and the re-election of Ronald Reagan, concluding with some bracing thoughts on the prospects for progressive politics in the United States.
For the late great Mike Davis, the ravaging of the climate by capital-and his prescient analysis of its consequences for those of us left to deal with the resulting crises-was always a central part of his urban geography.
In these wide ranging, incisive, and hauntingly relevant essays, Davis asks us to consider what we would find if we put a microscope to the ruins of Metropolis, and provides a riveting account of the disasters-natural, man-made, and those (as in the case of climate calamity) where the distinction is impossible to make-that he finds on the other end. He begins his examination by sifting through the rubble of the twin towers in the wake of 9/11, presciently identifying the seeds of war already germinating in the scorched soil of ground zero, and closes by considering how little prepared our hollowed out urban infrastructure is to deal with shocks of any kind, be they from car bombs or ice storms. In between we are treated to tours of blasted wastelands where American generals built and destroyed replicas of Berlin, glimpses of Las Vegas's penchant for annihilating its own best-known landmarks, and other riveting tales of the dialectic between nature and the city.
Dead Cities, written over twenty years ago, abounds with prophecies fulfilled, contains echoes of our current moment where conspiracies abound and anxieties drown out official celebrations of prosperity, and offers dreams of alternative paths not taken.
This book provides photographers with the foundation to craft more compelling photos from concept all the way through to creation and distribution, on the path to making a living.
Based on real-life practice and experience, former National Geographic and White House visual editor, Mike Davis, takes readers on a journey starting with addressing the motivation behind an image and how this determines the rest of the creative process. He goes on to articulate best technical practices to create the narrative through photo composition and what to do with your work after the photos are completed. Each section offers exercises for applied learning and a series of appendices cover assignments structures, a compilation of critical words and concepts, a comprehensive resource guide of organizations, competitions, grants, collectives and agencies, book publishers and printers, and more.
This is an ideal resource for students and practitioners alike to gain a more informed understanding of photographic expression and learn how to effectively execute these visions.
Marx has returned, but which Marx? Recent biographies have proclaimed him to be an emphatically nineteenth-century figure, but in this book, Mike Davis's first directly about Marx and Marxism, a thinker comes to light who speaks to the present as much as the past. In a series of searching, propulsive essays, Davis, the bestselling author of City of Quartz and recipient of a MacArthur Fellowship, explores Marx's inquiries into two key questions of our time: Who can lead a revolutionary transformation of society? And what is the cause--and solution--of the planetary environmental crisis?
Davis consults a vast archive of labor history to illuminate new aspects of Marx's theoretical texts and political journalism. He offers a lost Marx, whose analyses of historical agency, nationalism, and the middle landscape of class struggle are crucial to the renewal of revolutionary thought in our darkening age. Davis presents a critique of the current fetishism of the anthropocene, which suppresses the links between the global employment crisis and capitalism's failure to ensure human survival in a more extreme climate. In a finale, Old Gods, New Enigmas looks backward to the great forgotten debates on alternative socialist urbanism (1880-1934) to find the conceptual keys to a universal high quality of life in a sustainable environment.
The author of City of Quartz and Planet of Slums attacks the current fashion for empires and white men's burdens in this blistering collection of radical essays. He skewers contemporary idols such as Mel Gibson, Niall Ferguson, and Howard Dean; unlocks some secret doors in the Pentagon and the California prison system; visits Star Wars in the Arctic and vigilantes on the border; predicts ethnic cleansing in New Orleans more than a year before Katrina; recalls the anarchist avengers of the 1890s and teeny-bopper riots on the Sunset Strip in the 1960s; discusses the moral bankruptcy of the Democrats in Kansas and West Virginia; remembers Private Ivan, who defeated fascism; and looks at the future of capitalism from the top of Hubbert's Peak.
No writer in the United States today brings together analysis and history as comprehensively and elegantly as Mike Davis. In these contemporary, interventionist essays, Davis goes beyond critique to offer real solutions and concrete possibilities for change.
Davis remains our penman of lost souls and lost scenarios: He culls nuggets of avarice and depredation the way miners chisel coal.Mike Davis is the author many books, including City of Quartz, The Ecology of Fear, The Monster at Our Door, and Planet of Slums. Davis teaches in the Department of History at the University of California, Irvine, and lives in San Diego.
For the late great Mike Davis, the ravaging of the climate by capital-and his prescient analysis of its consequences for those of us left to deal with the resulting crises-was always a central part of his urban geography.
In these wide ranging, incisive, and hauntingly relevant essays, Davis asks us to consider what we would find if we put a microscope to the ruins of Metropolis, and provides a riveting account of the disasters-natural, man-made, and those (as in the case of climate calamity) where the distinction is impossible to make-that he finds on the other end. He begins his examination by sifting through the rubble of the twin towers in the wake of 9/11, presciently identifying the seeds of war already germinating in the scorched soil of ground zero, and closes by considering how little prepared our hollowed out urban infrastructure is to deal with shocks of any kind, be they from car bombs or ice storms. In between we are treated to tours of blasted wastelands where American generals built and destroyed replicas of Berlin, glimpses of Las Vegas's penchant for annihilating its own best-known landmarks, and other riveting tales of the dialectic between nature and the city.
Dead Cities, written over twenty years ago, abounds with prophecies fulfilled, contains echoes of our current moment where conspiracies abound and anxieties drown out official celebrations of prosperity, and offers dreams of alternative paths not taken.