A Finalist for the Folio Prize, the Goldsmiths Prize, the Scotiabank Giller Prize, and the Baileys Women's Prize for Fiction

One of The New York Times' Top Ten Books of the Year. Named a A New York Times Book Review Notable Book and a Best Book of the Year by The New Yorker, Vogue, NPR, The Guardian, The Independent, Glamour, and The Globe and Mail

Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times

Rachel Cusk's Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her students in storytelling exercises. She meets other visiting writers for dinner. She goes swimming in the Ionian Sea with her neighbor from the plane. The people she encounters speak volubly about themselves: their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face a great loss.

Winner of the Goldsmiths Prize
Named a Best Book of the Year (So Far) by The New Yorker and Vulture

From Rachel Cusk, author of the Outline trilogy, comes this startling, exhilarating novel that once again expands the notion of what fiction can be and do.

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success.

In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas.

At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries.

When a mother dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom.

Parade is a novel that demolishes the conventions of storytelling. It surges past the limits of identity, character, and plot to tell the story of G, an artist whose life contains many lives. Rachel Cusk is a writer and visionary like no other, who turns language upside down to show us our world as it really is.

National Bestseller - A Finalist for the Scotiabank Giller Prize - A Finalist for the Goldsmiths Prize - Long-listed for the International Dublin Literary Award - One of Time Magazine's Top 10 Fiction Books of the Year

A New York Times Book Review Notable Book - Named a Best Book of the Year by The Guardian, Southern Living, NOW Magazine, Commonweal, The Washington Independent Review of Books, the San Francisco Chronicle, The Globe and Mail, BOMB Magazine, and The National Post (Canada)

The Stunning Second Novel of a Trilogy That Began with Outline, One of New York Times Book Review's 10 Best Books of the Year

In the wake of her family's collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions--personal, moral, artistic, and practical--as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life.

Filtered through the impersonal gaze of its keenly intelligent protagonist, Transit sees Rachel Cusk delve deeper into the themes first raised in her critically acclaimed novel Outline and offers up a penetrating and moving reflection on childhood and fate, the value of suffering, the moral problems of personal responsibility, and the mystery of change.

In this second book of a precise and short yet epic cycle, Cusk describes the most elemental experiences, the liminal qualities of life. She captures with unsettling restraint and honesty the longing to both inhabit and flee one's life, and the wrenching ambivalence animating our desire to feel real.

New York Times Book Review 100 Notable Books of 2018 - Amazon Editors' Top 100 of 2018

Rachel Cusk, the award-winning and critically acclaimed author of Outline and Transit, completes the transcendent literary trilogy with Kudos, a novel of unsettling power.

A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation, a fissure that accrues great dramatic force as Kudos reaches a profound and beautiful climax.

In this conclusion to her groundbreaking trilogy, Cusk unflinchingly explores the nature of family and art, justice and love, and the ultimate value of suffering. She is without question one of our most important living writers.

A haunting fable of art, family, and fate from the author of the Outline trilogy.

A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma--and disrupts the calm of her secluded household.

Second Place, Rachel Cusk's electrifying new novel, is a study of female fate and male privilege, the geometries of human relationships, and the moral questions that animate our lives. It reminds us of art's capacity to uplift--and to destroy.

Multi-award-winning author Rachel Cusk's honest memoir that captures the life-changing wonders of motherhood.

Selected by The New York Times as one of the 50 Best Memoirs of the Past 50 Years

Funny and smart and refreshingly akin to a war diary--sort of Apocalypse Baby Now . . . A Life's Work is wholly original and unabashedly true. --The New York Times Book Review

A Life's Work: On Becoming a Mother is Rachel Cusk's funny, moving, brutally honest account of her early experiences of motherhood. When it was published it 2001, it divided critics and readers. One famous columnist wrote a piece demanding that Cusk's children be taken into care, saying she was unfit to look after them, and Oprah Winfrey invited her on the show to defend herself.

An education in babies, books, breast-feeding, toddler groups, broken nights, bad advice and never being alone, it is a landmark work, which has provoked acclaim and outrage in equal measure.

A vivid and elegant memoir of a family's season abroad by the author of the Outline trilogy.

When Rachel Cusk decides to travel to Italy for a summer with her husband and two young children, she has no idea of the trials and wonders that lie in store. Their journey, chronicled in The Last Supper, leads them to both the expected and the surprising, all seen through Cusk's sharp and humane perspective.

A New York Times Notable Book of the Year
Winner of the Somerset Maugham Award

The Country Life, Rachel Cusk's third novel, is a rich and subtle story about embarrassment, awkwardness, and being alone; about families, or the lack of them; and about love in some peculiar guises.

A brilliant oxymoron--a serious farce . . . Cusk's ability to keep us interested in innumerable human collisions is uncanny. --The New Yorker

Stella Benson sets off for Hilltop, a tiny Sussex village housing a family that is somewhat larger-than-life. Her hopes for the Maddens may be high, but her station among them--as au pair to their irascible son, Martin--is undeniably low.

What could possibly have driven her to leave her home, job, and life in London for such rural ignominy? Why has she severed all contact with her parents? And why is she so reluctant to talk about her past?

A new paperback edition of Rachel Cusk's debut novel, winner of the Whitbread First Novel Award.

In Saving Agnes, Agnes Day--subeditor, suburbanite, failure extraordinaire--has discovered disconcerting gaps in her general understanding of the world. Terminally middle-class and incurably romantic, Agnes finds herself chronically confused by the most basic interactions. Life and love go on without her, but with a little facade she can pass herself off as a success. Beneath the fiction, however, the burden of truth becomes harder to bear.

A Sunday Times (London) Top 100 Novel of the Twenty-First Century

No one has written better about what, I suppose, is generally known as female experience . . . All of it is familiar from life but not (thus far) from literature. Everything about Arlington Park is original and fearless. --Francine Prose, Bookforum

Set over the course of one rainy day in an ordinary English suburb, Arlington Park is a viciously funny portrait of a group of young mothers, each bound to their families, each straining for some kind of independence: Juliet, enraged at the victory of men over women in family life; Amanda, warding off thoughts of death with obsessive housework; Solly, about to give birth to her fourth child; Maisie, struggling to accept provincial life; and Christine, the optimist and host of a dinner party where the neighbors come together.

Penetrating and empathetic, Rachel Cusk's Arlington Park is a domestic adventure about the perils of modern privilege that is as smartly satirical as it is warmly wise (Elle).

Beautiful . . . Compelling . . . Cusk is] an extraordinary writer of the female experience. --Financial Times

In the winter of 2009, Rachel Cusk's marriage of ten years came to an end. Candid and revelatory, Aftermath chronicles the perilous journey as the author redefines herself and creates a new version of family life for her daughters. She discovers previously unknown strengths and freedoms but also finds herself suddenly vulnerable to outsiders, unwelcome advice, social displacement, and the absence of a clear authority. The pressure to reconstruct a normal life for her daughters competes with the sense that nothing feels normal at all.

Aftermath is a classic: a masterly work in which the author, at her most ruthless and rigorous, charts the largely unwritten journey back to order from the chaos that is left when a family breaks apart.

Rachel Cusk's second novel is a ruthless, surprising story of work, gender, and control.

Ralph Loman is working in an unsatisfying job at a free London newspaper when Francine Snaith, a temporary secretary for a corporate finance firm, unexpectedly crosses his path at a party. Her beauty ignites a blaze of excitement in his troubled heart. But Francine is ravenous for attention, driven by a thirst for conquest, and when Ralph tries politely to extricate himself, he finds he is bound by chains of consequence from which it seems there is no escape. In The Temporary, Rachel Cusk paints a merciless portrait of the cut and thrust of modern romance, work, and life.

NPR's Favorite Books of 2019

Rachel Cusk redrew the boundaries of fiction with the Outline Trilogy, three literary masterpieces (The Washington Post) whose narrator, Faye, perceives the world with a glinting, unsparing intelligence while remaining opaque to the reader. Lauded for the precision of her prose and the quality of her insight, Cusk is a writer of uncommon brilliance. Now, in Coventry, she gathers a selection of her nonfiction writings that both offers new insights on the themes at the heart of her fiction and forges a startling critical voice on some of our most urgent personal, social, and artistic questions.

Coventry encompasses memoir, cultural criticism, and writing about literature, with pieces on family life, gender, and politics, and on D. H. Lawrence, Fran oise Sagan, and Kazuo Ishiguro. Named for an essay Cusk published in Granta (Every so often, for offences actual or hypothetical, my mother and father stop speaking to me. There's a funny phrase for this phenomenon in England: it's called being sent to Coventry), this collection is pure Cusk and essential reading for our age: fearless, unrepentantly erudite, and dazzling to behold.

Astonishing . . . The Bradshaw Variations is a timely, necessary story. --Elle

Thomas Bradshaw and Tonie Swann are experiencing the classic symptoms of marriage in its middle years: comfortable house, happy-enough daughter, and an eerie sense that life might be happening elsewhere. Then Tonie accepts a big promotion at work and Thomas agrees to become a stay-at-home dad.

While Thomas is suddenly faced with the daily silence of an empty house, Tonie finds herself alive to previously unimagined possibilities. And at the head of the family, the aging Bradshaw parents continue their marital dynamic of bickering and petty undermining.

The seventh novel by the acclaimed author of the Outline trilogy, Rachel Cusk's The Bradshaw Variations is a lyrical, subversive tale of a marriage unraveling.

A young pregnant mother wrestles with an utterly changed life; a new father searches for a sign of the man he used to be; a daughter yearns for a lost childhood; and a mother reaches out in bewilderment to a child she can't fully understand. A rare novel that illuminates the bustling concourses of life without sacrificing emotional depth and complexity, The Lucky Ones confirms Rachel Cusk's place among our most incisive writers.

A vivid and elegant account of a family's season abroad by one of our finest contemporary authors

Casting off a northern winter and an orderly life, a family decides to sell everything and go to Italy to search for art and its meanings, for freedom from routine, for a different path into the future. The award-winning writer Rachel Cusk describes a three-month journey around the Italy of Raphael and rented villas, of the Piero della Francesca trail and the tourist furnace of Amalfi, of soccer and the simple glories of pasta and gelato. With her husband and two children, Cusk uncovers the mystery of a foreign language, the perils and pleasures of unbelonging, and the startling thrill of discovery -- at once historic and intimate.

Both sharp and humane in its exploration of the desire to travel and to escape, of art and its inspirations, of beauty and ugliness, and of the challenge of balancing domestic life with creativity, The Last Supper is an astonishing memoir.

A New York Times Notable Book of the Year
Winner of the Somerset Maugham Award

The Country Life, Rachel Cusk's third novel, is a rich and subtle story about embarrassment, awkwardness, and being alone; about families, or the lack of them; and about love in some peculiar guises.

A brilliant oxymoron--a serious farce . . . Cusk's ability to keep us interested in innumerable human collisions is uncanny. --The New Yorker

Stella Benson sets off for Hilltop, a tiny Sussex village housing a family that is somewhat larger-than-life. Her hopes for the Maddens may be high, but her station among them--as au pair to their irascible son, Martin--is undeniably low.

What could possibly have driven her to leave her home, job, and life in London for such rural ignominy? Why has she severed all contact with her parents? And why is she so reluctant to talk about her past?

Winner of the Goldsmiths Prize
Named a Best Book of the Year (So Far) by The New Yorker and Vulture

From Rachel Cusk, author of the Outline trilogy, comes this startling, exhilarating novel that once again expands the notion of what fiction can be and do.

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success.

In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas.

At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries.

When a mother dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom.

Parade is a novel that demolishes the conventions of storytelling. It surges past the limits of identity, character, and plot to tell the story of G, an artist whose life contains many lives. Rachel Cusk is a writer and visionary like no other, who turns language upside down to show us our world as it really is.

Winner of the Whitbread Prize for Best First Novel

Agnes Day is mildly discontent. As a child, she never wanted to be an Agnes--she wanted to be a pleasing Grace. Alas, she remained the terminally middle class, hopelessly romantic Agnes. Now she's living with her two best friends in London and working at a trade magazine. Life and love seem to go on without her. Not only does she not know how to get back into the game, she isn't even sure what the game is. But she gives a good performance--until she learns that her roommates and her boyfriend are keeping secrets from her, and that her boss is quitting and leaving her in charge. In great despair, she decides to make it her business to set things straight. Saving Agnes is a perceptive, fresh, and honest novel that has delighted readers and critics on both sides of the Atlantic.

Set over the course of one rainy day in a London suburb, Arlington Park is a viciously funny portrait of a group of young mothers, each bound to their families, each straining for some kind of independence. As the hours pass, Rachel Cusk's graceful, incisive prose passes through the experience of each mother, following them all from the early-morning scrambling, through car trips and visits to the mall, and finally to a dinner party in the evening, when the husbands return and all the conflicts come to the surface. Penetrating and empathetic, Arlington Park is a domestic adventure about the perils of modern privilege that is as smartly satirical as it is warmly wise (Elle).