On November 20, 1983, a three-hour made-for-TV movie The Day After premiered on ABC. Set in the heartland of Lawrence, Kansas, the film depicted the events before, during, and after a Soviet nuclear attack with vivid scenes of the post-apocalyptic hellscape that would follow. The film was viewed by over 100 million Americans and remains the highest rated TV movie in history. After the premiere, ABC News aired an episode of Viewpoint, a live special featuring some of the most prominent public intellectuals of the debating the virtues of the Arms Race and the prospect of a winnable nuclear war. The response to the film proved more powerful than perhaps any film or television program in the history of media. Aside from its record-shattering Nielsen ratings, it enjoyed critical acclaim as well as international box office success in theatrical screenings.
The path to primetime for The Day After proved nearly as treacherous as the film's narrative. Battles ensued behind the scenes at the network, between the network and the filmmakers, with Broadcast Standards and Ad Sales, in the edit room and on the set, including the nuke-mares experienced by the cast. After the director was pushed aside, he contemplated suicide while also engineering a comeback through the press. But these skirmishes pale in comparison to the culture wars triggered by the film in the press, alongside a growing Nuclear Freeze movement, and from a united, pro-nuclear Right. Once efforts to alter the script failed, the White House conducted a full-throttled propaganda campaign to hijack the film's message.
Apocalypse Television features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, Reagan officials in the White House who mounted the propaganda campaign, rogue publicists who hijacked the film to promote a Nuclear Freeze, the backlash from the conservative movement and Religious Right, the challenges encountered by film's production team from conception to reception, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot, if also, ground zero in America's nuclear heartland.
Bin Laden also has to cope with the stress of being hunted by US Special Forces, preventing his deputy from taking over as leader of al-Qaeda, fearing that he looks Jewish, and filming new video releases for his enemies. When he's not popping Valium, he spends time wondering if his arch enemy in the White House is as stupid as he seems-and deciding that he is.
This book-a fascinating mix of fact and fiction-shows bin Laden obsessing about internet pornography (using such sites to send encrypted messages), watching the Athens Olympics (which he doesn't bomb because he's desperate to see Ian Thorpe and the synchronized swimming), and even dreaming of one day eating at the Carnegie Deli and shopping at Neiman-Marcus.
This is a book of joy, an Easter of jubilation. Holiness infuses these poems: holy flights of imagination, holy laughter, holy living in the everyday, and holy resurrection hope. Even the punishing season of winter is 'a glass of chilled champagne.' And angels everywhere-materializing to sing a Bach mass in the middle of the night on an empty street, or maybe dropping in for a summer swim. The energy, the down-to-earth reverence-is all of a piece, creating an abundance of blessings for any reader fortunate enough to step inside the world David Craig writes and lives.-JILL PELĂEZ BAUMGAERTNER, Poetry Editor, Christian Century
With his immediately recognizable voice-wry but reverent-and uncommonly deft prosodic skill, David Craig's new poems serve to resurrect the beauty of formal structures bearing uncontainable and exultant spirit into view.-SCOTT CAIRNS, author of Slow Pilgrim and Anaphora
David Craig's infectious new collection Easter celebrates the being and becoming of the 'unlikely people' with whom 'God hangs out' (oh, may we be among them!). It is impossible not to revel in its joyful faith. The collection brims with verses that merit meditation ('Jesus waits to realize Himself in the flesh of this world./It was what He was born for') as well as countless expressions of sheer happiness derived from a life that is 'changing imperceptibly toward the good.' Craig's gift is to gather the fruit and the fracas of our dailiness and raise them in oblation, without attempting to conceal our rough edges, which are God's to smooth. Easter is poetry to carry with us, from laughter to prayer, from trial to praise.-SOFIA M. STARNES, Virginia Poet Laureate, Emerita
One of the first medical ethnographies to be written on contemporary Vietnam, Familiar Medicine examines the practical ways in which people of the Red River Delta make sense of their bodies, illness, and medicine. Traditional knowledge and practices have persisted but are now expressed through and alongside global medical knowledge and commodities. Western medicine has been eagerly adopted and incorporated into everyday life in Vietnam, but not entirely on its own terms.
Familiar Medicine takes a conjectural, interdisciplinary approach to its subject, weaving together history, ethnography, cultural geography, and survey materials to provide a rich and readable account of local practices in the context of an increasingly globalized world and growing microbial resistance to antibiotics. Theoretically, it draws on current critical and cultural theory (in particular applying Pierre Bourdieu's work on habitus and practical logics) in innovative but approachable ways. David Craig addresses a range of contemporary fascinations in medical anthropology and the sociology of health and illness: from the trafficking of medical commodities and ideas under globalization to the hybridization of local cultural formations, knowledge, and practices. His book will be required reading for international workers in health and development in Vietnam and a rich resource for courses in cultural geography, anthropology, medical sociology, regional studies, and public and international health.God desires to lead us into all truth and show us things to come. In My Supernatural Life Dr. David Craig records life events and shares some significant dreams and visions. His desire is to encourage you to consider your own dreams and visions and their supernatural impact. Dr. Craig's words are transparent and personal. He includes pertinent scripture for both the spiritual purpose and benefit of understanding and obeying your dreams and visions. Enjoy Dr. Craig's story and get ready for God to bring to your remembrance earlier dreams and visions preparing you for the moment at hand