Renowned for his sparse yet powerful prose, J. M. Coetzee is unquestionably among the most influential--and provocative--authors of our time. With characteristic insight and a brittle wit that forces our attention on the common terrors we don't want to think about (Washington Post), Coetzee here challenges us to interrogate our preconceptions not only of love, but of truth itself.

Exacting yet unpredictable, pithy yet complex, Coetzee's The Pole tells the story of Wittold Walccyzkiecz, a vigorous, extravagantly white-haired pianist and interpreter of Chopin who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his concert in Barcelona. Although Beatriz, a married woman, is initially unimpressed by Wittold and his gleaming dentures, she soon finds herself pursued and ineluctably swept into his world. As the journeyman performer sends her countless letters, extends invitations to travel, and even visits her husband's summer home in Mallorca, their unlikely relationship blossoms, though only on Beatriz's terms.

The power struggle between them intensifies, eventually escalating into a full-fledged battle of the sexes. But is it Beatriz who limits their passion by paralyzing her emotions? Or is it Wittold, the old man at his typewriter, trying to force into life his dream of love? Reinventing the all-encompassing love of the poet Dante for his Beatrice, Coetzee exposes the fundamentally enigmatic nature of romance, showing how a chance meeting between strangers--even a Pole, a man of seventy, a vigorous seventy, and a stultified banker's wife who occupies her days in good works--can suddenly change everything.

Reminiscent of James Joyce's The Dead in its exploration of love and loss, The Pole, with lean prose and surprising feints, is a haunting work, evoking the inexhaustible palette of sensations, from blind love to compassion (Berna González Harbour, El País) typical of Coetzee's finest novels.

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

In addition to being one of the most acclaimed and accomplished fiction writers in the world, Nobel Prize winner J. M. Coetzee is also a literary critic of the highest caliber. In this collection of twenty essays, Coetzee examines the work of some of the twentieth-century's greatest writers--from Samuel Beckett and G nter Grass to Gabriel Garc a M rquez and Philip Roth. Brilliantly insightful, challenging yet accessible, these pieces demonstrate Coetzee's sharp eye and unwavering critical acumen. Written with great clarity and precision, they offer a window into twenty immortal texts that will be of major interest to all readers of international literature, as well as to Coetzee's many fans.

The provocative Booker Prize winning novel from Nobel laureate, J.M. Coetzee

Compulsively readable... A novel that not only works its spell but makes it impossible for us to lay it aside once we've finished reading it. --The New Yorker

At fifty-two, Professor David Lurie is divorced, filled with desire, but lacking in passion. When an affair with a student leaves him jobless, shunned by friends, and ridiculed by his ex-wife, he retreats to his daughter Lucy's smallholding. David's visit becomes an extended stay as he attempts to find meaning in his one remaining relationship. Instead, an incident of unimaginable terror and violence forces father and daughter to confront their strained relationship and the equallity complicated racial complexities of the new South Africa.

2024 marks the 25th Anniversary of the publication of Disgrace

Language, historically speaking, has always been slippery. Two dictionaries provide two different maps of the universe: which one is true, or are both false? Speaking in Tongues--taking the form of a dialogue between Nobel laureate novelist J. M. Coetzee and eminent translator Mariana Dimópulos--examines some of the most pressing linguistic issues that plague writers and translators well into the twenty-first century.

The authors address questions that we must answer in order to understand contemporary society. They inquire if one can truly love an acquired language, and they question why certain languages, like Spanish, have gender differences built into them. They examine the threat of monolingualism and ask how we can counter, if at all, the global spread of the English language, which seems to maraud like a colonial power. They question whether it should be the duty of the translator to remove morally objectionable, misogynistic, or racist language. And in the conclusion, Coetzee even speculates whether it's only mathematics that can tell the truth about everything.

Drawing from decades of experience in the craft of language, both Dimópulos and Coetzee face the reality, as did Walter Benjamin over a century ago in his seminal essay The Task of the Translator, that when it comes to self-expression, some things will always get lost in translation. Speaking in Tongues finally emerges as an engaging and accessible work of philosophy, shining a light on some of the most important linguistic and philological issues of our time.

The idea of human cruelty to animals so consumes novelist Elizabeth Costello in her later years that she can no longer look another person in the eye: humans, especially meat-eating ones, seem to her to be conspirators in a crime of stupefying magnitude taking place on farms and in slaughterhouses, factories, and laboratories across the world.

Costello's son, a physics professor, admires her literary achievements, but dreads his mother's lecturing on animal rights at the college where he teaches. His colleagues resist her argument that human reason is overrated and that the inability to reason does not diminish the value of life; his wife denounces his mother's vegetarianism as a form of moral superiority.

At the dinner that follows her first lecture, the guests confront Costello with a range of sympathetic and skeptical reactions to issues of animal rights, touching on broad philosophical, anthropological, and religious perspectives. Painfully for her son, Elizabeth Costello seems offensive and flaky, but--dare he admit it?--strangely on target.

In this landmark book, Nobel Prize-winning writer J. M. Coetzee uses fiction to present a powerfully moving discussion of animal rights in all their complexity. He draws us into Elizabeth Costello's own sense of mortality, her compassion for animals, and her alienation from humans, even from her own family. In his fable, presented as a Tanner Lecture sponsored by the University Center for Human Values at Princeton University, Coetzee immerses us in a drama reflecting the real-life situation at hand: a writer delivering a lecture on an emotionally charged issue at a prestigious university. Literature, philosophy, performance, and deep human conviction--Coetzee brings all these elements into play.

As in the story of Elizabeth Costello, the Tanner Lecture is followed by responses treating the reader to a variety of perspectives, delivered by leading thinkers in different fields. Coetzee's text is accompanied by an introduction by political philosopher Amy Gutmann and responsive essays by religion scholar Wendy Doniger, primatologist Barbara Smuts, literary theorist Marjorie Garber, and moral philosopher Peter Singer, author of Animal Liberation. Together the lecture-fable and the essays explore the palpable social consequences of uncompromising moral conflict and confrontation.

NOW A FILM STARRING MARK RYLANCE, JOHNNY DEPP, AND ROBERT PATTINSON

A modern classic by Nobel Laureate J.M. Coetzee. His latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

For decades the Magistrate has been a loyal servant of the Empire, running the affairs of a tiny frontier settlement and ignoring the impending war with the barbarians. When interrogation experts arrive, however, he witnesses the Empire's cruel and unjust treatment of prisoners of war. Jolted into sympathy for their victims, he commits a quixotic act of rebellion that brands him an enemy of the state.

J. M. Coetzee's prize-winning novel is a startling allegory of the war between opressor and opressed. The Magistrate is not simply a man living through a crisis of conscience in an obscure place in remote times; his situation is that of all men living in unbearable complicity with regimes that ignore justice and decency.

Renowned for his sparse yet powerful prose, J. M. Coetzee is unquestionably among the most influential--and provocative--authors of our time. With characteristic insight and a brittle wit that forces our attention on the common terrors we don't want to think about (Washington Post), Coetzee here challenges us to interrogate our preconceptions not only of love, but of truth itself.

Exacting yet unpredictable, pithy yet complex, Coetzee's The Pole tells the story of Wittold Walccyzkiecz, a vigorous, extravagantly white-haired pianist and interpreter of Chopin who becomes infatuated with Beatriz, a stylish patron of the arts, after she helps organize his concert in Barcelona. Although Beatriz, a married woman, is initially unimpressed by Wittold and his gleaming dentures, she soon finds herself pursued and ineluctably swept into his world. As the journeyman performer sends her countless letters, extends invitations to travel, and even visits her husband's summer home in Mallorca, their unlikely relationship blossoms, though only on Beatriz's terms.

The power struggle between them intensifies, eventually escalating into a full-fledged battle of the sexes. But is it Beatriz who limits their passion by paralyzing her emotions? Or is it Wittold, the old man at his typewriter, trying to force into life his dream of love? Reinventing the all-encompassing love of the poet Dante for his Beatrice, Coetzee exposes the fundamentally enigmatic nature of romance, showing how a chance meeting between strangers--even a Pole, a man of seventy, a vigorous seventy, and a stultified banker's wife who occupies her days in good works--can suddenly change everything.

Reminiscent of James Joyce's The Dead in its exploration of love and loss, The Pole, with lean prose and surprising feints, is a haunting work, evoking the inexhaustible palette of sensations, from blind love to compassion (Berna González Harbour, El País) typical of Coetzee's finest novels.

With the same electrical intensity of language and insight that he brought to Waiting for the Barbarians, J.M. Coetzee reinvents the story of Robinson Crusoe--and in so doing, directs our attention to the seduction and tyranny of storytelling itself.

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

In 1720 the eminent man of letters Daniel Foe is approached by Susan Barton, lately a castaway on a desert island. She wants him to tell her story, and that of the enigmatic man who has become her rescuer, companion, master and sometimes lover: Cruso. Cruso is dead, and his manservant, Friday, is incapable of speech. As she tries to relate the truth about him, the ambitious Barton cannot help turning Cruso into her invention. For as narrated by Foe--as by Coetzee himself--the stories we thought we knew acquire depths that are at once treacherous, elegant, and unexpectedly moving.

From author of Waiting for the Barbarians and Nobel Prize winner J.M. Coetzee.

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

In a South Africa turned by war, Michael K. sets out to take his ailing mother back to her rural home. On the way there she dies, leaving him alone in an anarchic world of brutal roving armies. Imprisoned, Michael is unable to bear confinement and escapes, determined to live with dignity. This life affirming novel goes to the center of human experience--the need for an interior, spiritual life; for some connections to the world in which we live; and for purity of vision.

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

J.M. Coetzee: What relationship do I have with my life history? Am I its conscious author, or should I think of myself as simply a voice uttering with as little interference as possible a stream of words welling up from my interior?

Arabella Kurtz: One way of thinking about psychoanalysis is to say that it is aimed at setting free the narrative or autobiographical imagination.

The Good Story is a fascinating dialogue about psychotherapy and the art of storytelling between a writer with a long-standing interest in moral psychology and a psychotherapist with training in literary studies. Coetzee and Kurtz consider psychotherapy and its wider social context from different perspectives, but at the heart of both of their approaches is a concern with narrative. Working alone, the writer is in control of the story he or she tells. The therapist, on the other hand, collaborates with the patient in developing an account of the patient's life and identity that is both meaningful and true.

In a meeting of minds that is illuminating and thought-provoking, the authors discuss both individual psychology and the psychology of the group: the school classroom, gangs and the settler nation, in which the brutal deeds of ancestors are accommodated into a national story. Drawing on great writers like Cervantes and Dostoevsky and psychoanalysts like Freud and Melanie Klein, Coetzee and Kurtz explore the human capacity for self-examination, our wish to tell our own life stories and the resistances we encounter along the way.

J.M. Coetzee's vision goes to the nerve center of being.--Nadine Gordimer

The revolutionary first fiction by Nobel Prize Winner, J.M. Coetzee

A shattering pair of novellas in the tradition of Conrad's Heart of Darkness, Dusklands probes the links between the powerful and the powerless. Vietnam Project is narrated by a researcher investigating the effectiveness of United States propaganda and psychological warfare in Vietnam. The question of power is also explored in The Narrative of Jacobus Coetzee, the story of an eighteenth-century Boer frontiersman who vows revenge on the Hottentot natives because they have failed to treat him with the respect that he thinks a white man deserves. With striking intensity, J. M. Coetzee penetrates the twilight land of obsession, charting the nature on colonization as it seeks, in 1970 as in 1760, to absorb the wilds into the Western dusklands.

2024 is the 50th Anniversary of the publication of Dusklands

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

J. M. Coetzee, one of the greatest living writers in the English language, has crafted a deeply moving tale of love and mortality in his new book, Slow Man. When photographer Paul Rayment loses his leg in a bicycle accident, he is forced to reexamine how he has lived his life. Through Paul's story, Coetzee addresses questions that define us all: What does it mean to do good? What in our lives is ultimately meaningful? How do we define the place we call home? In his clear and uncompromising voice, Coetzee struggles with these issues and offers a story that will dazzle the reader on every page.

NOW A FILM STARRING MARK RYLANCE, JOHNNY DEPP, AND ROBERT PATTINSON

A modern classic by Nobel Laureate J. M. Coetzee

For decades the Magistrate has run the affairs of a tiny frontier settlement, ignoring the impending war between the barbarians and the Empire whose servant he is. When interrogation experts arrive, however, he finds himself jolted into sympathy with their victims--until their barbarous treatment of prisoners of war finally pushes him into a quixotic act of rebellion, and thus into imprisonment as an enemy of the state.

Waiting for the Barbarians, J. M. Coetzee's third novel, which won the James Tate Black Memorial Prize, is an allegory of the war between oppressor and oppressed. The Magistrate is not simply a man living through a crisis of conscience in an obscure place in remote times; his situation is that of all men living in unbearable complicity with regimes that elevate their own survival above justice and decency.

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

Since 1982, J. M. Coetzee has been dazzling the literary world. After eight novels that have won, among other awards, two Booker Prizes, and most recently, the Nobel Prize, Coetzee has once again crafted an unusual and deeply affecting tale. Told through an ingenious series of formal addresses, Elizabeth Costello is, on the surface, the story of a woman's life as mother, sister, lover, and writer. Yet it is also a profound and haunting meditation on the nature of storytelling.

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

In the fall of 1869 Fyodor Mikhailovich Dostoevsky, lately a resident of Germany, is summoned back to St. Petersburg by the sudden death of his stepson, Pavel. Half crazed with grief, stricken by epileptic seizures, and erotically obsessed with his stepson's landlady, Dostoevsky is nevertheless intent on unraveling the enigma of Pavel's life. Was the boy a suicide or a murder victim? Did he love his stepfather or despise him? Was he a disciple of the revolutionary Nechaev, who even now is somewhere in St. Petersburg pursuing a dream of apocalyptic violence? As he follows his stepson's ghost--and becomes enmeshed in the same demonic conspiracies that claimed the boy--Dostoevsky emerges as a figure of unfathomable contradictions: naive and calculating, compassionate and cruel, pious and unspeakably perverse.

A story told in prose as feverishly rich as William Faulkner's, In the Heart of the Country is a work of irresistable power.

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

On a remote farm in South Africa, the protagonist of J. M. Coetzee's fierce and passionate novel watches the life from which she has been excluded. Ignored by her callous father, scorned and feared by his servants, she is a bitterly intelligent woman whose outward meekness disguises a desperate resolve not to become one of the forgotten ones of history. When her father takes an African mistress, that resolve precipitates an act of vengeance that suggests a chemical reaction between the colonizer and the colonized--and between European yearnings and the vastness and solitude of Africa. With vast assurance and an unerring eye, J. M. Coetzee has turned the family romance into a mirror of the colonial experience.

Fiercely revealing, bluntly unsentimental. . .a telling portrait of the artist as a young man that illuminates the hidden source of his art. --Michiko Kakutani, The New York Times

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

Coetzee grew up in a new development north of Cape Town, tormented by guilt and fear. With a father he despised, and a mother he both adored and resented, he led a double life--the brilliant and well-behaved student at school, the princely despot at home, always terrified of losing his mother's love. His first encounters with literature, the awakenings of sexual desire, and a growing awareness of apartheid left him with baffling questions; and only in his love of the high veld (farms are places of freedom, of life) could he find a sense of belonging. Bold and telling, this masterly evocation of a young boy's life is the book Coetzee's many admirers have been waiting for, but never could have expected.

The Nobel Prize-winning author's brilliant trilogy of fictionalized memoirs--now available in one volume for the first time.

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

Few writers have won as much critical acclaim and as many admirers in the literary world as J. M. Coetzee. Yet the celebrated author rarely spoke of himself until the 1997 arrival of Boyhood, a masterly and evocative tale of a young writer's beginnings. Continuing with the fiercely tender Youth and the innovative Summertime, Scenes from Provincial Life is a heartbreaking and often very funny portrait of the artist by one of the world's greatest writers.

Not since Disgrace, has he written with such urgency and feeling. -The New Yorker

J.M. Coetzee's latest novel, The Schooldays of Jesus, is now available from Viking. Late Essays: 2006-2016 will be available January 2018.

Nobel Prize-winning author J. M. Coetzee's new book follows a young biographer as he works on a book about the late writer, John Coetzee. The biographer embarks on a series of interviews with people who were important to Coetzee during the period when he was finding his feet as a writer-in his thirties and sharing a run-down cottage in the suburbs of Cape Town with his widowed father. Their testimonies create an image of an awkward, reserved, and bookish young man who finds it difficult to connect with the people around him. An innovative and inspired work of fiction-incisive, elegant, and often surprisingly funny- Summertime allows one of the most revered writers of our time to imagine his own life with a critical and unsparing eye.

A modern classic by Nobel Laureate J.M. Coetzee
Waiting for the Barbarians centers on the crisis of the conscience of the Magistrate a loyal servant of the Empire working in a tiny frontier town, doing his best to ignore an inevitable war with the barbarians. After he witnesses the cruel and unjust treatment of prisoners of war, he reconsiders his role in the regime and carries out a quixotic act of rebellion.
The Good Storyby J.M. Coetzee and Arabella Kurtz is coming from Viking Books onSeptember 29, 2015