A gentle look at transitions and new beginnings through the eyes of a child in foster care--Chloe and the Fireflies is a warm picture book that expands the view of what a family can be

It's always hard to be the new kid--Chloe knows that better than anyone. But for the first time, in her new foster home, Chloe feels like she doesn't have to hide. Suddenly her life is full of sleepovers with friends, baking cookies, and living room dance parties. With the support of her dads and her community, Chloe is able to thrive like never before. When Chloe catches a firefly, she can only think of one wish: she wishes she'll be able to stay. But even if her wish doesn't come true, Chloe knows she will always treasure the time they spent together.

This gentle picture book is an expansive celebration of family love and community care.

Set in magical New Orleans, two teens from vastly different worlds discover that sharing their strengths, including the love of their friends and family, may just be the path to finding wholeness within themselves.

Being there for her family is the most important thing to Jessamine Monet. And her family is complicated. Her twin brother Joel has a secret boyfriend, and her transgender cousin Solange is flourishing, despite the disapproval of Solange's dying mother. Yet Jessamine doesn't mind being caught up in family drama. Being busy keeps the water at bay -- the water of memories, of Katrina, of past trauma. So when Tennessee Williams -- a rich white boy named after the writer -- asks her out, she hesitantly says yes. He'll be like a library book, she figures, something to read and return. Falling for him is another burden she can't afford to carry.

Tennessee has always lived his life at the mercy of his mom's destructive creativity and his dad's hypermasculine expectations. Jessamine's caring and aloof nature is a surprisingly welcome distraction. While she fights her attraction to him, Tennessee is pulled into her inner family circle and develops a friendship with Joel's boyfriend, Saint Baptiste. Together Saint and Tennessee bond over the difficulty of loving the emotionally unavailable Monet twins.

As senior year progresses, old traumas and familial pressures rise higher than hurricane waves. Can this group of friends make peace with each other, their families, and most importantly, with themselves?

A family reconnects to their joy after the loss of one of their own in the full-color picture book Where Did Benjamin Go?--perfect for fans of The Heart and the Bottle and Ida, Always.

When the snow falls, Charlie misses his brother more than anything else in the world. Daddy says that any time it snows Charlie can write down his five favorite things to do with Benjamin. The only problem is, there are hundreds of things to remember! Like playing in the pool, eating dessert before dinner, running in socked feet, planting daisies in the garden, and so much more.

As Charlie remembers Benjamin, he remembers a loving and playful big brother, and a house filled with happiness and joy. He soon discovers that Mom and Dad each have their own lists, and they can find their way by relying on one another.

From debut picture book creators Chris Clarkson and Annalise Barber comes an honest and authentic exploration of grief, hope, and family strength.

Lithics in the Land of the Lightning Brothers skilfully integrates a wide range of data-raw-material procurement, tool design, reduction and curation, patterns of distribution and association-to reveal the major outlines of Wardaman prehistory. At the same time, the book firmly situates data and methods in broad theoretical context. In its regional scope and thorough technological approach, this book exemplifies the best of recent lithic analysis and hunter-gatherer archaeology. Any archaeologist who confronts the challenge of classifying retouched stone tools should consult this volume for a clear demonstration of reduction intensity as a source of size and form variation independent of type. Yet the demonstration is not merely methodological; Clarkson shows how the measurement of reduction intensity informs analysis of technological diversity and other cultural practices. In Clarkson's hands, Wardaman prehistory emerges as a particular record of the human past. Yet the book is also a case study in prolonged cultural response to environmental conditions and the way in which cultures persist and reproduce themselves over long spans of time. The result is an analytical tour de force that will guide hunter-gatherer archaeology in Australia and elsewhere for years to come.

British Columbia inherited a legal system that granted married men control over most family property and imposed few obligations on them toward their wives and children. Yet from the 1860s onward, lawmakers throughout the Anglo-American world, including legislators on the Pacific Coast, began to grant women and children new rights. Domestic Reforms deftly analyzes the impact of the legislation, with emphasis on the ambitions of regulated populations, the influence of the judiciary, and the social and fiscal concerns of generations of legislators and bureaucrats.

British Columbia inherited a legal system that granted married men control over most family property and imposed few obligations on them toward their wives and children. Yet from the 1860s onward, lawmakers throughout the Anglo-American world, including legislators on the Pacific Coast, began to grant women and children new rights. Domestic Reforms deftly analyzes the impact of the legislation, with emphasis on the ambitions of regulated populations, the influence of the judiciary, and the social and fiscal concerns of generations of legislators and bureaucrats.

Disruptive Prisoners reconstitutes the history of Canada's federal prison system in the mid-twentieth century through a process of collective biography - one involving prisoners, administrators, prison reformers, and politicians. This social history relies on extensive archival research and access to government documents, but more importantly, uses the penal press materials created by prisoners themselves and an interview with one of the founding penal press editors to provide a unique and unprecedented analysis.

Disruptive Prisoners is grounded in the lived experiences of men who were incarcerated in federal penitentiaries in Canada and argues that they were not merely passive recipients of intervention. Evidence indicates that prisoners were active agents of change who advocated for and resisted the initiatives that were part of Canada's New Deal in Corrections. While prisoners are silent in other criminological and historical texts, here they are central figures: the juxtaposition of their voices with the official administrative, parliamentary, and government records challenges the dominant tropes of progress and provides a more nuanced and complicated reframing of the post-Archambault Commission era.

The use of an alternative evidential base, the commitment of the authors to integrating subaltern perspectives, and the first-hand accounts by prisoners of their experiences of incarceration makes this book a highly readable and engaging glimpse behind the bars of Canada's federal prisons.

Disruptive Prisoners reconstitutes the history of Canada's federal prison system in the mid-twentieth century through a process of collective biography - one involving prisoners, administrators, prison reformers, and politicians. This social history relies on extensive archival research and access to government documents, but more importantly, uses the penal press materials created by prisoners themselves and an interview with one of the founding penal press editors to provide a unique and unprecedented analysis.

Disruptive Prisoners is grounded in the lived experiences of men who were incarcerated in federal penitentiaries in Canada and argues that they were not merely passive recipients of intervention. Evidence indicates that prisoners were active agents of change who advocated for and resisted the initiatives that were part of Canada's New Deal in Corrections. While prisoners are silent in other criminological and historical texts, here they are central figures: the juxtaposition of their voices with the official administrative, parliamentary, and government records challenges the dominant tropes of progress and provides a more nuanced and complicated reframing of the post-Archambault Commission era.

The use of an alternative evidential base, the commitment of the authors to integrating subaltern perspectives, and the first-hand accounts by prisoners of their experiences of incarceration makes this book a highly readable and engaging glimpse behind the bars of Canada's federal prisons.