Created in 1934, the Coit Tower murals were sponsored by the Public Works of Art Project (PWAP), the first of the New Deal art programs. Twenty-five master artists and their assistants worked there, most of them in buon fresco, Nearly all of them drew upon the palette and style of Diego Rivera. The project boosted the careers of Victor Arnautoff, Lucien Labaudt, Bernard Zakheim, and others, but Communist symbols in a few murals sparked the first of many national controversies over New Deal art.

Sixty full-color photographs illustrate Robert Cherny's history of the murals from their conception and completion through their evolution into a beloved San Francisco landmark. Cherny traces and critiques the treatment of the murals by art critics and historians. He also probes the legacies of Coit Tower and the PWAP before surveying San Francisco's recent controversies over New Deal murals.

An engaging account of an artistic landmark, The Coit Tower Murals tells the full story behind a public art masterpiece.

Created in 1934, the Coit Tower murals were sponsored by the Public Works of Art Project (PWAP), the first of the New Deal art programs. Twenty-five master artists and their assistants worked there, most of them in buon fresco, Nearly all of them drew upon the palette and style of Diego Rivera. The project boosted the careers of Victor Arnautoff, Lucien Labaudt, Bernard Zakheim, and others, but Communist symbols in a few murals sparked the first of many national controversies over New Deal art.

Sixty full-color photographs illustrate Robert Cherny's history of the murals from their conception and completion through their evolution into a beloved San Francisco landmark. Cherny traces and critiques the treatment of the murals by art critics and historians. He also probes the legacies of Coit Tower and the PWAP before surveying San Francisco's recent controversies over New Deal murals.

An engaging account of an artistic landmark, The Coit Tower Murals tells the full story behind a public art masterpiece.

• Winner of a Silver Medal from the Independent Publisher Book Awards
• Won Honorable Mention for 2023 ILHA Book of the Year (International Labor History Association)

The iconic leader of one of America's most powerful unions, Harry Bridges put an indelible stamp on the twentieth century labor movement. Robert Cherny's monumental biography tells the life story of the figure who built the International Longshore and Warehouse Union (ILWU) into a labor powerhouse that still represents almost 30,000 workers.

An Australian immigrant, Bridges worked the Pacific Coast docks. His militant unionism placed him at the center of the 1934 West Coast Waterfront Strike and spurred him to expand his organizing activities to warehouse laborers and Hawaiian sugar and pineapple workers. Cherny examines the overall effectiveness of Bridges as a union leader and the decisions and traits that made him effective. Cherny also details the price paid by Bridges as the US government repeatedly prosecuted him for his left-wing politics.

Drawing on personal interviews with Bridges and years of exhaustive research, Harry Bridges places an extraordinary individual and the ILWU within the epic history of twentieth-century labor radicalism.

A succinct study in which the author combines a knowledge of the standard works in the field with original research and new insights and analysis....[H]is book is a serious and intelligent one that students, scholars, and a general public can read with pleasure and profit. -Martin Ridge, Annals of Iowa It is the best short biography of Bryan now available....Cherny's treatment of Bryan and Darrow at the Scopes trial is fair, and his concluding chapter, 'Evuluating a Crusader, ' is very well balanced. -Ferenc M. Szasz, Ohio History Cherny argues that Bryan helped transform the Democratic Party from the conservatism of Grover Cleveland to the progressivism of Woodrow Wilson....Cherny has traced Bryan's life in short compass and in a fashion that works well for the studnet and general reader. -R. Hal Williams, Western Historical Quarterly Three times the Democratic Party's nominee for president (1896, 1900, and 1908), and Secretary of State under Woodrow Wilson, William Jennings Bryan voiced the concerns of many Americans left out of the post-Civil War economic growth. In this book, Robert W. Cherny traces Bryan's major political crusades for a new currency policy, prohibition, and women's suffrage, and against colonialism, monopolies, America's entry into World War I, and the teaching of evolution in the public schools. Drawing on Bryan's writings and correspondence, Cherny presents Bryan's key role in the Democratic Party's transformation from a proponent of minimal government to an advocate of active government. Robert W. Cherny is Professor of History at San Francisco State University. He is the author of Populism, Progressivism, and the Transformation of Nebraska Politics, 1885-1915 and coauthor of San Francisco, 1865-1932.

Often Gilded-Age politics has been described as devoid of content or accomplishment, a mere spectacle to divert voters from thinking about the real issues of the day. But by focusing too closely on dramatic scandals and on the foibles of prominent politicians, many historians have tended to obscure other aspects of late nineteenth-century politics that proved to be of great and long-term significance.

With the latest scholarship in mind, Professor Cherny provides a deft and highly readable analysis that is certain to help readers better understand the characteristics and important products of Gilded-Age politics. Topics covered include: voting behavior; the relation between the popular will and the formation of public policy; the cause and effect of the deadlock in national politics that lasted from the mid-1870s to the 1890s; the sources of political innovation at state and local levels; and the notable changes wrought during the 1890s that ushered in important new forms of American politics.

Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter. Robert W. Cherny's masterful biography of Arnautoff braids the artist's work with his increasingly leftist politics and the tenor of his times. Delving into sources on Russian migr s and San Francisco's arts communities, Cherny traces Arnautoff's life from refugee art student and assistant to Diego Rivera to prominence in the New Deal's art projects and a faculty position at Stanford University. As Arnautoff's politics moved left, he often incorporated working people and people of color into his treatment of the American past and present. In the 1950s, however, his participation in leftist organizations and a highly critical cartoon of Richard Nixon landed him before the House Un-American Activities Committee and led to calls for his dismissal from Stanford. Arnautoff eventually departed America, a refugee of another kind, now fleeing personal loss and the disintegration of the left-labor culture that had nurtured him, before resuming his artistic career in the Soviet Union that he had fought in his youth to destroy.

Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter. Robert W. Cherny's masterful biography of Arnautoff braids the artist's work with his increasingly leftist politics and the tenor of his times. Delving into sources on Russian migr s and San Francisco's arts communities, Cherny traces Arnautoff's life from refugee art student and assistant to Diego Rivera to prominence in the New Deal's art projects and a faculty position at Stanford University. As Arnautoff's politics moved left, he often incorporated working people and people of color into his treatment of the American past and present. In the 1950s, however, his participation in leftist organizations and a highly critical cartoon of Richard Nixon landed him before the House Un-American Activities Committee and led to calls for his dismissal from Stanford. Arnautoff eventually departed America, a refugee of another kind, now fleeing personal loss and the disintegration of the left-labor culture that had nurtured him, before resuming his artistic career in the Soviet Union that he had fought in his youth to destroy.

• Winner of a Silver Medal from the Independent Publisher Book Awards
• Won Honorable Mention for 2023 ILHA Book of the Year (International Labor History Association)

The iconic leader of one of America's most powerful unions, Harry Bridges put an indelible stamp on the twentieth century labor movement. Robert Cherny's monumental biography tells the life story of the figure who built the International Longshore and Warehouse Union (ILWU) into a labor powerhouse that still represents almost 30,000 workers.

An Australian immigrant, Bridges worked the Pacific Coast docks. His militant unionism placed him at the center of the 1934 West Coast Waterfront Strike and spurred him to expand his organizing activities to warehouse laborers and Hawaiian sugar and pineapple workers. Cherny examines the overall effectiveness of Bridges as a union leader and the decisions and traits that made him effective. Cherny also details the price paid by Bridges as the US government repeatedly prosecuted him for his left-wing politics.

Drawing on personal interviews with Bridges and years of exhaustive research, Harry Bridges places an extraordinary individual and the ILWU within the epic history of twentieth-century labor radicalism.

In 1911 as progressivism moved toward its zenith, the state of California granted women the right to vote. However, women's political involvement in California's public life did not begin with suffrage, nor did it end there. Across the state, women had been deeply involved in politics long before suffrage, and--although their tactics and objectives changed--they remained deeply involved thereafter. California Women and Politics examines the wide array of women's public activism from the 1850s to 1929--including the temperance movement, moral reform, conservation, trade unionism, settlement work, philanthropy, wartime volunteerism, and more--and reveals unexpected contours to women's politics in California. The contributors consider not only white middle-class women's organizing but also the politics of working-class women and women of color, emphasizing that there was not one monolithic women's agenda, but rather a multiplicity of women's voices demanding recognition for a variety of causes.